Count de Chagnie has discovered Christine's singing talent on a market place and sent her to his friend Carriere, the director of the Parisian opera. However just when she arrives ... See full summary »
Having relocated to a vivacious amusement resort in Coney Island, The Phantom of the Paris Opera House uses a pseudonym to invite renowned soprano Christine Daaé to perform. She and her ... See full summary »
Margo hilariously portrayed by Margot Kidder arriving in Mexico to see ailing father who soon dies; but not before telling her of a stolen treasure buried years ago in a ghost-town. Margo ... See full summary »
Quinn shows up at an apartment building in Paradise, a small backwoods community in Puerto Rico, purporting to be the new caretaker the owner has been expecting. He gets right to work, ... See full summary »
Andrew Lloyd Webber's CATS, the most famous musical of all time, first exploded onto the West End stage in 1981. 'Memory', one of its many classic songs, became an instant worldwide hit. ... See full summary »
Count de Chagnie has discovered Christine's singing talent on a market place and sent her to his friend Carriere, the director of the Parisian opera. However just when she arrives Carriere's dismissed. His arrogant successor refuses to let a woman of low birth sing in his opera, but graciously employs Christine as gadrobiere for his wife Charlotta, who's installed as first singer. He also fights the phantom, an unknown guy who lives since many years in the catacombs below the opera and was granted privileges by Carriere. However the phantom knows how to defend himself and at the same time helps Christine to her career. Written by
Tom Zoerner <Tom.Zoerner@informatik.uni-erlangen.de>
Only one of the operas used in the film is of French composition: "Faust" by Charles-François Gounod. See more »
Christine Daae's last name is mispelled on one of the posters for the production of "Faust" inside the opera house. See more »
Erik The Phantom of the Opera:
Now, listen to me. For as long as I can remember, ever since I was a child, I have dreamed of her. Now, people are born for many things, Gerard. I was born to live, if one can call this living, down here. But until now, I have never known quite why. I was born so that she could save me, for that's what she's done. She is the reason I was born! I love her, Gerard! And I believe in time, with any luck, she will learn to love me. It would be a cruel God indeed to have sent her ...
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1990 two-part Brit film, made for TV to take advantage of the interest in the then hit Broadway musical. This one is not a musical, but has numerous excellent operatic scenes. A young Comte, patron of the opera, hears a beautiful singer at a country fair, sends her to the impresario of the opera house to arrange for singing lessons. That manager has just been dismissed, succeeded by a scurrilous couple played by jealous, demanding soprano Andréa Ferréol and her husband, fawning Ian Richardson. He's in a very different role for him, which couldn't keep out his usual officious nature behind a very strange semi-Italian accent! I imagine he relished every second of it. Ferréol demands the leading roles in every opera, refuses to give lovely ingenue Teri Polo lessons, but lets her stay on as her costume girl and dresser to lesser players. Veteran character actor Charles Dance does a fine job as Erik, the Phantom, as does Burt Lancaster as the ousted manager. Unlike that famous organ scene in the Lon Chaney 1925 silent, we never see Erik's face. When he is unmasked, his back remains to the camera. I've seen most if not all of the film "Phantoms" and deem this the finest of all. Direction, sets, locations are all absolutely outstanding. The TV film originally ran on two different nights, with complete, long opening titles and closing credits run both times. The first installment ends suddenly with the huge chandelier crashing down on opera patrons. Tres abrupt! Viewers must fiddle around with controls to jump to the "next scene", the film's concluding half, and sit through those titles again. Should have been re-edited for home viewers. But the performance itself is well worth it, after one figures all this out. A very strange trailer is included as the third CD "scene".
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