Count de Chagnie has discovered Christine's singing talent on a market place and sent her to his friend Carriere, the director of the Parisian opera. However just when she arrives ... See full summary »
Count de Chagnie has discovered Christine's singing talent on a market place and sent her to his friend Carriere, the director of the Parisian opera. However just when she arrives Carriere's dismissed. His arrogant successor refuses to let a woman of low birth sing in his opera, but graciously employs Christine as gadrobiere for his wife Charlotta, who's installed as first singer. He also fights the phantom, an unknown guy who lives since many years in the catacombs below the opera and was granted privileges by Carriere. However the phantom knows how to defend himself and at the same time helps Christine to her career. Written by
Tom Zoerner <Tom.Zoerner@informatik.uni-erlangen.de>
Based on a musical by Arthur Kopit and Maury Yeston. The idea for this U.S. version came about around the same time Ken Hill's version was playing in England. When Andrew Lloyd Webber produced his own version a couple of years later, the Kopit/Yeston idea was shelved. When Andrew Lloyd Webber's version came to the U.S., they realized that the two shows had different basic elements and direction. The show was revived as a television movie, using real operatic sequences instead of Yeston's score, and later brought to life as the complete stage play with Yeston's score, as originally intended. Thus three different versions were made (2 U.K. and 1 U.S) with Webber's being far more successful. See more »
Christine Daae's last name is mispelled on one of the posters for the production of "Faust" inside the opera house. See more »
If your looking for mindless gore and horror, look elsewhere. If you are looking for a phenomenal story, incredible cinematography, lavish costumes, superb acting, and all the elements from Phantom of the Opera that you've ever wanted to see wrapped up in imaginative, risk-taking dialog, see this one. Charles Dance is the perfect blend of sympathetic monster and mad, love obsessed gentleman. He loves deeply with an innocent passion. Teri Polo plays Christine with such angelic sweetened and bitter remorse, you'll love, hate, and love her character time and again. Add to that Burt Lancaster's majesty and Andréa Ferréol's over-the-top performance as Carlotta, and this is the strongest PotO cast I have ever seen. Plus, you get to hear real opera beautifully sung throughout the film.
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