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12 out of 12 people found the following comment useful :-
Smashing stuff - an excellent mixture of brawn and brains., 8 May 2002
9/10
Author: vkn from Amsterdam

The main complaint from those who dislike Patlabor; the movie is that it's too slow and dull. Not to act like the brighter-than-thou intello snob here, but this never even remotely bothered me. Maybe it's because there are enough riveting action scenes to counterbalance the slower ones, or because a lot of the non-action scenes are spent on a believeable build-up to make the finale all the more poignant, while throwing in genuinely interesting issues and fleshing out the likeable characters in a very entertaining way. Or maybe it's because I saw Patlabor 2 first, which makes this first film seem lightning quick in comparison. All the same, I really don't see what there is to complain about. Patlabor takes the time needed to establish a coherent storyline, and the viewer is amply rewarded by a big and very thrilling dose of action in the end, made all the more involving by the intricate prior build-up that we've been following. Even after several viewings, I find myself fully satisfied at the film's end, and perhaps even intellectually stimulated, without this demanding excessive efforts on my behalf. True, this is at times a talky and rather philosophical film, but nothing that the average viewer should find impossible to sit through (that is, unless I'm being too optimistic in my views on general human intelligence and the world really is overrun by bovine straight jocks who's attention cannot last two minutes without massive explosions on-screen).

Mamoru Oshii's direction style has a reputation of being very slow and broody. From what I've seen of his work, this is quite true. So far, Patlabor is the movie where this style worked best for me, as everything fitted together very nicely, delivering an excellently balanced combo of entertainment and mental fodder (other films by him show his personal touch more clearly but are less 'easily accessible').

That is far from the only praiseworthy point in Patlabor, however. Animation and artwork are pleasingly solid overall, ascending to excellent levels when the intricately crafted scenes with the mecha come into play. Kudos to the music as well, which does it's thing very nicely. The fast pieces for the action scenes are especially good for the way they're so full of energy. It also does a very good job of establishing the Patlabor universe for the non-initiated viewer. This movie is but one gear in the works of a much larger franchise; Patlabor has spawned several TV and video series over the years, but the viewer is adequately told who is who and where they are to be able to follow the movie without prior experience.

The clever bit about the Patlabor universe is it's a down-to-earth, credible view of what the world might look like if there was such a thing as giant robots. The robots are not overly fanciful, nor are they even the defining factor in everyone's life. Despite Noah's attachment to her Labor which she named Alphonse, the robots serve as little more than bigger, stronger versions of everyday vehicles and machines, with not one infantile giant laser weapon in sight (that said, their design is very cool, including enough striking elements in their otherwise workmanlike and realistic appearance to be very noteworthy). It's still the little people that make the most difference and are the real stars in the Patlabor world. Top marks for originality, there.

The same thing goes for the film's plot: after the suicide of a certain Eiichiro Hoba, an increased number of incidents involving Labors gone berserk begins to spread over Japan. Our heroes are a somewhat whacky squad of anti Labor-crime officers (the 'mobile police', who operate with their Patrol Labors, or Patlabors) who gradually unravel the entire plot behind this wave of labor malfunctions, and the true disaster that this is building up to - a disaster of such magnitude that it may well signal doomsday if the one building that will trigger it off isn't destroyed by hand and by Labor in the little time that is left. There's far more to the story than just that - there are the likeable hi-jinks of the heroes along the way, as well as the more broody look at Hoba's motivations that get exposed by a private eye, packed with deep reflections and religious symbolism (a so-called 'Babylon Project' to build a new district for Tokyo over the water plays a large part in the film, to name but one example).

It probably -is- more of a thinking man's giant robot anime in the end. But this should be noted as great praise, rather than a complaint from those too stupid to appreciate it. Everything is well-crafted, involving and enjoyable enough to make for a very impressive film that can be recommended to everyone except complete numbskulls. I'd almost go so far as to claim that anyone who doesn't realise the great qualities of this film must be out of his mind, but that would be just petty personal vengeance on my behalf. You see, with the way this film is so excellent, stylish and highly likeable overall, I'm afraid I've rather fallen in love with it. Well worth checking out, at any rate.

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5 out of 5 people found the following comment useful :-
STRENGTH LIES IN ITS ORIGINAL AND COMPLEX STORY, 17 June 2002
8/10
Author: ryurik-1 from The South

I have a small collection of anime which is growing exponentially now, thanks in part to my renewed interest in the genre after viewing this film. What separates this from many anime is its unique use of the Mecha or "Labors" in its plot, instead of just the same robot battle fair that we've all seen. The movie does not center around action but around the actual story and the characters as they work together (and sometimes against each other) to solve the big mystery in time to stop a terrible threat to Tokyo and possibly the entire world. Great film. I am going to buy the second one this week; I hear it is even better.

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5 out of 5 people found the following comment useful :-
incredible animated movie, 11 September 1999
10/10
Author: Yonhap S from Philippines

Japanese animation has become very popular in the past few years. Somehow, it also gained the notoriety for "extreme" sex and violence, though it's a misconception that all Japanese animation is about that. Yet, animation in general is viewed as a kids only fare.

I recommend anyone to watch Patlabor: the movie. It has a very mature storyline. When I mean mature, I meant well-thought out story that can leave you thinking.

In the future, giant industrial utility robots called labors are used throughout Japan. Those in the law enforcement department use labors called Patlabors (patrol labors). Lately, there are reports of labors running amuck on its own. From this point we follow the heroes in a detective like story.

There are no nudity, violence is pretty tame compared to your half-hour dose of Mighty Morphin' Power Rangers (a series also a byproduct of Japan, I know but I'm not here to discuss my distaste for the Rangers) TV show. What we have is a straight-forward mystery as the story unravels what is going on. It also explores about man and technology and how it's like the Tower of Babel in biblical literature.

The movie is based on the tv show and comic. I only got to see a few episodes of the show. The movie, like the show, do not have the robots dominating the story, thus focusing more on the human characters. Watching the movie, I almost feel like I'm watching a PG/PG-13 live-action movie. Akira and Ghost in the Shell also have a deep story in them, it's not as involving perhaps they were covered so much cinematic effects (and sex and violence?). Patlabor blew me away in that it successfully simply told an honest-to-goodness story without being covered in so much effects.

The verdict: 5 of 5 stars.

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4 out of 4 people found the following comment useful :-
Great Sci-Fi/Detective fiction!, 18 June 2002
10/10
Author: (hunterrose@hotmail.com) from New York State

I was fortunate enough to come across this video early in my exploration of Japanese animation. It was also the first video where I began to take notice of the greatly different pacing that the Japanese have in terms of plot & character developement. This is a story about a scientist that commits suicide after creating a virus that will eventually cause giant robots known as Labors to malfunction and lay waste about them. (Labors are manned, humanoid machines used in heavy lifting, construction and peacekeeping (domestic & military) tasks.) The action is split between the policemen who struggle to contain the destruction as the first infected Labors begin to malfunction and a pair of detectives who painstakingly retrace the dead doctors last steps before his suicide. If you're looking for something to cut your anime teeth on that's not too outlandish.. I highly recommend this video!

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3 out of 3 people found the following comment useful :-
An intelligent manga movie that makes you wish the TV series was shown in Britain, 3 December 1999
Author: Mark Treuthardt from London

Isaac Asimov meets Akira in this detective-oriented science-fiction Japanese Manga film. Set in the near-future, Tokyo is undergoing a huge re-development program: old suburbs are being demolished and man-made islands are being constructed in Tokyo Bay. Most of the work is being done by giant man-operated robots called Labors. Labors are prone to go out of control and cause chaos, so units of the Police force have been set up to deal with them. These units, divided into squadrons, also use giant robots to tackle the out-of-control Labors. Asuma Shinohara is a sergeant in Second Squadron, who discovers that the crazy behaviour of the Labors is due to a bug in their operating system which was deliberately put in by Eiichi Hoba, the OS programmer. Hoba has since committed suicide confidant that his plan to destroy Tokyo will take effect...

Patlabor is typical Manga with plenty of action and violence, but also a good deal of appeal and characters. These range from Asuma, quick-tempered and insubordinate, but a good detective; Captain Goto, the quietly manipulative commanding officer; and Officer Noa Izumi, Asuma's long-suffering, child-like colleague-cum-girlfriend, who ultimately saves the day.

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2 out of 2 people found the following comment useful :-
An inventive movie set in an alternate future..., 8 October 2006
8/10
Author: prowl-7 from Canada

This movie is widely considered a masterpiece. The story is set in an alternate history where by the late 90's Japan is using large robots called "laborers" in the Military, but also in municipal functions like construction, and especially, the Police.

Something is causing laborers in Japan to go berserk and reject human control, sending them on a rampage. It's up to the people of Special Vehicles Section 2 to discover the cause before it's too late! Some may be disappointed by the fact that the laborers for which the title gets it's name aren't featured in every single scene: this film is not about constant fighting and action, though the action scenes that do exist are very well done and fascinating. Because this is more of a crime/mystery movie instead of hardcore action, people with different tastes may not enjoy it as much.

This was the first anime movie I ever saw and it got me hooked with it's completely original story and lovable characters and robots! Certainly an animation masterpiece!

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2 out of 2 people found the following comment useful :-
Anime spectacular, 14 August 2006
10/10
Author: plonkman from United Kingdom

While I was only about 12 when I first saw this movie, I think it is fair to say that I initially enjoyed the ending scenes (aboard the Ark)due to the labour action- and because of this, I wasn't quite as keen on the second one.

It's a film that hits on many levels- younger audiences will enjoy it for the robots, while more mature viewers will become wrapped up in the cunning, socio-political plot with more twists and turns then a labour wiring diagram.

Make of it what you will, everyone will see something differet but either way, its 100 minutes well spent.

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1 out of 1 people found the following comment useful :-
Patlabor's first cinema., 28 September 2007
Author: emasterslake from United States

It's the year 1999, the world we live in has Labors(human operated robot carriers) used for construction and giving mankind an easier living style. After The suicide of a mysterious man from the massive constructing Babylon Project a computer virus was created to infect the Labors. And make them cause havoc on their own free will. Which leads to Section 2 of the Patlabor team in investigating this incident. Before the Tokyo district faces it's destruction.

I first saw this movie back in 2005, and it imminently got me into the franchise. Which I had no idea it existed before. Compared to the popular TV series. This movie has all the characters we all recognized and know. Only the theme to this movie is more serious than the theme of the TV show. In other words more seriousness and less comedy.

But that didn't change the plot a bit. As the movie does have some great and believable moments in it, that make you forget it's animated. Plus it's directed by Masumo Oshii who was one of the dudes who made this franchise possible. And really knows how to make it the way it should.

If you like a unique Sci-Fi anime or interested in seeing something new. Patlabor the Movie has been highly recommended by various websites. It's enjoyable even if you don't know the series.

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5 out of 9 people found the following comment useful :-
This movie is terrific but not for everyone., 11 April 2000
9/10
Author: sfaddict (spacemanjw@yahoo.com) from St. John's, Newfoundland

Patlabor 1: Mobile Police is my favorite anime film. This movie is however not for everyone. This film is for those of us who can take the time to step back from the break-neck pace of today's world and think about just where the heck we are headed. Despite being a giant robot film-this film is not action-packed. It focuses more on the political and social issues facing our world. There are stunning visuals throughout the film and religious references. These references include BABEL and BABYLON. Those of us who studied religion may know the significance of those two words. Just think about that and you begin to comprehend this film's depth. I want to end this by quoting a song by Pop Will Eat Itself that always reminds of this movie-"Burn Babylon Burn"

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2 out of 4 people found the following comment useful :-
Anime for adult viewers, 21 November 2003
Author: AMIO-PatricioMunoz from Toronto, Ontario

It's for an adult audience. A younger audience may appreciate the few 'labor' fighting sequences, but the Patlabor movies generally do not center on the robots, but on the detective work of its crew.

Truthfully, I'm a little disappointed because I rented these movies hoping that they would focus more on the robots. I was looking for action and fast paced animation with cool angles and a good back-story. Instead I found a movie that focuses on the crew members instead. The robots ARE the back-story. For the most part, I can live with that.

I did enjoy the first Patlabor movie more than the second one. The 'labors' played a bigger role in this movie and thusly there was a good balance between them and the crew members. In Patlabor 2 the robots were showcased very briefly.

All I can think of is one thing: If the creators are not going to focus on the robots, then why mention them in the title? Why mention them at all? One could re-write the second movie to completely eliminate the 'labor' robots and the story would still hold with barely a scratch.

If you are planning to watch any of the Patlabor movies then remember that it is not an action/anime movie about 'labor' robots and their crew. Rather, it can best be described as a futuristic detective story that happen to be in a time where 'labor' robots are around and in use. It will involve your attention.

It's not an ideal movie for those interested in getting into Anime films. I'd only recommend Patlabor to an older, anime-experienced, audience.

Interesting Note: On the DVD, read the subtitles and then watch the English version (or visa-versa). In many cases you will find scenes where the characters are talking about a completely different topic. It's quite fascinating.

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