Overseas
(1990)
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Overseas
(1990)
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| Cast overview, first billed only: | |||
| Nicole Garcia | ... |
Zon
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Marianne Basler | ... |
Gritte
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Brigitte Roüan | ... |
Malène
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Philippe Galland | ... |
Paul
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Yann Dedet | ... |
Gildas
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| Bruno Todeschini | ... |
Maxime
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Pierre Doris | ... |
Oncle Alban
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Monique Mélinand | ... |
Tante Léonie
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Coralie Seyrig | ... |
Martine
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Jean-Louis Tribes | ... |
Olivier
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Jean-Claude de Goros | ... |
Roger Lopez, le régisseur
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Georges Fricker | ... |
Antoine Pelissier
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Jean-Marie Marion | ... |
Le danseur de paso
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Silvana de Faria | ... |
La femme de Maxime
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Zappy Max | ... |
Le père
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In French Algeria, after WWII, three daughters of wealthy settlers begin their adult lives. Zon marries an often absent sailor. Malene's husband, Gildas, refuses to work in the farm, so she has to take care of everything. Gritte, the youngest, does not want to marry and is a nurse for the natives. We will follow their three different destinies. Written by Yepok
The most effective movies don't always call attention to themselves, and this excellent, if sometimes difficult, French import is a perfect case in point. The choppy continuity and haphazard chronology demand more than a little patience, challenging viewers to follow a story which jumps back and forth over several decades without allowing any time to assimilate the characters: three sisters living in French Algeria (one of them played by the director herself), whose gradually disintegrating lives parallel the decline of French influence in the region. But stick with it long enough and the disjointed design gradually coheres into a deliberate structure, repeating (Rashomon-like) key moments of the story from the point of view of each sister, and revealing a little more detail and meaning with each repetition. Writer-director Brigitte Rouan adds some astute criticisms of French colonialism, which can easily be applied to any empire-building nation (including our own). Moviegoers accustomed to having their hand held might want to steer clear: the film is complex, subtle, and understated to an extreme.