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A coming of age story of a young boy, who is left to live with his grandfather. His grandfather is a famous painter and with fame comes a grand lifestyle with a lot of parties and woman. The boy learns about life, women and sex.
Based on the novel by Ernest Hemingway. Santiago goes out on his usual fishing trip and makes a huge catch, the biggest of his life. Then a shark attacks and tries to steal his catch. Santiago battles with the shark for days. He returns to the shore beaten, tattered and torn, and his catch consisting now of mostly bones. Written by
Jason Ihle <email@example.com>
Not much actually happens in this movie: an old man Santiago (Anthony Quinn) has not caught a fish in over eighty trips, goes out for one last trip and catches a huge fish. By doing so, he discovers, perhaps for the first time, the insignificance of human beings in the overall scheme of things. It is a testament to Anthony Quinn's performance in the central role that our interest is sustained; his range of facial expressions is positively wondrous, especially when alone on the boat with no one but himself to talk to. Director Jud Taylor also works hard to develop the spring-and-autumn relationship between Santiago and the boy Anderez (Paul Calderon), which prompts the old man to consider his own behavior as an old men when he believed that he was virtually impregnable. The story has a Hemingwayesque figure in the form of Tom Pruitt (Gary Cole), a writer who cannot leave Santiago's small community until he has discovered for himself just what motivates the old man. This role is a little superfluous, but at least shows why the author himself was interested in such an apparently insignificant story.
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