During a routine case in L.A., NY private investigator Harry D'Amour stumbles over members of a fanatic cult, who are waiting for the resurrection of their leader Nix. 13 years ago, Nix was... See full summary »
Kevin J. O'Connor,
A group of scientists have developed the Resonator, a machine which allows whoever is within range to see beyond normal perceptible reality. But when the experiment succeeds, they are immediately attacked by terrible life forms.
A community of mutant outcasts of varying types and abilities attempts to escape the attention of a psychotic serial killer and redneck vigilantes with the help of a brooding young man who discovers them. Based on the novel "Cabal" by Clive Barker. Written by
Keith Loh <firstname.lastname@example.org>
Though promised a cleaned up version of the extended VHS work-print dubbed "The Cabal Cut" in July, 2014 Scream Factory announced to the shock and thrill of fans that original film was found, restored at 4K and the entire film was re-cut under Barker's supervision finally ending a 24 year long plea for the "Directors Cut" to be released in two packages in Oct. 2014. See more »
When Decker and Lori meet in Midian, Decker takes off his mask. Before chasing Lori he puts the mask back on, with the mask's long neck flaps now hanging over his collar and necktie. But in the next shot, the neck flaps are neatly tucked underneath his tight shirt collar again. See more »
Not a horror movie: A monster movie, with affection.
What's fun about Barker's Nightbreed is that it's the story of a human on a rampage, a deadly threat to monsters everywhere. In this one, the monsters (the night breed of the title) are the "good" guys. It shares its sense of celebrating the different, the twisted, and the dark with the first Addams Family movie, and much of Tim Burton's work. It also has the goriness that one expects from a piece by Barker.
Especially fun is the performance by Cronenberg as the truly evil human doctor who is bent on destroying the Nightbreed. As happens in most classic monster movies, the villagers surround the monsters' castle with torches and pitchforks. Only this time, the modern setting replaces the castle with an old mausoleum and the rustic "weapons" with guns and bombs. And this time the sympathy you felt when you saw Frankenstein's monster burned in the windmill is the very center of the movie.
This isn't a masterpiece, and even Barker has done more interesting, and certainly more chilling, work. But it's pure fun, it looks great, and remains light without mocking itself. Worth a look!
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