During a routine case in L.A., NY private investigator Harry D'Amour stumbles over members of a fanatic cult, who are waiting for the resurrection of their leader Nix. 13 years ago, Nix was... See full summary »
Kevin J. O'Connor,
After a high school track runner, named Laura, suddenly dies from a heart attack after finishing a 30-second 200-meter race, a killer wearing a sweat suit and a fencing mask begins killing ... See full summary »
E. Danny Murphy
The residents of a suburban high-rise apartment building are being infected by a strain of parasites that turn them into mindless, sex-crazed fiends out to infect others by the slightest sexual contact.
As a series of strange and violent events start happening, an alcoholic policeman realizes that he has been turned into a werewolf as part of a larger plan, so he investigates with the help of his partner and his friend.
A community of mutant outcasts of varying types and abilities attempts to escape the attention of a psychotic serial killer and redneck vigilantes with the help of a brooding young man who discovers them. Based on the novel "Cabal" by Clive Barker. Written by
Keith Loh <email@example.com>
When the Pathologist is removing the rifle bullets from Aaron Boone's corpse in the morgue, they are clearly brand new and have not been fired into anything. The bullets would be "mushroomed" if they had hit a person. See more »
Clive Barker is, by far, the best horror writer of this century, and a fine visual artist as well. Few of the films made from his fiction are satisfactory "Clive Barker Experiences". This is partly because his main strength as a writer is, naturally, his use of language to provoke emotional reactions and to evoke very special moods above (beneath?) and beyond ordinary shock and revulsion. He raises horrific imagery and psychological situations to the level of poetry. This is not easy to do in film, a purely visual medium. The image of a monster or a monstrous act in film is a picture: there it is before you. A description of same in fiction can be given all sorts of depths and angles in the mind in writing. "Nightbreed" almost works as an adaptation of Barker's "Cabal". Unfortunately, as is apparent, most of Barker's budget was blown on the monsters (which are excellent movie monsters), with insufficient funds remaining for factors like cast. The actor who played the all-important role of Boone was not up to it at all. He conveyed almost nothing of the depth of Boone's torment, which exists on a number of levels. A talent should have been sought instead of a hunk. This is symptomatic of the film's weakness in general. Too many (albeit high-quality) monsters and too little time and attention spent on the basic human values (simply, character) which must underlie all fiction, no matter what its genre.
15 of 21 people found this review helpful.
Was this review helpful to you?