During a routine case in L.A., NY private investigator Harry D'Amour stumbles over members of a fanatic cult, who are waiting for the resurrection of their leader Nix. 13 years ago, Nix was... See full summary »
Kevin J. O'Connor,
Ireland will never be the same after Rawhead Rex, a particularly nasty demon, is released from his underground prison by an unwitting farmer. The film follows Rex's cross country rampage, ... See full summary »
Based on the gruesome novella Clive Barker wrote especially for Todd McFarlane's disturbing action figure line, Tortured Souls is the story of six Cenobite-like creatures: Agonistes, a ... See full summary »
A community of mutant outcasts of varying types and abilities attempts to escape the attention of a psychotic serial killer and redneck vigilantes with the help of a brooding young man who discovers them. Based on the novel "Cabal" by Clive Barker. Written by
Keith Loh <firstname.lastname@example.org>
When Decker and Lori meet in Midian, Decker takes off his mask. Before chasing Lori he puts the mask back on, with the mask's long neck flaps now hanging over his collar and necktie. But in the next shot, the neck flaps are neatly tucked underneath his tight shirt collar again. See more »
Clive Barker is, by far, the best horror writer of this century, and a fine visual artist as well. Few of the films made from his fiction are satisfactory "Clive Barker Experiences". This is partly because his main strength as a writer is, naturally, his use of language to provoke emotional reactions and to evoke very special moods above (beneath?) and beyond ordinary shock and revulsion. He raises horrific imagery and psychological situations to the level of poetry. This is not easy to do in film, a purely visual medium. The image of a monster or a monstrous act in film is a picture: there it is before you. A description of same in fiction can be given all sorts of depths and angles in the mind in writing. "Nightbreed" almost works as an adaptation of Barker's "Cabal". Unfortunately, as is apparent, most of Barker's budget was blown on the monsters (which are excellent movie monsters), with insufficient funds remaining for factors like cast. The actor who played the all-important role of Boone was not up to it at all. He conveyed almost nothing of the depth of Boone's torment, which exists on a number of levels. A talent should have been sought instead of a hunk. This is symptomatic of the film's weakness in general. Too many (albeit high-quality) monsters and too little time and attention spent on the basic human values (simply, character) which must underlie all fiction, no matter what its genre.
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