6.5/10
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124 user 174 critic

Nightbreed (1990)

A troubled young man is drawn to a mythical place called Midian where a variety of monsters are hiding from humanity.

Director:

Writers:

(novel), (screenplay)
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Popularity
4,971 ( 530)

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7 wins & 4 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
Anne Bobby ...
Lori Winston
...
...
Captain Eigerman
...
...
...
Catherine Chevalier ...
Rachel
Malcolm Smith ...
Ashberry
Bob Sessions ...
Pettine
...
Peloquin
Debora Weston ...
Sheryl Ann
...
Kinski
...
Ohnaka
Kim Robertson ...
Babette
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Storyline

A community of mutant outcasts of varying types and abilities attempts to escape the attention of a psychotic serial killer and redneck vigilantes with the help of a brooding young man who discovers them. Based on the novel "Cabal" by Clive Barker. Written by Keith Loh <loh@sfu.ca>

Plot Summary | Plot Synopsis

Taglines:

At last, the night has a hero. See more »

Genres:

Action | Fantasy | Horror

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

Release Date:

16 February 1990 (USA)  »

Also Known As:

Clive Barker's Nightbreed  »

Box Office

Budget:

$11,000,000 (estimated)

Opening Weekend:

$3,708,918 (USA) (19 February 1990)

Gross:

$8,862,354 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (The Cabal Cut) | (The Director's Cut)

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Horror writers John Skipp and Craig Spector have "cameos" as corpses in the hotel room scene. See more »

Goofs

When Decker and Lori meet in Midian, Decker takes off his mask. Before chasing Lori he puts the mask back on, with the mask's long neck flaps now hanging over his collar and necktie. But in the next shot, the neck flaps are neatly tucked underneath his tight shirt collar again. See more »

Quotes

Boone: Look we can make it out... but we need fighters
Lylesberg: We're not warriors
Boone: What about the beserkers?
Lylesberg: Madness, they're uncontrollable
Boone: Better yet... let them out. We are the tribes of the moon... you said so
Lylesberg: [Reminiscing] The tribes of the moon
[pauses then reluctantly]
Lylesberg: I'll release them
See more »

Connections

Referenced in The Making of 'The Frighteners' (1998) See more »

Soundtracks

Home on the Range
(uncredited)
Lyrics by Brewster M. Higley
Music by Daniel E. Kelley
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Intrigue, mystery and monstrosity.
13 July 2002 | by (Norrkoping, Sweden) – See all my reviews

It is interesting to see what people think of this movie, since it is, in fact, quite unique (though it bears some of the trademarks of Clive Barker's writing). Even though it might seem a bit cynical to say so, the movie is just intricate enough to deflect those that need standard Hollywood plot hooks, and layered, so that if you expect to be fed, you will see a normal monster flick with lots of monsters and a disjointed plot.

Those who need a linear, specific and untangled plot line will hate this movie, because the story lies, like in the novella, partially between the lines, or in this case, partially off screen, in comments and the imagination.

Another possible hang-up is the ending, of which I can say, without spoiling it, that it is not entirely good and not entirely bad. It is, in fact, not very defined at all, which I know sends some people into raging tantrums about that they didn't get to know what happened, but to me, and to many others, I'm sure, just adds another dimension to the story - the dimension of speculation, and, in addition, the point that great disruption has a tendency to cause ripples that extend quite far.

There is definitely moral here, but of a rather different kind than the standard Hollywood in-your-face-at-the-end-of-the-movie sort of display. Summing that moral up is simple, even though it is not quite that simply displayed; prejudice and the human tendency to hate the different.

I love this movie, even though, as many of the reviewers have noted, the expressions of the actors (with the exception of David Cronenberg, who does a wonderful appearance) are rather tacky. I'm not sure they are entirely to blame for their rickety appearance and lack of depth, though, seeing that these are common problems in converting literature to screenplay.

All in all, this is a great movie, provided that you do not expect it to be a standard horror movie.


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