Irreverent city engineer Behzad comes to a rural village in Iran to keep vigil for a dying relative. In the meanwhile the film follows his efforts to fit in with the local community and how he changes his own attitudes as a result.
Roushan Karam Elmi
After the earthquake of Guilan, the film director and his son, Puya, travel to the devastated area to search for the actors of the movie the director made there a few years ago, Khane-ye ... See full summary »
The movie focuses on one of the events in Zendegi Edame Darad (1992), and explores the relationship between the movie director, and the actors. The local actors play a couple who got ... See full summary »
Mohamad Ali Keshavarz,
The wife of Nasim, an Afghan immigrant in Iran, is gravely ill. He needs money to pay for her care, but his day labor digging wells does not pay enough. A friend connects Nasim to a two-bit... See full summary »
A hundred and fourteen famous Iranian theater and cinema actresses and a French star: mute spectators at a theatrical representation of Khosrow and Shirin, a Persian poem from the twelfth ... See full summary »
A semi-autobiographical account of Makmahlbaf's experience as a teenager when, as a 17-year-old, he stabbed a policeman at a protest rally. Two decades later, he tracks down the policeman he injured in an attempt to make amends.
Chosen by "Les Cahiers du cinéma" (France) as one of the 10 best pictures of 1991 (#05). See more »
When Sabzian and Makhmalbaf meet, there is a bundle in Sabzian's hand. He gets on the motorbike with the bundle in his hand. Later on, during their ride on the motorbike, the bundle is not there any more. See more »
A Russian nesting doll, a mise en abime, a mediation on the intense need to create, a riff on the impossibility of true "documentary", a loving snipe at the more ethnic or folklorical of the two great Iranian directors. A film where a can rolling down the street functions as a beautifully observed, understated poetic trope. A film that examines the whole notion of "image". A film that shows us the richness and depth of a society which we so often reduce to a series of negative clichés. A film with humor and compassion for all of its characters, but that doesn't bang you over the head with it. A radical approach to narrative which reconciles both post - narrative and post - post - narrative approaches to cinema. A film that makes you think, without slathering on any kind of "message". A film that brings up issues pertinent to film itself: questions of representation,storytelling, form, truth,etc. A freaking masterpiece!
19 of 26 people found this review helpful.
Was this review helpful to you?