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Nema-ye Nazdik (1990)

Not Rated | | Biography, Crime, Drama | 30 October 1991 (France)
The true story of Hussein Sabzian that impersonated the director Mohsen Makhmalbaf to convince a family they would star in his so-called new film.

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2 wins. See more awards »
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Cast

Cast overview, first billed only:
...
Himself
...
Himself
Abolfazl Ahankhah ...
Himself
Mehrdad Ahankhah ...
Himself
Monoochehr Ahankhah ...
Himself
Mahrokh Ahankhah ...
Herself
Nayer Mohseni Zonoozi ...
Herself
Ahmad Reza Moayed Mohseni ...
Hossain Farazmand ...
Reporter
Hooshang Shamaei ...
Taxi Driver
Mohammad Ali Barrati ...
Soldier
Davood Goodarzi ...
Sergeant
Haj Ali Reza Ahmadi ...
Judge
Hassan Komaili ...
Court Recorder
Davood Mohabbat ...
Court Recorder
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Storyline

Pretending to be Mohsen Makhmalbaf making his next movie, Hossain Sabzian enters the home of a well-to-do family in Tehran, promising it a prominent part in his next movie. The actual people involved in the incident re-enact the actual events, followed by the footage from the actual trial that took place. Written by Sam Tabibnia <samtab@uclink.berkeley.edu>

Plot Summary | Add Synopsis

Genres:

Biography | Crime | Drama

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

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Release Date:

30 October 1991 (France)  »

Also Known As:

Close Up  »

Box Office

Opening Weekend:

$2,670 (USA) (31 December 1999)

Gross:

$2,670 (USA) (31 December 1999)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Chosen by "Les Cahiers du cinéma" (France) as one of the 10 best pictures of 1991 (#05). See more »

Goofs

When Sabzian and Makhmalbaf meet, there is a bundle in Sabzian's hand. He gets on the motorbike with the bundle in his hand. Later on, during their ride on the motorbike, the bundle is not there any more. See more »

Connections

Featured in Stardust Stricken - Mohsen Makhmalbaf: A Portrait (1996) See more »

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User Reviews

This is a courtroom drama unlike any you may have seen.
25 June 2003 | by (United States) – See all my reviews

I find it amazing that this movie works as well as it does. The people in it are not actors. They are ordinary Iranian citizens who happened to be involved in a curious incident that aroused the interest of a very talented film director. As an American who is aware of the tension between Iran's government and its vibrant film industry, you can't help but to scour this simple story for an ideological message. Is it a protest film? Is it an "all is well with Iran" film? Well, it's not either. It's just a simple and relatively mundane story told by the people who actually lived it.

What I got out of it, and your mileage may vary, is a deep sense that there is something beautiful about seeing a relatively small matter as an event of deep significance, one that requires all your attention. There is no larger story that gives meaning to the small events portrayed in the film, but the people in it, as well as the filmmakers themselves, imbue them all with a great seriousness. All of it is done without a hint of parody or ulterior motive.

And it's not like Iran didn't have "big" issues to confront in 1990, as it was rebuilding its society after the brutal war with Iraq. The cheap and obvious thing to do, which many foreign movies try, is to tell a simple story with a background of an emotionally charged historical time. It's quite beautiful to see this movie avoid that trap. It's not like you'll be moved to tears or something, but that's a part of the point! In a way, the film's ostensible lack of manipulativeness is so fresh to American eyes that you might find yourself moved on a much deeper level. Well, that, or you might be totally confused. After all, there is no background score to instruct you on how you should be feeling at each instant.


17 of 20 people found this review helpful.  Was this review helpful to you?

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