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Close-Up (1990)
"Nema-ye Nazdik" (original title)

8.2
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Ratings: 8.2/10 from 5,275 users  
Reviews: 26 user | 52 critic

Pretending to be Mohsen Makhmalbaf making his next movie, Hossain Sabzian enters the home of a well-to-do family in Tehran, promising it a prominent part in his next movie. The actual ... See full summary »

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Title: Close-Up (1990)

Close-Up (1990) on IMDb 8.2/10

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Edit

Cast

Cast overview, first billed only:
Hossain Sabzian ...
Himself
...
Himself
Abolfazl Ahankhah ...
Himself
Mehrdad Ahankhah ...
Himself
Monoochehr Ahankhah ...
Himself
Mahrokh Ahankhah ...
Herself
Nayer Mohseni Zonoozi ...
Herself
Ahmad Reza Moayed Mohseni ...
Hossain Farazmand ...
Reporter
Hooshang Shamaei ...
Taxi Driver
Mohammad Ali Barrati ...
Soldier
Davood Goodarzi ...
Sergeant
Haj Ali Reza Ahmadi ...
Judge
Hassan Komaili ...
Court Recorder
Davood Mohabbat ...
Court Recorder
Edit

Storyline

Pretending to be Mohsen Makhmalbaf making his next movie, Hossain Sabzian enters the home of a well-to-do family in Tehran, promising it a prominent part in his next movie. The actual people involved in the incident re-enact the actual events, followed by the footage from the actual trial that took place. Written by Sam Tabibnia <samtab@uclink.berkeley.edu>

Plot Summary | Add Synopsis

Genres:

Documentary | Drama

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

30 October 1991 (France)  »

Also Known As:

Nema-ye Nazdik  »

Box Office

Opening Weekend:

$2,670 (USA) (31 December 1999)

Gross:

$2,670 (USA) (31 December 1999)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Chosen by "Les Cahiers du cinéma" (France) as one of the 10 best pictures of 1991 (#05). See more »

Connections

References The Cyclist (1987) See more »

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User Reviews

 
The greatest film of our time
9 June 2006 | by (United States) – See all my reviews

A Russian nesting doll, a mise en abime, a mediation on the intense need to create, a riff on the impossibility of true "documentary", a loving snipe at the more ethnic or folklorical of the two great Iranian directors. A film where a can rolling down the street functions as a beautifully observed, understated poetic trope. A film that examines the whole notion of "image". A film that shows us the richness and depth of a society which we so often reduce to a series of negative clichés. A film with humor and compassion for all of its characters, but that doesn't bang you over the head with it. A radical approach to narrative which reconciles both post - narrative and post - post - narrative approaches to cinema. A film that makes you think, without slathering on any kind of "message". A film that brings up issues pertinent to film itself: questions of representation,storytelling, form, truth,etc. A freaking masterpiece!


16 of 21 people found this review helpful.  Was this review helpful to you?

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Hossain Sabzian since this film MrN
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