IMDb > "Agatha Christie's Poirot" The Mysterious Affair at Styles (1990)

"Agatha Christie's Poirot" The Mysterious Affair at Styles (1990)

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Overview

User Rating:
7.9/10   678 votes »
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Director:
Writers:
Agatha Christie (by)
Clive Exton (dramatized by)
(more)
Contact:
View company contact information for The Mysterious Affair at Styles on IMDbPro.
Original Air Date:
16 September 1990 (Season 3, Episode 1)
Genre:
Plot:
Hastings renews his friendship with Poirot and involves him in the mysterious poisoning of the mistress of a manor house married to a man twenty years her junior. Full summary » | Add synopsis »
Plot Keywords:
User Reviews:
Lovely to look at, difficult plot See more (10 total) »

Cast

 (Episode Cast) (in credits order) (complete, awaiting verification)

David Suchet ... Hercule Poirot

Hugh Fraser ... Lieutenant Hastings

Philip Jackson ... Inspector Japp

Beatie Edney ... Mary Cavendish

David Rintoul ... John Cavendish
Gillian Barge ... Mrs. Inglethorp
Michael Cronin ... Alfred Inglethorp
Joanna McCallum ... Evie Howard

Anthony Calf ... Lawrence Cavendish
Allie Byrne ... Cynthia Murdoch
Lala Lloyd ... Dorcas
Michael Godley ... Dr. Wilkins
Morris Perry ... Mr. Wells
Penelope Beaumont ... Mrs. Raikes
David Savile ... Summerhaye
Tim Munro ... Edwin Mace
Tim Preece ... Philips, K.C.
Merelina Kendall ... Mrs. Dainty
Bryan Coleman ... Vicar (as Brian Coleman)
Eric Stovell ... Chemist
Donald Pelmear ... Judge
Caroline Swift ... Nurse
Ken Robertson ... Army Officer
Michael Roberts ... Tindermans
Gordon Dulieu ... Clerk of the Court
Jeffrey Robert ... Foreman of the Jury
Robert Vowles ... Hire Car Driver
David Michaels ... Soldier
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Episode Crew
Directed by
Ross Devenish 
 
Writing credits
Agatha Christie (by)

Clive Exton (dramatized by)

Agatha Christie  novel (uncredited)

Produced by
Brian Eastman .... producer
Nick Elliott .... executive producer (as Nick Elliot)
 
Original Music by
Christopher Gunning 
 
Cinematography by
Vernon Layton (director of photography)
 
Film Editing by
Derek Bain 
 
Casting by
Rebecca Howard 
 
Production Design by
Rob Harris 
 
Art Direction by
Peter Wenham 
 
Set Decoration by
Carlotta Barrow 
 
Costume Design by
Linda Mattock 
 
Makeup Department
Kate Bower .... makeup artist
Patricia Kirkman .... makeup artist
Roseann Samuel .... makeup supervisor
Christine Vinter .... makeup artist
 
Production Management
Kieron Phipps .... production manager
Donald Toms .... production supervisor
 
Second Unit Director or Assistant Director
Adam Goodman .... second assistant director
Simon Hinkly .... first assistant director
Gilly Raddings .... third assistant director
 
Art Department
Ludmilla Barras .... production buyer
Paul Coletti .... construction
Steve Cookson .... stand-by props
Roy Dawson .... dressing props
Jim Guest .... dressing props
John Hitchens .... stand-by
George Holding .... stand-by
Tony Lenman .... construction
Mickey Lennon .... property master (as Micky Lennon)
Micky O'Toole .... dressing props
Caspian Owen .... buyer's clerk
Peter Paull .... stand-by
Les Peach .... construction manager
Rick Pozzilli .... dressing props (as Ricky Pozzilli)
Paul Stamp .... construction
Nick Walker .... storeman
Keith Warwick .... stand-by props
Stuart Wilson .... stand-by
Steve Woolhead .... construction
 
Sound Department
Colin Codner .... sound assistant
Peter Leonard .... effects editor
Mike Murr .... dialogue editor
Rupert Scrivener .... dubbing mixer
Martin Trevis .... boom operator
Ken Weston .... sound recordist
 
Camera and Electrical Department
Steve Alcorn .... camera operator (as Steven Alcorn)
Roy Branch .... electrician
Ray Cooper .... clapper/loader
John Etherington .... grip
Hugh Fairs .... focus puller
Micky Frow .... electrician
Peter Harris .... electrician
John Humphrey .... gaffer
Terry Maskell .... best boy
 
Casting Department
Kate Day .... casting assistant
 
Costume and Wardrobe Department
Jason Alper .... wardrobe
Marion Dring .... wardrobe
John Scott .... wardrobe
Vernon White .... wardrobe
 
Editorial Department
Gordon Greenaway .... second assistant editor
Andrew McClelland .... first assistant editor
 
Music Department
Mark Tucker .... assistant music scoring engineer (uncredited)
 
Other crew
John Beharrell .... production accountant
Marlene Butland .... production assistant
Penelope Forrester .... assistant accountant
Nigel Gostelow .... location manager
Monica Rogers .... production coordinator
Scott Rowlatt .... assistant location manager
Sheila Wilson .... script supervisor
 

Series Crew
These people are regular crew members. Were they in this episode?
Sound Department
Lionel Strutt .... adr mixer
 
Other crew
Mark Albela .... location manager
Daren Thomas .... location runner
 
Production CompaniesDistributorsOther Companies
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Additional Details

Runtime:
103 min | UK:100 min (14 episodes)
Country:
Language:
Color:
Black and White (archive footage) | Color
Certification:
Australia:M | UK:PG (video rating) (1991) (1999) (2005)

Did You Know?

Trivia:
'The Mysterious Affair at Styles' was Agatha Christie's first novel, published in 1920, and also her first to feature the character of Hercule Poirot.See more »
Goofs:
Continuity: When Poirot starts to rebuild the house of cards, he first leans two vertical cards against each other then leans the five of spades horizontally against them. However after a brief cut to Captain Hastings the horizontal card has changed to the two of spades.See more »
Quotes:
[repeated line]
Lieutenant Hastings:Good Lord!
See more »

FAQ

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6 out of 17 people found the following review useful.
Lovely to look at, difficult plot, 28 January 2006
Author: pawebster from England

A picturesque version of 1917 in England is beautifully evoked -- lovely scenery, vintage cars, perfect costumes. Poirot and Hastings are good and the story is absorbing, at least at first. You need to be very wide awake, however, to keep careful track of the characters and events. Agatha Christie herself commented (I think in her autobiography) that she had perhaps overloaded this, her first book, with clues. In the book, you have time to take all this in and can look back if necessary. This TV version has to cram it in at fairly high speed. This - along with the technical nature of the poisoning - means that the average viewer has very little chance of working out how the crime was done. Another problem is that there are quite a lot of characters, some of whom get very little screen time. It was a commendable act of piety to make this film for the centenary of Agatha Christie's birth, but perhaps the book is not really suitable for dramatization.

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Related Links

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