When police officer Xavier Quinn's childhood friend, Maubee, becomes associated with murder and a briefcase full of ten thousand dollar bills, The Mighty Quinn must clear his name. Or try to catch him, which could be even trickier.
An Indian family is expelled from Uganda when Idi Amin takes power. They move to Mississippi and time passes. The Indian daughter falls in love with a black man, and the respective families... See full summary »
Opens with Bleek as a child learning to play the trumpet, his friends want him to come out and play but mother insists he finish his lessons. Bleek grows into adulthood and forms his own band - The Bleek Gilliam Quartet. The story of Bleek's and Shadow's friendly rivalry on stage which spills into their professional relationship and threatens to tear apart the quartet. Written by
Spike Lee's latest 'joint' is a jazz variation of 'She's Gotta Have It', with the genders reversed: maladjusted trumpeter Bleek Gilliam (Denzel Washington) juggles two lovers while indulging an almost neurotic addiction to his music. His compulsive behavior is, presumably, a consequence of strict childhood practice habits, but if all work and no play have made Bleek a dull boy, the same can't be said of the film itself: Lee's self-conscious homage to music and fatherhood suffers from a dizzy overabundance of distracting, Scorsese-influenced 'style'. The film has been criticized for its stereotypical supporting roles, but the primary characters are likewise only skin deep. Except for some early childhood Freudian motivation, Bleek remains more or less a cipher, and his contrived, fantasy redemption (after a series of false endings, each one more lame than the last) seems tacked on only to provide a neat, symmetrical resolution.
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