With the help of a mysterious pill that enables the user to access 100 percent of his brain abilities, a struggling writer becomes a financial wizard, but it also puts him in a new world with lots of dangers.
Best-selling novelist Paul Sheldon is on his way home from his Colorado hideaway after completing his latest book, when he crashes his car in a freak blizzard. Paul is critically injured, but is rescued by former nurse Annie Wilkes, Paul's "number one fan", who takes Paul back to her remote house in the mountains (without bothering to tell anybody). Unfortunately for Paul, Annie is also a headcase. When she discovers that Paul has killed off the heroine in her favorite novels, her reaction leaves Paul shattered (literally)... Written by
Andrew Backhouse (andback74)
A dress worn by Kathy Bates in her roll as Annie Wilkes is on display at Planet Hollywood in Myrtle Beach, South Carolina. See more »
In the montage of shots indicating Paul's vast progress in the novel, we see a few shots of him writing the same paragraph over and over again, which begins, "for forty days and forty nights, Misery..." See more »
Anything else I can get for you while I am in town? How about a tiny tape recorder, or how about a homemade pair of writing slippers?
No, just the paper would be fine.
Are you sure? Because if you want I can bring back the whole store for you!
Annie, what's the matter?
WHAT'S THE MATTER? I will tell you "what's the matter!" I go out of my way for you! I do everything to try and make you happy. I feed you, I clean you, I dress you, and what thanks do I get? "Oh, you bought the wrong paper, Annie...
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I'LL BE SEEING YOU
Performed by Liberace
Courtesy of CBS Records, Music Licensing Department
Written by Irving Kahal and Sammy Fain
Published by Williamson Music Company and Bienstock Publishing Company, on behalf of Redwood Music Limited See more »
Shining, shocking dark comedy in the Hitchcock mold
Writer William Goldman and director Rob Reiner do Hitchcock proud with this one. It has all the elements: a seemingly innocent place and situation invaded by a growing sense of sinister dread until a breathtaking climax. The intelligent script is peppered with moments that will either make you cringe or make you laugh, depending on how morbid your sense of humor is. It is a harrowing movie to watch the first time around. The crew has done a good job of making you feel Paul Sheldon's pain. Few films torture the audience like this one. In fact, I venture to say this is the best film of its kind since "Psycho" thirty years earlier.
The acting is good all-round. Farnsworth steals every scene he's in with his sardonic and relentless sheriff - he did not get enough accolades for what would have been a routine part in a lesser actor's hands. Caan is solid and underplays beautifully, and the inimitable Kathy Bates carries the film with her alternately hysterical or ridiculously-sappy Annie, the psychotic Sheldon fan. Her performance is a throwback to Hollywood's old days - it's not subtle, not quiet, and borders on over-acting. This is not method acting, this is showing off. But Bates makes it work, investing Annie with enough pitifulness to make the character complex and, thus, hold the role together. This movie is famous, of course, for making Kathy Bates an overnight sensation as everybody went into the movie wanting to see what Sonny Corleone looked like as an older man, but left with accolades for Kathy Bates on their lips. She is absolutely terrifying and unforgettable in this role and perfect for it.
Brilliant performance that elevated a 7-star thriller to 9-10 classic status.
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