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Miller's Crossing (1990)

Tom Regan, an advisor to a Prohibition-era crime boss, tries to keep the peace between warring mobs but gets caught in divided loyalties.

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3 wins & 7 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Leo
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Al Mancini ...
Richard Woods ...
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O'Doole (as Thomas Toner)
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Mario Todisco ...
Clarence "Drop" Johnson
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Tad
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Storyline

Tom Reagan (played by Gabriel Byrne) is the right-hand man, and chief adviser, to a mob boss, Leo (Albert Finney). Trouble is brewing between Leo and another mob boss, Johnny Caspar (Jon Polito), over the activities of a bookie, Bernie Bernbaum (John Turturro) and Leo and Tom are at odds on how to deal with it. Meanwhile, Tom is in a secret relationship with Leo's girlfriend, Verna (Marcia Gay Harden), who happens to be the sister of Bernie. In trying to resolve the issue, Tom is cast out from Leo's camp and ultimately finds himself stuck in the middle between several deadly, unforgiving parties. Written by grantss

Plot Summary | Plot Synopsis

Taglines:

Up is down, black is white, and nothing is what it seems. See more »

Genres:

Crime | Drama | Thriller

Certificate:

R | See all certifications »

Parents Guide:

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Details

Country:

Language:

| | |

Release Date:

5 October 1990 (USA)  »

Also Known As:

De paseo a la muerte  »

Box Office

Budget:

$14,000,000 (estimated)

Gross:

$5,080,409 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The fight poster in Drop Johnson's apartment has as the under card a fight featuring "Bunky Knudsen." Semon "Bunkie" Knudsen was the President of Ford Motor Company in 1969, and before that a top executive at General Motors. the poster also includes the name Lars Thorvald, which is a reference to 'Alfred Hitchcock''s Rear Window (1954). See more »

Goofs

At 20 minutes into the film, when Tom Reagan pours his third drink at the bar, he never drinks it. When he walks away with the "full" drink in his hand, the glass is empty. See more »

Quotes

[repeated line]
Tom Reagan: I'll think about it.
See more »

Connections

References The Godfather (1972) See more »

Soundtracks

Goodnight, Sweetheart
Sung by Frank Patterson
Written by Rudy Vallee, Ray Noble, Jimmy Campbell (as James Campbell) and Reginald Connelly (as Reg Connelly)
Courtesy of EMI Feist Catalogue, Inc.
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Frequently Asked Questions

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User Reviews

 
The Intellectual's Gangster Film
24 May 2003 | by (New York) – See all my reviews

"I'm talkin' about friendship. I'm talkin' about character. I'm talkin' about--hell Leo, I ain't embarrassed to use the word--ethics." So Jon Polito, as crime-boss Johnny "Caspar," describes to his overlord, Albert Finney as "Leo," his point of view while seeking permission to kill a double-crossing underling (played by John Turturro) in the opening lines of __Miller's Crossing__. Had the script sought only to explore the power relationship between the two chief mobsters (one the rising Italian, the other the diminishing Irishman), this would have been a very good gangster film. It portrays an earlier era in the nation's history of organized crime (perhaps Chicago in the late '20s), and one can imagine Leo as the Irish predecessor of __The Godfather__'s Don Vito Corleone (Marlon Brando).

Just as __The Godfather__ was really about family relationships and the ethical complexities arising when familial loyalty collides with the business of violence, however, __Miller's Crossing__ is actually about, as Caspar tells us, friendship and character put under the enormous strain of that same business of violence. The film, therefore, centers on Leo's trusted adviser Tom (played flawlessly by the Irish actor Gabriel Byrne). Tom is not a gunsel, but the brain behind Leo's muscle. His decisions carry life and death consequences, however, and we watch him try to live with himself, to preserve his character, as he works out a code that will help him and his friends survive brutally violent upheavals. Critics of the film have cited its graphic cruelty and the seeming coldness of its characters, yet these are essential features in developing the film's theme.

Sentimentality might get any of the major characters killed, and one notes the pathos and dark humor that underline an ironic distance that each character, especially Tom, cultivates as a tool for survival.

Clues abound as we wonder what Tom will do next. Follow, for example, the men's hats over the course of the film. Who "keeps his lid on," so to speak, and who loses his? Note the number of times characters exclaim "Jesus!" or "Damn!" when saying the name "Tom." What has he sacrificed? Has he damned himself?

Spectacular action sequences, beautiful production values, top-notch camera work by Barry Sonnenfeld, a haunting musical score, and the best dialogue ever written by the Coen brothers make this a great gangster film. The fascinating and complex theme of friendship, character, and ethics make it one of the great films from any genre.


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