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Miller's Crossing (1990)

 -  Crime | Drama | Thriller  -  5 October 1990 (USA)
7.9
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Ratings: 7.9/10 from 91,126 users   Metascore: 66/100
Reviews: 283 user | 123 critic | 18 from Metacritic.com

Tom Regan, an advisor to a Prohibition-era crime boss, tries to keep the peace between warring mobs but gets caught in divided loyalties.

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, (uncredited)
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Title: Miller's Crossing (1990)

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Cast

Cast overview, first billed only:
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Leo
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Al Mancini ...
Richard Woods ...
Thomas Toner ...
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Mario Todisco ...
Clarence "Drop" Johnson
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Tad
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Lanny Flaherty ...
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Storyline

A highly styled 'genre' film which can perhaps be seen as a pastiche of all gangster movies. Tom Reagan is the laconic anti-hero of this amoral tale which is also, paradoxically, a look at morals within the criminal underworld of the 1930s. Two rival gangs vie for control of a city where the police are pawns, and the periodic busts of illicit drinking establishments are no more than a way for one gang to get back at the other. Black humour and shocking violence compete for screen time as we question whether or not Tom, right-hand man of the Irish mob leader, really has a heart. Written by <morry@argonet.co.uk>

Plot Summary | Plot Synopsis

Taglines:

You can dangle. See more »

Genres:

Crime | Drama | Thriller

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

| | |

Release Date:

5 October 1990 (USA)  »

Also Known As:

De paseo a la muerte  »

Box Office

Budget:

$14,000,000 (estimated)

Gross:

$5,080,409 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Cinematographer Barry Sonnenfeld told the Coen brothers that the forest scenes should be shot during overcast days only. The brothers did not want to delay the filming based on the weather, but as luck would have it, on all but one of the scheduled days, it was overcast anyway. Sonnenfeld further muted the colors by using Fuji film instead of Kodak for the forest scenes. In one scene, when the Dane, Tom, Frankie and Tic-Tac are in the woods at Miller's Crossing, some sunlight can be seen faintly and out of focus in the background. See more »

Goofs

Caspar repeatedly refers to Bernie as "the Schmatte" - Yiddish slang for "a worthless person". Bernie is Jewish, but an Italian gangster would never use a Yiddish word to refer to him. He would use an Italian epithet, instead. See more »

Quotes

Eddie Dane: You are so goddamn smart. Except you ain't.
See more »

Connections

Referenced in Homestarrunner.com: Everything Else, Volume 1 (2005) See more »

Soundtracks

Danny Boy
Music by Rory Dall O'Cahan (uncredited)
Lyrics by Frederick Edward Weatherly (uncredited)
Sung by Frank Patterson
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
The Jewel of the Coen Crown
8 July 1999 | by (Cincinnati, OH) – See all my reviews

One of the great undiscovered gems of recent movie history. In my opinion, Miller's crossing is easily the best of the Coen brothers' films, and one of the true classics of American cinema.

On the surface, the story of warring gangsters in 1920's America is one that has been told many times before. But never before has it been handled with such artistry and precision. The (rather violent) action scenes keep the movie going along at a brisk pace, and the camera work is every bit the equal of "Fargo".

I became a lifelong Gabriel Byrne fan as a result of this movie, despite his best efforts to disappoint me since. Byrne's Tom Reagan is a compellingly amoral character, who takes more unchallenged beatings than perhaps anyone in film history. Men beat him up. Women beat him up. Collection men, bookies, gangsters, and even his boss gives him a terrible thrashing, and he hardly lifts a finger in opposition (with one notably humorous exception).

Albert Finney is tremendous as Leo, the local crime boss. His "Danny Boy" scene should go down in film history as one of the greatest pieces ever filmed. Jon Polito is at once absurdly funny and threateningly psychotic as Johnny Caspar, Leo's rival in the turf war. J.E. Freeman, John Turturro, and Marcia Gay Harden all lend strong support in a cast that was assembled and performs to near perfection.

I will never understand why this film has not received more recognition and acclaim. As an example of the modern style of Film Noir, it has no equals ("The Usual Suspects" would rate a close second). Among gangster films, only "The Godfather" can compete, and "Miller's Crossing" features superior pacing and dialog, although it lacks "The Godfather's" epic proportions. Perhaps someday this film will receive, like "The Manchurian Candidate" and "Touch of Evil", the belated accolades it so richly deserves.


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