A highly styled 'genre' film which can perhaps be seen as a pastiche of all gangster movies. Tom Reagan is the laconic anti-hero of this amoral tale which is also, paradoxically, a look at morals within the criminal underworld of the 1930s. Two rival gangs vie for control of a city where the police are pawns, and the periodic busts of illicit drinking establishments are no more than a way for one gang to get back at the other. Black humour and shocking violence compete for screen time as we question whether or not Tom, right-hand man of the Irish mob leader, really has a heart. Written by
This is part of a small group of films that weren't edited by the Coen brothers themselves (under the pseudonym Roderick Jaynes) along with Tricia Cooke. Michael R. Miller was the editor. See more »
When the Dane goes to Verna's apartment, Verna pulls a gun out of her purse on the bed and points it at the Dane. He then slaps her hand with the gun, but the sound of the slap is clearly before the visual. See more »
What're you chewin' over?
Dream I had once. I was walkin' in the woods, I don't know why. Wind came up and blew me hat off.
And you chased it, right? You ran and ran, finally caught up to it and you picked it up. But it wasn't a hat anymore and it changed into something else, something wonderful.
Nah, it stayed a hat and no, I didn't chase it. Nothing more foolish than a man chasin' his hat.
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One of the great undiscovered gems of recent movie history. In my opinion, Miller's crossing is easily the best of the Coen brothers' films, and one of the true classics of American cinema.
On the surface, the story of warring gangsters in 1920's America is one that has been told many times before. But never before has it been handled with such artistry and precision. The (rather violent) action scenes keep the movie going along at a brisk pace, and the camera work is every bit the equal of "Fargo".
I became a lifelong Gabriel Byrne fan as a result of this movie, despite his best efforts to disappoint me since. Byrne's Tom Reagan is a compellingly amoral character, who takes more unchallenged beatings than perhaps anyone in film history. Men beat him up. Women beat him up. Collection men, bookies, gangsters, and even his boss gives him a terrible thrashing, and he hardly lifts a finger in opposition (with one notably humorous exception).
Albert Finney is tremendous as Leo, the local crime boss. His "Danny Boy" scene should go down in film history as one of the greatest pieces ever filmed. Jon Polito is at once absurdly funny and threateningly psychotic as Johnny Caspar, Leo's rival in the turf war. J.E. Freeman, John Turturro, and Marcia Gay Harden all lend strong support in a cast that was assembled and performs to near perfection.
I will never understand why this film has not received more recognition and acclaim. As an example of the modern style of Film Noir, it has no equals ("The Usual Suspects" would rate a close second). Among gangster films, only "The Godfather" can compete, and "Miller's Crossing" features superior pacing and dialog, although it lacks "The Godfather's" epic proportions. Perhaps someday this film will receive, like "The Manchurian Candidate" and "Touch of Evil", the belated accolades it so richly deserves.
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