Tom Reagan (played by Gabriel Byrne) is the right-hand man, and chief adviser, to a mob boss, Leo (Albert Finney). Trouble is brewing between Leo and another mob boss, Johnny Caspar (Jon Polito), over the activities of a bookie, Bernie Bernbaum (John Turturro) and Leo and Tom are at odds on how to deal with it. Meanwhile, Tom is in a secret relationship with Leo's girlfriend, Verna (Marcia Gay Harden), who happens to be the sister of Bernie. In trying to resolve the issue, Tom is cast out from Leo's camp and ultimately finds himself stuck in the middle between several deadly, unforgiving parties. Written by
When Tom visits Clarence Johnson, he searches for his flat number on the mail boxes. The last one of these belongs to Louis Medrano. Louis Medrano worked in the art department on the movie. See more »
At 20 minutes into the film, when Tom Reagan pours his third drink at the bar, he never drinks it. When he walks away with the "full" drink in his hand, the glass is empty. When he gets to the dressing room in the next scene the glass is full - almost to the top. Reagan only poured briefly at the bar, about one shot, not enough to possibly fill the glass. See more »
Hey, horses got knees?
I don't know... fetlocks.
Well if I was a horse, I'd be down on my fetlocks praying you don't bet on me.
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There are very few films that engulf the viewer and demand them to give their full attention. This is one of those rarities. While viewing this film one finds themselves sharing the same space and breathing the same air that the characters do. It's beautiful. It's the stuff of great story-telling.
I must admit, I am a great fan of Gabriel Byrne in anything, no matter what it is, so maybe I'm jaded. And as I have seen practically everything with him in it, I must say it is refreshing to see him work with an amazing cast and script to back up his talent.
And the music is terrific. How ironic to have "Danny Boy"-a sentimental grandparents' favorite- playing while machine guns are ripping apart mens' flesh. The cinematography is superb also. Not only do the characters speak in a language rich with visuals, they live in a moving painting.
This was one of those films where I watched all the way through the credits slack-jawed and was sad to see the film end. It's that good. I'm not especially a fan of gangster films but I am willing to make exceptions and Miller's Crossing is one of them.
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