The early life and career of Vito Corleone in 1920s New York is portrayed while his son, Michael, expands and tightens his grip on his crime syndicate stretching from Lake Tahoe, Nevada to pre-revolution 1958 Cuba.
A highly styled 'genre' film which can perhaps be seen as a pastiche of all gangster movies. Tom Reagan is the laconic anti-hero of this amoral tale which is also, paradoxically, a look at morals within the criminal underworld of the 1930s. Two rival gangs vie for control of a city where the police are pawns, and the periodic busts of illicit drinking establishments are no more than a way for one gang to get back at the other. Black humour and shocking violence compete for screen time as we question whether or not Tom, right-hand man of the Irish mob leader, really has a heart. Written by
The character Eddie Dane was originally written for Peter Stormare and was to be named The Swede. Stormare had to decline as he was appearing as Hamlet in the Broadway production. The part was then re-written and re-cast, and became The Dane. See more »
The robe that Verna wears when Tom visits her the morning after he loses his hat keeps changing positions between shots, alternately revealing and concealing her bra. See more »
There are very few films that engulf the viewer and demand them to give their full attention. This is one of those rarities. While viewing this film one finds themselves sharing the same space and breathing the same air that the characters do. It's beautiful. It's the stuff of great story-telling.
I must admit, I am a great fan of Gabriel Byrne in anything, no matter what it is, so maybe I'm jaded. And as I have seen practically everything with him in it, I must say it is refreshing to see him work with an amazing cast and script to back up his talent.
And the music is terrific. How ironic to have "Danny Boy"-a sentimental grandparents' favorite- playing while machine guns are ripping apart mens' flesh. The cinematography is superb also. Not only do the characters speak in a language rich with visuals, they live in a moving painting.
This was one of those films where I watched all the way through the credits slack-jawed and was sad to see the film end. It's that good. I'm not especially a fan of gangster films but I am willing to make exceptions and Miller's Crossing is one of them.
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