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Miller's Crossing (1990)

 -  Crime | Drama | Thriller  -  5 October 1990 (USA)
7.9
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Ratings: 7.9/10 from 91,176 users   Metascore: 66/100
Reviews: 283 user | 123 critic | 18 from Metacritic.com

Tom Regan, an advisor to a Prohibition-era crime boss, tries to keep the peace between warring mobs but gets caught in divided loyalties.

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Title: Miller's Crossing (1990)

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Cast

Cast overview, first billed only:
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Leo
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Al Mancini ...
Richard Woods ...
Thomas Toner ...
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Mario Todisco ...
Clarence "Drop" Johnson
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Tad
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Lanny Flaherty ...
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Storyline

A highly styled 'genre' film which can perhaps be seen as a pastiche of all gangster movies. Tom Reagan is the laconic anti-hero of this amoral tale which is also, paradoxically, a look at morals within the criminal underworld of the 1930s. Two rival gangs vie for control of a city where the police are pawns, and the periodic busts of illicit drinking establishments are no more than a way for one gang to get back at the other. Black humour and shocking violence compete for screen time as we question whether or not Tom, right-hand man of the Irish mob leader, really has a heart. Written by <morry@argonet.co.uk>

Plot Summary | Plot Synopsis

Taglines:

What's the rumpus? See more »

Genres:

Crime | Drama | Thriller

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

| | |

Release Date:

5 October 1990 (USA)  »

Also Known As:

De paseo a la muerte  »

Box Office

Budget:

$14,000,000 (estimated)

Gross:

$5,080,409 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The fight poster in Drop Johnson's apartment has as the under card a fight featuring "Bunky Knudsen." Semon "Bunkie" Knudsen was the President of Ford Motor Company in 1969, and before that a top executive at General Motors. the poster also includes the name Lars Thorvald, which is a reference to 'Alfred Hitchcock''s Rear Window (1954). See more »

Goofs

After The Dane punches Tom to the floor in Caspar's house and threatens to beat Mink's fate out of Tom, the line, "Is this how you taught Drop his story?" from Tom is dubbed over his unmoving lips. See more »

Quotes

Tom Reagan: Close your eyes ladies! I'm comin' in!
See more »


Soundtracks

Decatur Street Tutti
Written and Performed by Jabbo Smith
Courtesy of MCA Records
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Frequently Asked Questions

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User Reviews

 
The Jewel of the Coen Crown
8 July 1999 | by (Cincinnati, OH) – See all my reviews

One of the great undiscovered gems of recent movie history. In my opinion, Miller's crossing is easily the best of the Coen brothers' films, and one of the true classics of American cinema.

On the surface, the story of warring gangsters in 1920's America is one that has been told many times before. But never before has it been handled with such artistry and precision. The (rather violent) action scenes keep the movie going along at a brisk pace, and the camera work is every bit the equal of "Fargo".

I became a lifelong Gabriel Byrne fan as a result of this movie, despite his best efforts to disappoint me since. Byrne's Tom Reagan is a compellingly amoral character, who takes more unchallenged beatings than perhaps anyone in film history. Men beat him up. Women beat him up. Collection men, bookies, gangsters, and even his boss gives him a terrible thrashing, and he hardly lifts a finger in opposition (with one notably humorous exception).

Albert Finney is tremendous as Leo, the local crime boss. His "Danny Boy" scene should go down in film history as one of the greatest pieces ever filmed. Jon Polito is at once absurdly funny and threateningly psychotic as Johnny Caspar, Leo's rival in the turf war. J.E. Freeman, John Turturro, and Marcia Gay Harden all lend strong support in a cast that was assembled and performs to near perfection.

I will never understand why this film has not received more recognition and acclaim. As an example of the modern style of Film Noir, it has no equals ("The Usual Suspects" would rate a close second). Among gangster films, only "The Godfather" can compete, and "Miller's Crossing" features superior pacing and dialog, although it lacks "The Godfather's" epic proportions. Perhaps someday this film will receive, like "The Manchurian Candidate" and "Touch of Evil", the belated accolades it so richly deserves.


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