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3 out of 5 people found the following review useful:
Straight To Video Chick-Flick Horror Rental Twaddle, 8 April 2009
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Author:
Steve Nyland (Squonkamatic) from New York, USA
Pece Dingo's MIDNIGHT CABARET reveals it's hand early when the
fragrant, shaggable damsel at the focus of it's "story" (Lara
Harrington, looking fresh), a struggling actress named Tanya, finds
herself thrust into a nightmare vision where she is pursued through a
Gothic, fashionable Los Angeles by a straight edge razor wielding
vampire whom she had witnessed feeding off another hunk in a downright
sexual manner. He is stark naked, with plenty of rump shots as he
scuttles up various staircases in pursuit of her nightie-clad, rain
dampened body. Either the film is gay, or it's for the ladies, which
turns out to be the case by the second reel when we get to see her
apartment. It isn't a living space for a struggling actress, it's a
stylistic flourish dream pad that Mies Van Der Rohe would have had
trouble paying the rent on.
The premise for the film is actually interesting: A super high-class
nightclub/cabaret type of hotspot staging neo-Grand Guginol type
performances which blur the line between reality and dreams. Are the
performances for real or imaginary? The answer seems to be yes, they
are both. Everyone has perfect clothes, perfect hair, plenty of
cigarettes, and behave as though they were in a Duran Duran music
video. Which makes sense given the presence of lead actor Michael Des
Barres, who fronted a Duran Duran spin off band during the 1980s. He
glowers under his highly stylized hairdo, rasping in a mid Atlantic
half-British accent while intoning the Prince of Darkness, ironically
clad in a perfect white suit. His stage MC evokes a pre-heroin Boy
George, and everyone in the cast is apparently on the verge sleeping
together in the most casual of ways.
Slowly the dream imagery of the stage plays begins to spill over into
Tanya's fashionable life as she finds herself plagued by aspiring
rapists or hunky suitors who seem more interested in how they are being
lit than actually getting away with anything. Even the film's would-be
heroic cop, trying to get to the bottom of things after some untimely
deaths, swaggers through the frame in a $1500 knee length designer
jacket while wafting cigarette smoke through the diffused lighting. Is
he a real person or a functionary of her dream? The film seems more
interested in making us wonder if he'd be a good kisser more than how
he pays for his wardrobe. The fact that he never bothers to read the
lass her rights even when interrogating her over the coincidental
murders of everyone close to her suggest that he's either inept or
simply hot for a date.
The film gets one thing right which is putting the viewer into a state
of confusion over whether what we are watching is supposed to be part
of the nightclub act or reality, no easy feat since Ms. Harrington
spends an awful lot of time running blindly down empty city blocks
while always managing to look freshly showered. The story becomes
secondary to the imagery, which has more in common with a Nagel print
than it does a standard horror movie, with the complete absence of
exploitational female nudity eventually giving the film's agenda away,
which is to be respectable at all costs. Even when the characters are
having sex the film manages to avoid being sleazy or voyeuristic. Here
at last is a horror movie for couples, where all the guys are sensitive
minded beefcake and all of the women are resourceful, quick witted, and
have fantastic apartments. Nobody seems to have a job or need money,
people speak in hushed stage whispers or listen in turn attentively,
and hot chicks don't mind having 2nd hand smoke blown in their faces
because the smokers all look so great.
In other words I'm not the person to be reviewing this film. It's
poised, dramatic sensibilities are wasted on me and will find their
most appreciating audiences in fashion minded females in their mid 30s
who still go nightclubbing & are nostalgic for the 1990s. Guys watching
this will feel under-dressed and somewhat at a loss for what to say,
other than perhaps asking "So when do we get to see her tits?" You
never do, but afterward you might just find yourself in the mood for a
cup of International House French Vanilla coffee. And a cigarette.
4/10
Cabaret of the Devil., 14 January 2011
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Author:
HumanoidOfFlesh from Chyby, Poland
The action of "Midnight Cabaret" takes place in New York.A beautiful actress(Laura Harrington)becomes the suspect in the series of murders of her fellow co-workers.The police inspector(Bruce Wright)finds a Satanic cult who wants to get the actress pregnant with the Antichrist child.Pretty stylish but slightly unremarkable clone of "Rosemary's Baby" set in Grand Guignol theatre.I expected more suspense and gore,however "Midnight Cabaret" is relatively bloodless.Some set-pieces are beautiful to look at,though.No nudity and sleaze,so fans of more exploitative horror movies will be disappointed.Still I liked "Midnight Cabaret" for what it's.6 out of 10.
0 out of 3 people found the following review useful:
I loved Michael Des Barres and the ambiguity, 27 September 2004
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Author:
raissad (raissad@cox.net) from Arizona, USA
Anyone who is a fan of Michael Des Barres' darker roles should see this
-- It's as if they combined Murdoc from Cleo Rocks, Malcolm Graves from
Ghoulies, the Blue Moon Killer from The Pretender, the Dark Priest from
Charmed, and some LSD for good measure.
Don't let the cut-and-dried review on the back of the box fool you,
however. The film weaves dreams, real-life, and Cabaret theater scenes
together in such a way that you won't quite know what's what by the
end, and that's a good thing.
My one complaint is that the leading lady is a bit flat in her role,
but Des Barres more than compensates for her lack of screen presence.
0 out of 4 people found the following review useful:
One Great Movie, 22 August 2001
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Author:
reallygoofy76 (reallygoofy76@aol.com) from beloit, wi
I think all the actors in this movie were excellent. They had a great cast of characters. It really kept me on the edge of my seat. It was very moving. The set was my favorite cause I like unique places of setting. I havent seen any movie quite like it. Excellent piece of work.
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