Ted, a stuffy white guy from Illinois working in sales for the Barcelona office of a US corporation, is paid an unexpected visit by his somewhat less stuffy cousin Fred, who is an officer ... See full summary »
After college graduation, Grover's girlfriend Jane tells him she's moving to Prague to study writing. Grover declines to accompany her, deciding instead to move in with several friends, all... See full summary »
In an apartment on Manhattan a couple of friends from the New York upper-class meet almost every night to talk about social mobility, play bridge and discuss Fourier's socialism; the cynic Nick, the philosophical Charlie, party girl Sally and austenite Audrey. They are joined by Tom. His background is much simpler and he is critical of their way of life. But he finds a soul mate in Audrey, who without his knowledge falls in love with him. Written by
Will Kempe was originally cast as "Nick Smith". There is even an outtake of him in the role on the 2005 DVD. See more »
You can't listen to what your younger brother has to say. I can't think of anyone less an authority of female anatomy.
He can see... It's hideous.
No, it isn't. You're being very subjective. You know, there was a survey of girls your age some years ago and nearly all of them were convinced that either their behinds, or their noses, were grotesquely oversized. And there was no apparent correlation between this conviction and their actual size.
Really? They did a survey of that?
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Whit Stillman's movies are dialogue driven, which is not everyone's cup of tea. This is the first of a trilogy, all of which take a slice of life of young people coming of age, but in the cusp of a dying culture, with a new order and new responsibilities baring down on them. Here it's the prep and prom culture of New York's Upper East Side, sometime in the 70's. The participants dutifully go through the rights of Christmas Balls and 'orgy' week, act sophisticated, and generally do things and say things which are expected of them. An outsider, Tom, with radical social and intellectual ideas, enters their midst and becomes a catalyst of change here as a romance develops with Audrey. Tom, idealistic, insensitive and naive is embraced by Audrey, emotionally more mature but more vulnerable, accepting his sometimes preposterous social and literary speculation as a sign of substance in comparison to the increasingly jaded and cynical world of her preppy friends. A friendship develops also between Tom and Nick, the most cynical and pessimistic, but also the most aware and responsible, of the group. The conversations are lively and filled with insights into character and maturity. Nothing much happens in this film, but the intricate interplay of characters, dialogue and ambiance make for a fascinating and penetrating look at these young people's lives. It unfolds like a ballet. This is a fine film which doesn't rely on angst or melodrama-- and maintains a humor, poignancy and charm which makes it a rare achievement for the genre. Stillman's other two films in the trilogy are also highly recommended.
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