Ted, a stuffy white guy from Illinois working in sales for the Barcelona office of a US corporation, is paid an unexpected visit by his somewhat less stuffy cousin Fred, who is an officer ... See full summary »
After college graduation, Grover's girlfriend Jane tells him she's moving to Prague to study writing. Grover declines to accompany her, deciding instead to move in with several friends, all... See full summary »
In an apartment on Manhattan a couple of friends from the New York upper-class meet almost every night to talk about social mobility, play bridge and discuss Fourier's socialism; the cynic Nick, the philosophical Charlie, party girl Sally and austenite Audrey. They are joined by Tom. His background is much simpler and he is critical of their way of life. But he finds a soul mate in Audrey, who without his knowledge falls in love with him. Written by
Linda Gillies who played Audrey's mother is in real life the mother of Isabel Gillies who played Cynthia McLean. Linda got the role as Mrs. Rouget after Whit Stillman saw her during her visit on the set with her daughter and thought she looked motherly. See more »
You can't listen to what your younger brother has to say. I can't think of anyone less an authority of female anatomy.
He can see... It's hideous.
No, it isn't. You're being very subjective. You know, there was a survey of girls your age some years ago and nearly all of them were convinced that either their behinds, or their noses, were grotesquely oversized. And there was no apparent correlation between this conviction and their actual size.
Really? They did a survey of that?
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I saw "Metropolitan" a couple of months ago, was fairly impressed with it on its own talky, cerebral terms, and took it back to the video store. Since then, it's grown on me to the point where I have to place its script up there with the best of Chekhov and "The Big Chill." Concerning the Manhattan prep and deb season of some unspecified year past, "Metropolitan" transports your mind into a social order that exists just beyond our consciousness: where young socialites discuss Fourier without conviction, Jane Austen without having read her work, and love without never having really been in it. It's sweet, smart and touching all at the same time. The characters are flawed and doomed -- though, as one character notes, not doomed to failure, but just doomed to a normal, boring lifestyle -- and we can't help but love them for it. Go to Blockbuster and rent it tonight; if you can't find it there, go to Amazon, order it, and allow 1-2 weeks for delivery. It's that good. This was Whit Stillman's first of three similarly themed films; the second, "Barcelona," is subpar, but "The Last Days of Disco" closes the trilogy with a delicious return to form.
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