Ted, a stuffy white guy from Illinois working in sales for the Barcelona office of a US corporation, is paid an unexpected visit by his somewhat less stuffy cousin Fred, who is an officer ... See full summary »
Set in the 1790s, Love and Friendship centers on beautiful widow Lady Susan Vernon, who has come to the estate of her in-laws to wait out colorful rumors about her dalliances circulating ... See full summary »
Paris. Winter. One night, Antoine, a 22 year-old boy, decides to go to the seaside. All night long, dealing with drug and love, he will try to buy his train ticket, which will leave at the crack of dawn.
In an apartment on Manhattan a couple of friends from the New York upper-class meet almost every night to talk about social mobility, play bridge and discuss Fourier's socialism; the cynic Nick, the philosophical Charlie, party girl Sally and austenite Audrey. They are joined by Tom. His background is much simpler and he is critical of their way of life. But he finds a soul mate in Audrey, who without his knowledge falls in love with him. Written by
The female lead of Audrey was cast after the director's wife ran into Carolyn Farina while shopping at the Macy's store where Farina was working at the perfume section. She had no previous acting experience. See more »
You can't listen to what your younger brother has to say. I can't think of anyone less an authority of female anatomy.
He can see... It's hideous.
No, it isn't. You're being very subjective. You know, there was a survey of girls your age some years ago and nearly all of them were convinced that either their behinds, or their noses, were grotesquely oversized. And there was no apparent correlation between this conviction and their actual size.
Really? They did a survey of that?
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The film is compelling not because of a riveting story, special effects, or manufactured suspense, but because of sharply written characters whose personalities drive the story, rather than vice versa, extensive knowledge of its subject, and beautifully written dialogue.
The dialogue, by the way, is great not only for its intelligence and wit, but also because it instantly identifies a proudly unique writer. We can tell Mamet, because of his fractured phrases and rhythmic line readings. We know Smith because of his rapid-fire, fiery and profane writing, as well as his sensitivity. Tarantino is recognizable because of his pop-culture references. Whit Stillman writes characters who talk, often defiantly, in complete sentences, and say exactly what they mean, whether they're expressing their emotions, or shooting to kill.
Whit Stillman was nominated for an Academy Award for his screenplay for "Metropolitan" in 1991, and with "Barcelona" and "The Last Days of Disco", he's on a winning streak.
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