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Metropolitan (1990)
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Metropolitan (1990)

PG-13  |   |  Comedy, Drama, Romance  |  3 August 1990 (USA)
7.4
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Ratings: 7.4/10 from 6,650 users   Metascore: 73/100
Reviews: 51 user | 68 critic | 4 from Metacritic.com

A group of young upper-class Manhattanites are blithely passing through the gala debutante season, when an unusual outsider joins them and stirs them up.

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Title: Metropolitan (1990)

Metropolitan (1990) on IMDb 7.4/10

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Nominated for 1 Oscar. Another 7 wins & 4 nominations. See more awards »

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Cast

Cast overview, first billed only:
Carolyn Farina ...
Edward Clements ...
...
Nick Smith (as Christopher Eigeman)
...
Allison Parisi ...
...
Isabel Gillies ...
Bryan Leder ...
...
Ellia Thompson ...
Serena Slocum (as Elizabeth Thompson)
Stephen Uys ...
Victor Lemley
Roger W. Kirby ...
Man at Bar
Alice Connorton ...
Mrs. Townsend
Linda Gillies ...
Mrs. Rouget
John Lynch ...
Allen Green (as John Lynch)
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Storyline

In an apartment on Manhattan a couple of friends from the New York upper-class meet almost every night to talk about social mobility, play bridge and discuss Fourier's socialism; the cynic Nick, the philosophical Charlie, party girl Sally and austenite Audrey. They are joined by Tom. His background is much simpler and he is critical of their way of life. But he finds a soul mate in Audrey, who without his knowledge falls in love with him. Written by Mattias Thuresson

Plot Summary | Add Synopsis

Taglines:

Finally... A film about the downwardly mobile.

Genres:

Comedy | Drama | Romance

Certificate:

PG-13 | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

3 August 1990 (USA)  »

Also Known As:

Azok a New York-i báléjszakák  »

Filming Locations:

 »

Box Office

Budget:

$225,000 (estimated)

Gross:

$2,938,208 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.66 : 1
See  »
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Did You Know?

Trivia

This was the last film for most of the cast. Only three or four of the cast went on to have careers as actors. See more »

Quotes

[first lines]
Mrs. Rouget: You can't listen to what your younger brother has to say. I can't think of anyone less an authority of female anatomy.
Audrey Rouget: He can see... It's hideous.
Mrs. Rouget: No, it isn't. You're being very subjective. You know, there was a survey of girls your age some years ago and nearly all of them were convinced that either their behinds, or their noses, were grotesquely oversized. And there was no apparent correlation between this conviction and their actual size.
Audrey Rouget: Really? They did a survey of that?
Mrs. Rouget: Yes....
See more »

Connections

Referenced in The Last Days of Disco (1998) See more »

Soundtracks

I Need Love
Performed by Barbara Mason
Stilrun-Dandelion Music - BMI
Courtesy of Arctic Records
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User Reviews

 
A well-crafted East-Coast talkie...
18 September 2003 | by (Chapel Hill, NC, USA) – See all my reviews

METROPOLITAN has really aged well - I first saw this when it was released, and watching again a few days ago, it really stands up as something unique. Episodic and without much real plot - the only real forward motion in the film is to be found in the ending, which feels a little contrived, and is my only real gripe with this film.

At my first viewing, I didn't really want to like these characters, who all seem from another world - rich, young and good looking, carrying on through elaborate, banal, pseudo-intellectual conversations with a deadly confidence about their place in the world. But over the course of the film it becomes apparent that their secure perch in the upper echelons of the American elite isn't 100% set in stone, as an outsider is able to penetrate this rarefied universe, and manages to hold his own quite well, arousing suspicions (and battling shame over his own proletarian roots, and his battle between his own free-thinking idealism and his aggressive social climbing ambitions), but also making genuine friends among the cute young blue-bloods. Of course he isn't as smart as he thinks he is, and neither is anyone else in here, and they all know it even when behaving otherwise, which greatly humanizes these otherwise not-exactly-pleasant characters. On the strength of the dialog, METROPOLITAN has become something of a cult classic, and deservedly so.

In a strange way, METROPOLITAN is almost a companion piece to the surreal and disturbing documentary GREY GARDENS - both are centered upon characters from the well-bred, wealthy elite of American old-$ society. As METROPOLITAN insinuated that the security, intellect, status and wealth of its' characters isn't as rock-solid as the characters would like everyone to think, GREY GARDENS illustrates, in lurid detail just how psychologically destabilizing a precipitous fall from such a lofty, but artificial world would be - you could easily see an aged variant of one of METROPOLITAN's character's ending up like the Edies from GREY GARDENS.

The probable best from the very non-prolific Stilman, I strongly recommend.


15 of 18 people found this review helpful.  Was this review helpful to you?

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Was I the only one for Charlie? patmss
Does Nick die?? spb_x99
Carolyn Farina in New Stillman Movie mistermycroft
I think this movie is a masterpiece. Just_Opinions
Audrey mistermycroft
Edward Clements malcolmhardage
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