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Metropolitan (1990)
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Overview
User Rating:
Release Date:
3 August 1990 (USA) moreTagline:
Finally... A film about the downwardly mobile.Plot:
A group of young upper-class Manhattanites are blithely passing through the gala debutante season, when an unusual outsider joins them and stirs them up. full summary | add synopsisAwards:
Nominated for Oscar. Another 4 wins & 4 nominations moreNewsDesk:
(8 articles)
Inside the Astor Trial: Lord William Astor Testifies (From Huffington Post. 30 April 2009, 7:14 AM, PDT)
Chat Fests
(From Vanity Fair. 1 April 2009, 10:15 AM, PDT)
User Comments:
Absolutely delightful! moreCast
(Cast overview, first billed only)| Carolyn Farina | ... | Audrey Rouget | |
| Edward Clements | ... | Tom Townsend | |
| Chris Eigeman | ... | Nick Smith (as Christopher Eigeman) | |
| Taylor Nichols | ... | Charlie Black | |
| Allison Parisi | ... | Jane Clark | |
| Dylan Hundley | ... | Sally Fowler | |
| Isabel Gillies | ... | Cynthia McLean | |
| Bryan Leder | ... | Fred Neff | |
| Will Kempe | ... | Rick Von Sloneker | |
| Ellia Thompson | ... | Serena Slocum (as Elizabeth Thompson) | |
| Stephen Uys | ... | Victor Lemley | |
| Roger W. Kirby | ... | Man at Bar (Dick Edwards) | |
| Alice Connorton | ... | Mrs. Townsend | |
| Linda Gillies | ... | Mrs. Rouget | |
| John Lynch | ... | Allen Green (as John Lynch) |
Additional Details
Parents Guide:
Add content advisory for parentsRuntime:
98 minCountry:
USALanguage:
EnglishColor:
ColorSound Mix:
StereoFun Stuff
Trivia:
Whit Stillman started writing the script in the summer of 1984 and finished it in November of 1988. moreQuotes:
Man at Bar: The acid test is whether you take any pleasure in responding to the question "What do you do?" I can't bear it. moreSoundtrack:
Dry Your Eyes moreFAQ
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The film is compelling not because of a riveting story, special effects, or manufactured suspense, but because of sharply written characters whose personalities drive the story, rather than vice versa, extensive knowledge of its subject, and beautifully written dialogue.
The dialogue, by the way, is great not only for its intelligence and wit, but also because it instantly identifies a proudly unique writer. We can tell Mamet, because of his fractured phrases and rhythmic line readings. We know Smith because of his rapid-fire, fiery and profane writing, as well as his sensitivity. Tarantino is recognizable because of his pop-culture references. Whit Stillman writes characters who talk, often defiantly, in complete sentences, and say exactly what they mean, whether they're expressing their emotions, or shooting to kill.
Whit Stillman was nominated for an Academy Award for his screenplay for "Metropolitan" in 1991, and with "Barcelona" and "The Last Days of Disco", he's on a winning streak.