Ted, a stuffy white guy from Illinois working in sales for the Barcelona office of a US corporation, is paid an unexpected visit by his somewhat less stuffy cousin Fred, who is an officer ... See full summary »
Lester is an occasional substitute teacher and he's very jealous. He is jealous about the last boyfriend of Lester's slightly wacky current partner Ramona - arrogant best-selling author ... See full summary »
Set in the 1790s, Love and Friendship centers on beautiful widow Lady Susan Vernon, who has come to the estate of her in-laws to wait out colorful rumors about her dalliances circulating ... See full summary »
Ming of Harlem: Twenty One Storeys in the Air is an exploration of secret lives, behaviors and extreme levels of human-animal intimacy and communication, highlighting the "only in NY" story... See full summary »
In an apartment on Manhattan a couple of friends from the New York upper-class meet almost every night to talk about social mobility, play bridge and discuss Fourier's socialism; the cynic Nick, the philosophical Charlie, party girl Sally and austenite Audrey. They are joined by Tom. His background is much simpler and he is critical of their way of life. But he finds a soul mate in Audrey, who without his knowledge falls in love with him. Written by
Will Kempe was originally cast as "Nick Smith". There is even an outtake of him in the role on the 2005 DVD. See more »
You can't listen to what your younger brother has to say. I can't think of anyone less an authority of female anatomy.
He can see... It's hideous.
No, it isn't. You're being very subjective. You know, there was a survey of girls your age some years ago and nearly all of them were convinced that either their behinds, or their noses, were grotesquely oversized. And there was no apparent correlation between this conviction and their actual size.
Really? They did a survey of that?
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Of Austen, debs, Fourier, games, and the allure of Serena Slocum
Centering on the lives of wealthy, well-educated young women "coming out" as debutantes and on the equally wealthy, well-educated young men who attend deb parties as the girls' escorts, Whit Stillman's feature directing debut sparkles with incredible dialogue that always wavers between savage wit and heartfelt poignancy. Few who have seen the picture will forget its hilarious dissections of New York social classes, its elegant sense of vocabulary, or its caustic self-awareness. The thing I enjoy the most about Metropolitan (and the two subsequent films Stillman has made), however, is the verisimilitude with which the characters are rendered. I grew up far from the money and privilege of Metropolitan's inhabitants, but I could so easily relate to their fears, desires, and insecurities -- because Stillman never forgets to keep these kids human.
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