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Metropolitan (1990)

 -  Comedy | Drama | Romance  -  3 August 1990 (USA)
7.5
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Ratings: 7.5/10 from 6,149 users  
Reviews: 51 user | 64 critic

A group of young upper-class Manhattanites are blithely passing through the gala debutante season, when an unusual outsider joins them and stirs them up.

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Title: Metropolitan (1990)

Metropolitan (1990) on IMDb 7.5/10

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Nominated for 1 Oscar. Another 7 wins & 4 nominations. See more awards »

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Cast

Cast overview, first billed only:
Carolyn Farina ...
Edward Clements ...
...
Nick Smith (as Christopher Eigeman)
...
Allison Parisi ...
...
Isabel Gillies ...
Bryan Leder ...
...
Ellia Thompson ...
Serena Slocum (as Elizabeth Thompson)
Stephen Uys ...
Victor Lemley
Roger W. Kirby ...
Man at Bar
Alice Connorton ...
Mrs. Townsend
Linda Gillies ...
Mrs. Rouget
John Lynch ...
Allen Green (as John Lynch)
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Storyline

In an apartment on Manhattan a couple of friends from the New York upper-class meet almost every night to talk about social mobility, play bridge and discuss Fourier's socialism; the cynic Nick, the philosophical Charlie, party girl Sally and austenite Audrey. They are joined by Tom. His background is much simpler and he is critical of their way of life. But he finds a soul mate in Audrey, who without his knowledge falls in love with him. Written by Mattias Thuresson

Plot Summary | Add Synopsis

Taglines:

Finally... A film about the downwardly mobile.

Genres:

Comedy | Drama | Romance

Certificate:

PG-13 | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

3 August 1990 (USA)  »

Also Known As:

Azok a New York-i báléjszakák  »

Filming Locations:

 »

Box Office

Budget:

$225,000 (estimated)

Gross:

$2,938,208 (USA)
 »

Company Credits

Production Co:

,  »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

This was the last film for most of the cast. Only three or four of the cast went on to have careers as actors. See more »

Quotes

[first lines]
Mrs. Rouget: You can't listen to what your younger brother has to say. I can't think of anyone less an authority of female anatomy.
Audrey Rouget: He can see... It's hideous.
Mrs. Rouget: No, it isn't. You're being very subjective. You know, there was a survey of girls your age some years ago and nearly all of them were convinced that either their behinds, or their noses, were grotesquely oversized. And there was no apparent correlation between this conviction and their actual size.
Audrey Rouget: Really? They did a survey of that?
Mrs. Rouget: Yes....
See more »

Connections

References The Discreet Charm of the Bourgeoisie (1972) See more »

Soundtracks

I Need Love
Performed by Barbara Mason
Stilrun-Dandelion Music - BMI
Courtesy of Arctic Records
See more »

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User Reviews

 
A small treasure with real staying power
10 August 2002 | by (United Kingdom) – See all my reviews

I can say this film has staying power as I've seen it about half a dozen times in the 12 years since it came out; the most recent occasion was a week ago, and it still holds up, like a great play. It's all in the dialogue and acting: Stillman's idea of an action scene is someone opening a champagne bottle a little over-enthusiastically.

The characters are beautifully drawn, none of them perfect, none of them without some redeeming features. They seem very believable to an outsider from England. The dialogue is a never-ending delight, full of great one-liners, yes, but also some equally cherishable, marvellously pompous sermonising and theorising from these slightly preposterous yet strangely loveable people (particularly Charlie Black). It's not exactly a comedy, but I laughed out loud a lot more than I have in some films that have been trying desperately hard to make me titter.

For me the great mystery is this: whatever happened to this fine young cast?? Edward Clements has done virtually nothing since this film, ditto Carolyn Farina (apart from a small part in Age of Innocence); likewise Eigeman and Nichols, although the former seems to have racked up a few more credits, and the latter was in Boiler Room, although I didn't realise it was him until the credits rolled.

If you need action and plot, this film probably isn't for you. But anyone else can dive in and and enjoy a genuinely independent film that shows what can be done on limited resources. This film is worth more in my heart than the combined works of Joel Schumacher, Don Simpson and their tiresome, overblown ilk.


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