Loretta Castorini, a book keeper from Brooklyn, New York, finds herself in a difficult situation when she falls for the brother of the man she agreed to marry (the best friend of her late husband who died seven years previously).
Muriel finds life in Porpoise Spit, Australia dull and spends her days alone in her room listening to Abba music and dreaming of her wedding day. Slight problem, Muriel has never had a date... See full summary »
After yet another failed relationship, Mrs. Flax (Cher) ups her family to the east coast to start all over again. Reluctantly dragged along with her is her daughter Charlotte - going through a very confusing time of her life - who wants to become a nun, and instead falls in love with a quiet, mild-mannered church employee, to the mixed response of her mother. Set at around the time of the Kennedy Assassination. Written by
Paul Skerry <firstname.lastname@example.org>
Every shot, every nuance in this film is just right. That's mostly Richard Benjamin's doing, but the great cast got inspired -- maybe by the glowing fall colours, maybe by the nostalgic fashions of 1963 -- to really outdo themselves.
Richard Benjamin's direction deserves extra credit because he was not filming his own autobiography, the way François Truffaut was in 1959. Similarities in the two storylines encompass more than just the awkwardness of adolescence. (Charlotte watches the Singing Nun on television, while Antoine lights a candle before a holy image of Balzac.)
Cher is as good as she was earlier in "Moonstruck", while Winona exceeds her performance in "Welcome Home, Roxy Carmichael". And they both prove they can be pretty in pink.
Bob Hoskins and Cher have a genuine chemistry. Who ever would have predicted that they would make the ideal romantic couple?
If there's a better, truer, or funnier story of a girl's coming of age, I haven't been lucky enough to see it.
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