| Photos (See all 27 | slideshow) | Videos (see all 2) |
| Matthew Modine | ... | Capt. Dennis Dearborn | |
| Eric Stoltz | ... | Sgt. Danny "Danny Boy" Daly | |
| Tate Donovan | ... | 1st Lt. Luke Sinclair | |
| D.B. Sweeney | ... | Lt. Phil Lowenthal | |
| Billy Zane | ... | Lt. Val "Valentine" Kozlowski | |
| Sean Astin | ... | Sgt. Richard "Rascal" Moore | |
| Harry Connick Jr. | ... | Sgt. Clay Busby | |
| Reed Diamond | ... | Sgt. Virgil Hoogesteger (as Reed Edward Diamond) | |
| Courtney Gains | ... | Sgt. Eugene McVey | |
| Neil Giuntoli | ... | Sgt. Jack Bocci | |
| David Strathairn | ... | Col. Craig Harriman | |
| John Lithgow | ... | Lt.Col. Bruce Derringer | |
| Jane Horrocks | ... | Faith | |
| Mac McDonald | ... | Les (as Mac Macdonald) | |
| Jodie Wilson | ... | Singer | |
| Keith Edwards | ... | S-2 | |
| Steven Mackintosh | ... | Stan the Rookie | |
| Greg Charles | ... | Adjutant | |
| Bradley Lavelle | ... | Sergeant (as Bradley Lavell) | |
| Ben Browder | ... | Rookie Captain | |
| Mitch Webb | ... | Group Navigator | |
| Paul Birchard | ... | Lieutenant | |
| Bill Cullum | ... | Farmer | |
| Eric Loren | ... | Cook | |
| Cathy Murphy | ... | Jitterbugger | |
| Morag Siller | ... | Jitterbugger | |
| Steve Elm | ... | Footballer | |
| Jason Salkey | ... | Footballer | |
| Martin McDougal | ... | Footballer | |
| rest of cast listed alphabetically: | |||
| Greg Francis | ... | Bandleader (uncredited) | |
Directed by | |||
| Michael Caton-Jones | |||
Writing credits(WGA) | ||
| Monte Merrick | (written by) | |
Produced by | |||
| David Puttnam | .... | producer | |
| Eric Rattray | .... | associate producer | |
| Catherine Wyler | .... | producer | |
Original Music by | |||
| George Fenton | |||
Cinematography by | |||
| David Watkin | |||
Film Editing by | |||
| Jim Clark | |||
Casting by | |||
| Marion Dougherty | |||
| Juliet Taylor | |||
Production Design by | |||
| Stuart Craig | |||
Art Direction by | |||
| Norman Dorme | (supervising art director) | ||
| John King | |||
| Alan Tomkins | |||
Set Decoration by | |||
| Ian Giladjian | |||
Costume Design by | |||
| Jane Robinson | |||
Makeup Department | |||
| Anna Cobley | .... | makeup artist | |
| Pamela Haddock | .... | hair stylist | |
| Maureen Hannaford-Naisbitt | .... | hair stylist | |
| Joan Hills | .... | key makeup artist | |
| Meinir Jones-Lewis | .... | chief hair stylist | |
| Annie McEwan | .... | makeup artist (as Anne McEwan) | |
Production Management | |||
| Mary Richards | .... | production manager | |
| Steve Norris | .... | executive in charge of production (uncredited) | |
Second Unit Director or Assistant Director | |||
| James Devis | .... | second unit director: aerial unit | |
| Antony Ford | .... | third assistant director: aerial unit (as Anthony Ford) | |
| Cliff Lanning | .... | third assistant director | |
| Terry Needham | .... | assistant director: aerial unit | |
| Adam Somner | .... | third assistant director: aerial unit | |
| Gerry Toomey | .... | second assistant director | |
| Bill Westley | .... | first assistant director | |
| Kevin Westley | .... | second assistant director | |
| Natasha Ross | .... | trainee assistant director (uncredited) | |
Art Department | |||
| Alan Adams | .... | prop storeman | |
| Brian Bishop | .... | scenic artist | |
| Doug Bishop | .... | scenic artist | |
| Laurence Burns | .... | stand-by crew | |
| Anthony Caccavale | .... | stand-by crew | |
| Cloe Chloerty | .... | scenic artist | |
| Stan Cook | .... | dressing props | |
| Miranda Diamond | .... | art department researcher | |
| Peter Dorme | .... | art department assistant | |
| Bob Douglas | .... | dressing props | |
| Michael R. Driscoll | .... | supervising stagehand (as Michael Driscoll) | |
| Colin Fox | .... | drapes | |
| George Gibbons | .... | stand-by crew | |
| Peter Hancock | .... | property master | |
| Brian Hartnoll | .... | stand-by crew | |
| Robert Hill | .... | stand-by props | |
| Brian Humphrey | .... | dressing props | |
| Clive Ingleton | .... | lettering artist | |
| Michael Lamont | .... | assistant art director | |
| Leonard Lawrence | .... | supervising rigger | |
| Joe Lear | .... | supervising plasterer | |
| Bert Long | .... | assistant construction manager | |
| Steve Macdonald | .... | stand-by props (as Steve McDonald) | |
| Dave Midson | .... | dressing props (as David Midson) | |
| John Moore | .... | dressing props | |
| Jim Morahan | .... | draughtsman (as James Morahan) | |
| John O'Shaughnessy | .... | production buyer | |
| Gordon Phillips | .... | dressing props | |
| Michael G. Ploog | .... | storyboard artist (as Michael Ploog) | |
| Tony Rimmington | .... | draughtsman | |
| Ron Seers | .... | stand-by crew | |
| Arthur Smith | .... | supervising painter | |
| Bill Stallion | .... | storyboard artist | |
| Don Taylor | .... | stand-by crew | |
| Bob Walker | .... | lettering designs (as Robert Walker) | |
| Peter Wallis | .... | dressing props | |
| Bill Welch | .... | construction manager | |
| Paul Wescott | .... | supervising painter | |
| Alan Williams | .... | stand-by crew | |
| Tony Youd | .... | assistant construction manager (as Anthony Youd) | |
Sound Department | |||
| Paul Cridlin | .... | boom operator | |
| Michael Crouch | .... | sound effects editor | |
| Martin Evans | .... | dialogue editor | |
| Richard Finney | .... | sound maintenance | |
| Ian Fuller | .... | supervising sound editor | |
| Mark Holding | .... | sound recordist: aerial unit | |
| David John | .... | sound mixer | |
| Ray Merrin | .... | sound re-recording engineer | |
| Bill Rowe | .... | sound re-recording engineer | |
| Sandy Buchanan | .... | post-production sound assistant (uncredited) | |
| Andy Kennedy | .... | synclavier operator (uncredited) | |
Special Effects by | |||
| Richard Conway | .... | special effects supervisor | |
| Martin Grant | .... | special effects floor supervisor | |
| Bob Hollow | .... | senior special effects technician | |
| Brian Mann | .... | special effects editor | |
| Trevor Wood | .... | aerial rigs: aerial unit | |
| Andrew Eio | .... | special effects technician (uncredited) | |
| Dave Eltham | .... | special effects technician (uncredited) | |
| Steve Hamilton | .... | special effects floor supervisor (uncredited) | |
| David McCall | .... | special effects technician (uncredited) | |
| Nigel Nixon | .... | special effects model maker (uncredited) | |
Visual Effects by | |||
| John Addison | .... | stand-by crew: model unit | |
| Dennis Bartlett | .... | blue screen supervisor: model unit | |
| Nigel Brackley | .... | modeller and technician: model unit | |
| Terry Bridle | .... | modeller and technician: model unit | |
| Nicholas Brooks | .... | visual effects | |
| Mark Challenor | .... | assistant director: model unit (as Mark Challoner) | |
| Frank Clissold | .... | electrician: model unit | |
| Richard Conway | .... | director: model unit | |
| Peter Davy | .... | modeller and technician: model unit | |
| Steve Drevett | .... | travelling matte coordinator (as Steve Drewett) | |
| David Eithim | .... | modeller and technician: model unit | |
| Nick Finlayson | .... | modeller and technician: model unit | |
| Steve Hamilton | .... | modeller and technician: model unit (as Stephen Hamilton) | |
| John Holmes | .... | modeller and technician: model unit | |
| Bill Howe | .... | stand-by crew: model unit | |
| Alan Johnson | .... | stand-by crew: model unit | |
| David Jones | .... | focus puller: model unit | |
| Andrew Kelly | .... | modeller and technician: model unit | |
| Stuart King | .... | electrician: model unit | |
| Brian Lince | .... | modeller and technician: model unit | |
| David Litchfield | .... | camera operator: model unit | |
| Ray Lovell | .... | modeller and technician: model unit | |
| Roy Masters | .... | modeller and technician: model unit | |
| David McCall | .... | modeller and technician: model unit | |
| Ed McDermott | .... | electrician: model unit | |
| Mike McGillivray | .... | gaffer: model unit (as Michael McGillivray) | |
| Kaye Moss | .... | modeller and technician: model unit | |
| Keith Muir | .... | stand-by crew: model unit | |
| Terry Newvell | .... | stand-by crew: model unit | |
| Harry Oakes | .... | cameraman: model unit | |
| Stephen Onions | .... | modeller and technician: model unit | |
| Wally Parker | .... | stand-by crew: model unit | |
| Peter Pickering | .... | modeller and technician: model unit | |
| William Poynter | .... | stand-by crew: model unit (as Bill Poynter) | |
| Jonathan Richardson | .... | model unit trainee | |
| Mike Smith | .... | stand-by crew: model unit | |
| Vic Smith | .... | electrician: model unit | |
| Tony Strachan | .... | additional photographer: model unit | |
| Peter Talbot | .... | focus puller: model unit | |
| Jamie Thomas | .... | modeller and technician: model unit | |
| Keith Thomas | .... | focus puller: model unit | |
| Leslie Wheeler | .... | modeller and technician: model unit (as Les Wheeler) | |
| Tim Willis | .... | modeller and technician: model unit | |
| Ken Worringham | .... | blue screen technician: model unit (as Ken Warringham) | |
| Martin Body | .... | optical cameraman (uncredited) | |
| Zoe Cain | .... | optical effects technician (uncredited) | |
| Craig Chandler | .... | optical effects (uncredited) | |
| Alan Church | .... | optical cameraman (uncredited) | |
| Andrew Coates | .... | assistant optical camera (uncredited) | |
| Mark Gardiner | .... | motion control camera operator (uncredited) | |
| Antony Hunt | .... | executive producer: The Magic Camera Company (uncredited) | |
| Stuart Pitcher | .... | rostrum cameraman (uncredited) | |
| Janek Sirrs | .... | visual effects (uncredited) | |
| Val Wardlaw | .... | visual effects (uncredited) | |
Casting Department | |||
| Owens Hill | .... | additional casting: USA | |
| Patsy Pollock | .... | additional casting: UK | |
Costume and Wardrobe Department | |||
| Ken Crouch | .... | wardrobe assistant (as Kenny Crouch) | |
| Peter Edmonds | .... | wardrobe assistant: aerial unit | |
| Catherine Halloran | .... | wardrobe assistant | |
| David Murphy | .... | costume coordinator | |
| Philip Rainforth | .... | wardrobe assistant | |
| David Whiteing | .... | wardrobe assistant | |
| Kirsten Wing | .... | wardrobe mistress | |
| Bob Worth | .... | advisor: military costumes | |
| Richard Thomas | .... | costume painter (uncredited) | |
Editorial Department | |||
| Jude Andrews | .... | editor trainee | |
| Nick Moore | .... | first assistant editor | |
| Cressida Shaffer | .... | editor trainee | |
| Debbi Slater | .... | editor trainee (as Debbie Slater) | |
| Steve Spencer | .... | assistant editor (as Steven Spencer) | |
| Andy Stears | .... | assistant editor | |
| Len Tremble | .... | assistant editor | |
| Michael Trent | .... | assistant editor | |
| Bettina Woolgar | .... | assistant editor | |
Music Department | |||
| Jeff Atmajian | .... | orchestrator | |
| George Fenton | .... | orchestrator | |
| Keith Grant | .... | music recording engineer | |
| Geoff Young | .... | music recording engineer | |
| George Fenton | .... | conductor (uncredited) | |
| Greg Francis | .... | musical director: dance music (uncredited) | |
| Gerry O'Riordan | .... | assistant music engineer (uncredited) | |
Transportation Department | |||
| Mark White | .... | transportation | |
Other crew | |||
| Andy Andrews | .... | location cashier | |
| Simon Atherton | .... | armorer | |
| Barbara Back | .... | location manager: aerial unit | |
| Chris Bevan | .... | pilot: fighter | |
| Tania Blunden | .... | production coordinator (as Tania Windsor) | |
| Peter Brown | .... | consultant aeronautical engineer | |
| Paul Chaplin | .... | pilot: fighter | |
| Jean-Phillipe Chivot | .... | provider: B-17 Flying Fortress F-AZDX | |
| Don Clark | .... | pilot: B-17 Flying Fortress N-17W | |
| Susan d'Arcy | .... | unit publicist (as Susan D'Arcy) | |
| Allen Davies | .... | assistant accountant (as Allan Davies) | |
| Rob Dean | .... | pilot: fighter | |
| Walter Eichorn | .... | pilot: Messerschmitt 109 | |
| Andrew Fletcher | .... | armorer | |
| Roger A. Freeman | .... | technical advisor (as Roger Freeman) | |
| Tommy Garcia | .... | technical advisor | |
| Jean-Pierre Gattegno | .... | pilot: B-17 Flying Fortress F-BEEA | |
| Jo Gregory | .... | production accountant | |
| Stephen Grey | .... | pilot: P-51 Mustang | |
| Reg Hallam | .... | pilot: P-51 Mustang | |
| Mark Hanna | .... | aerial coordinator | |
| Mark Hanna | .... | pilot: fighter | |
| Ray Hanna | .... | chief pilot | |
| David Hillman | .... | title designer | |
| Allan James | .... | location manager | |
| Peter Jarvis | .... | pilot: fighter | |
| Peter John | .... | pilot: P-51 Mustang | |
| Tim Knatchbull | .... | production runner: aerial unit | |
| Suzanne McGeachan | .... | assistant continuity (as Sue Clegg) | |
| Rolf Meum | .... | pilot: P-51 Mustang | |
| Richard Morrison | .... | provider: titles | |
| Bruce Orriss | .... | technical advisor | |
| Julia Overton | .... | production assistant | |
| Hoof Proudfoot | .... | pilot: P-51 Mustang | |
| Bob Richardson | .... | pilot: B-17 Flying Fortress N-17W | |
| Julie Robinson | .... | continuity: aerial unit | |
| Anders Saether | .... | pilot: P-51 Mustang | |
| Jean Salis | .... | provider: B-17 Flying Fortress F-AZDX (as Jean Sallis) | |
| Elly Sallingboe | .... | provider: B-17 Flying Fortress G-BEDF | |
| Carl Schofield | .... | pilot: fighter (as Carl Scofield) | |
| Keith Sisson | .... | pilot: B-17 Flying Fortress G-BEDF (as Keith Sissons) | |
| Brian Smith | .... | pilot: fighter | |
| Alan Steele | .... | computer operator | |
| David Tallichet | .... | pilot: B-17 Flying Fortress N3703G | |
| David Tallichet | .... | provider: B-17 Flying Fortress N3703G | |
| Peter Thompson | .... | helicopter pilot | |
| David Toguri | .... | choreographer | |
| Alan Walker | .... | pilot: B-17 Flying Fortress G-BEDF | |
| Rebecca West | .... | publicity assistant | |
| Angela Wharton | .... | script supervisor (as Angela Noakes) | |
| Alan White | .... | photographic transparencies | |
| Marc Wolff | .... | helicopter pilot | |
| Mike Woodley | .... | aviation ground coordinator | |
| Jerry Grayson | .... | helicopter pilot (uncredited) | |
| Ray Hanna | .... | pilot: Messerschmitt 109 (uncredited) | |
| Jay Lance | .... | publicity assistant (uncredited) | |
| Natasha Ross | .... | production assistant (uncredited) | |
| Art Smith Jr. | .... | researcher (uncredited) | |
Thanks | |||
| Keith Ansell | .... | acknowledgment | |
| Leonard Cheshire | .... | acknowledgment (as Group Captain Leonard Cheshire) | |
| Harry Friedman | .... | acknowledgment (as Dr. Harry Friedman) | |
| James W. Gavin | .... | acknowledgment (as Jim Gavin) | |
| R.J. Howard | .... | acknowledgment (as Group Captain R.J. Howard) | |
| Skip Lehmann | .... | acknowledgment | |
| Marc Pierre | .... | acknowledgment | |
| M.J. Pilkington | .... | acknowledgment (as Air Vice Marshal M.J. Pilkington) | |
| Margaret Polk | .... | acknowledgment | |
| Christian Roy | .... | acknowledgment | |
| J.D. Spottiswood | .... | acknowledgment (as Air Vice Marshal J.D. Spottiswood) | |
| Colin Waterworth | .... | acknowledgment | |
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| Battle of Britain | Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb | Air Force | The Dirty Dozen | Fail-Safe |
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I first came across this masterpiece when I did a search for Eric Stoltz on the Netflix website. Much to my surprise I discoverd this film had an all star cast, and I adored them all! Tate Donovan, Matthew Modine, Eric Stoltz, Billy Zane, Harry Connick Jr., D.B. Sweeney, Reed Diamond, Courntey Gains, Neil Giuntoli and John Lithgow all give amazing performances in this true story.
Even my Dad, who sleeps through every movie we watch, no matter how enthralling, stayed awake and watched this. (Allbeit the second time I popped this in the DVD player, but nevertheless hello.)
I would give this movie 20 stars if I could. It was one of the best war movies I'd seen in a long time. Plus, being a teenage girl, I loved seeing all the boys in Uniform. Oh my God, don't get me started.
When my mom asked me if I was ready to send it back to Netflix, I said no and kept it a pretty good long while. But when we finally did send it back, I cried, yes I cried, because I had fallen in love with this movie. I'd watch it everyday if I could. I have yet to buy it yet, but trust me, I'll find a way.
If you have had family that was in WWII, my grandfather was, then this movie will have an impact on you. It did on me. I found my self thinking that my grandpa was young like that right around that time. This film was set in 1942 and that means that my grandfather had yet to marry my grandmother, but he was in his prime. My mom and I both thought that.
But you don't have to like war movies to love Memphis Belle. Because it's not really like a war movie. It's about the close relationship of these ten soldiers and how they work together to stay alive in the worst of a situation. (I mean they're not having to eat rats to stay alive, which my grandfather had to do in occupied France, or anything.)
The first time you see Memphis Belle anywhere, to rent or to buy, grab it and take it home with you. YOU WILL NOT REGRET IT! Take my word on that.
Missy