IMDb > Martha et moi (1990)

Martha et moi (1990) More at IMDbPro »


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5.7/10   44 votes »
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Release Date:
21 August 1991 (France) See more »
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Plot:
A child meets his uncle, a check jew living in the south of Germany in the days before the 2nd world war... See more » | Add synopsis »
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Awards:
3 wins See more »
User Reviews:
A poignant lesson in love and devotion See more (2 total) »

Cast

  (in credits order)

Marianne Sägebrecht ... Martha

Michel Piccoli ... Ernst
Klaus Grünberg ... Berthold

Michael Kausch ... Werner
Václav Chalupa ... Emil (young)
rest of cast listed alphabetically:
Jana Altmanová ... Kamila
Vladimír Brabec
Jana Brezinová ... Ida
Michael Kocáb ... Hrubý
Zuzana Kocúriková
Diana Mórová
Bozidara Turzonovová ... Rosa
Sona Valentová ... Elsa
Ondrej Vetchý ... Emil
Bernhard Wicki ... Narrator (scenes deleted)
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Directed by
Jirí Weiss 
 
Writing credits
(in alphabetical order)
Jirí Weiss 

Produced by
Jan Kadlec .... executive producer
Susanne Schläpfer .... executive producer
Philippe Verro .... executive producer
 
Original Music by
Jirí Stivín 
 
Cinematography by
Viktor Ruzicka 
 
Film Editing by
Gisela Haller 
 
Casting by
Cornelia von Braun 
 
Production Design by
Karel Vacek 
 
Art Direction by
Martin Martinec 
 
Costume Design by
Maria Frankova 
 
Second Unit Director or Assistant Director
Tomas Zelenka .... second assistant director
 
Sound Department
Miloslav Hurka .... sound
 
Camera and Electrical Department
Jiri Gazda .... key grip
 

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Additional Details

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Runtime:
USA:106 min
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3 out of 3 people found the following review useful.
A poignant lesson in love and devotion, 9 July 2003
Author: SFMovieFan from San Francisco

It has been years since I saw this film at the San Francisco Foreign Film Festival. It really leaves an impression; I highly recommend it. The plot spans years before and during the Holocaust. Through the eyes of his young nephew, we watch the plight of an initially successful Jewish doctor ("Uncle Ernst") living in Germany. While Ernst's plight is central to the story, it is mostly Martha, his housekeeper-become-wife, who draws you in--at least that's the impression I have after all these years. After the film, the face of this kindly, well-meaning woman haunted me for some time, and I can even picture it now: radiating joy during the warmer moments of the film, and piercing the viewer's own heart with sorrow at other moments.

Many films that take place during the Holocaust are somewhat predictable. That said, this one is rich and unique enough in plot that it stands out in my memory, but mostly thanks to the acting and poignancy of the story. I think the film's biggest strength is the attachment you form to Martha, an extremely sympathetic character whose devotion to her husband is so sincere, so touching, that it seems to erase all barriers for the human heart.

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