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Storyline
Gunter Wallraff is a journalist seeking to expose the unethical journalism practiced by The Standard, a very popular and powerful German newspaper. He goes undercover, using forged identity papers and at great personal risk, to join their staff. Once there, he sees how they don't just report the news, but manufacture it to suit the personal political agenda of the paper's leaders. Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
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Did You Know?
Trivia
The newspaper featured in this film is in reality the German 'Bild-Zeitung'. The newspapers' founder
Axel Springer is played by
Manfred Andrae with his character named "Hermes Brauner".
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Goofs
Schultz gets into a BMW 7 series which didn't go in production until the late-'80s.
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Crazy Credits
Before the credits there is the following: 'LEAD STORY', Wallraff's expose of 'The Daily Standard', has become a best seller in Germany and throughout Western Europe. The Standard's readership dropped off 17% after the book's release, and the paper has been plagued by student demonstrations and lawsuits from its victims. However, nine million Germans still read it daily. In a subsequent ruling, the court prohibited Wallraff from mentioning any link between 'The Standard' and German State Security. The German League of Industrialists implemented a security program at all its major facilities to guard against future infiltration. Gunter Wallraff is currently working on a new project...somewhere in Germany.
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Based on a true story, this is a small, issue-based film, not earth-shattering, but intriguing in its depiction of a supposedly free media in 1980s West Germany. The thrills are intellectual rather than action-based--the most frightening chase is in a dream sequence, the only violent death takes place in near-darkness and is messy and brutal rather than glamorous.
As a movie, it also offers a few rare gems: an adult relationship with real warmth and sexual chemistry between 40-somethings Jurgen Prochnow and Nathalie Baye; Peter Coyote seducing Prochnow with guns and chess; and the more amusing assertion that all it takes to make Prochnow unrecognizable, even to the mother of his children, is to put in brown contact lenses. And as an added bonus, I think it's the only time we see Jurgen and Dieter Prochnow onscreen together.
One for the indie audience rather than the masses. 7