An unconventional cop who doesn't take any bull, is paired up with an amazing detective to capture some powerful criminals but the cop soon realizes that his by the book partner has split personality disorder.
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Mac, the two fisted savy cop finds that he's being saddled with a new partner, a known burn out, to work with him on a new and difficult case. The new partner is, Ellis, an amazing detective, one who puts Sherlock Holmes to shame with his lightning fast deductions. Ellis has a couple of problems. He keeps assuming the personalities of entire casts of Television shows. This can be a problem when people begin shooting at them. Written by
John Vogel <firstname.lastname@example.org>
I consider this film a guilty pleasure. Yes, it's terrible, and my inner film critic tells me I should absolutely hate it, but hey, it's like one of those comedians such as George Carlin whose sole purposes are to offend and make you laugh. This movie did both for me. I absolutely hate stupid comedies without a brain, but actually, there seem to have been some brains behind this film. The prolific science fiction screenwriter and short story author Richard Matheson - one of my favorites - worked on the script with his author son, so there was obviously more behind this than all the other absolutely awful mainstream "comedies" of the '80s. I think I know what they were getting at - they had a bunch of really wild, unrelated ideas, and decided to put them all into one movie. What other movie can you think of with Neo-Nazis, a cop-buddy formula, Colombian drug dealer torture, Isreali agents, a long-lost porno film starring Adolf Hitler, S&M, and multiple-personality disorder all in one movie, and a comedy at that?! I give them credit for the balls they had in putting all that stuff together. Heck, they were probably making things up as they went along. A lot of it is actually quite funny. Also, believe it or not, director Bob Clark has a very good eye for detail. This is a movie all the critics were destined to love to hate, considering the pedigree of the cast, producer Aaron Spelling (The Love Boat, Charlie's Angels) and director Bob Clark ("A Christmas Story", "Porkies", and "Turk 182"). But if you approach this in the right mindset - as a trashy drive-in-type movie with a bigger budget that's both intentionally and unintentionally funny - you may enjoy it.
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