Directed by | |||
| Richard Pearce | |||
Writing credits(in alphabetical order) | ||
| John Cork | ||
Produced by | |||
| Edwin 'Itsi' Atkins | .... | associate producer | |
| Dave Bell | .... | producer | |
| Stuart Benjamin | .... | executive producer | |
| Taylor Hackford | .... | executive producer | |
| Hawk Koch | .... | producer (as Howard W. Koch Jr.) | |
Original Music by | |||
| George Fenton | |||
Cinematography by | |||
| Roger Deakins | |||
Film Editing by | |||
| Bill Yahraus | |||
Casting by | |||
| Jo Doster | |||
| Shari Rhodes | |||
Production Design by | |||
| Blake Russell | |||
Art Direction by | |||
| Margery Z. Gabrielson | |||
Set Decoration by | |||
| Gretchen Rau | |||
Costume Design by | |||
| Shay Cunliffe | |||
Makeup Department | |||
| Marietta Carter-Narcisse | .... | makeup artist | |
| Coree Lear | .... | makeup artist | |
| Susan 'Star' Orr | .... | hair stylist | |
| Julia L. Walker | .... | key hair stylist | |
Production Management | |||
| Edwin 'Itsi' Atkins | .... | production manager | |
| Lyda Blank | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Nandi Bowe | .... | third assistant director | |
| Randy Fletcher | .... | second assistant director | |
| Victoria E. Rhodes | .... | first assistant director | |
Art Department | |||
| Tom Lawson | .... | second assistant props | |
| Jean-Paul Menard | .... | set dresser | |
| Ken Nelson | .... | construction coordinator (as Kenneth D. Nelson) | |
| Stephen Andrew Schwartz | .... | property master | |
| Eloise Crane Stammerjohn | .... | assistant to construction coordinator | |
| Harrod Blank | .... | set dresser (uncredited) | |
Sound Department | |||
| George Berndt | .... | adr supervisor | |
| Arnold Finkelstein | .... | sound effects recordist | |
| Christopher Flick | .... | foley editor | |
| Sarah Goldsmith | .... | dialogue editor (as Sarah Rothenberg) | |
| Nick Hammond | .... | boom operator | |
| Alan Holly | .... | foley mixer | |
| Charles R. Hunt | .... | boom operator | |
| Paul Massey | .... | sound re-recording mixer | |
| Andy Nelson | .... | sound re-recording mixer | |
| Tom Nelson | .... | sound mixer | |
| Nic Ratner | .... | foley editor | |
| Jerry Ross | .... | supervising sound editor | |
| Joan Rowe | .... | foley artist | |
| Hamilton Sterling | .... | sound effects editor | |
| Jerry Trent | .... | foley artist | |
| Christopher Weir | .... | assistant sound editor | |
| Hugo Weng | .... | dialogue editor | |
| Don White | .... | sound re-recording mixer | |
| Linda Yeaney | .... | assistant sound editor | |
| Martin Lenhart | .... | sound technician (uncredited) | |
Special Effects by | |||
| Mack Chapman | .... | special effects | |
Stunts | |||
| Al Wyatt Jr. | .... | stunt coordinator (as Alan Wyatt Jr.) | |
Camera and Electrical Department | |||
| Allen Barnwell | .... | electrician | |
| Bonnie S. Blake | .... | second assistant camera | |
| Toulouse Holliday | .... | grip | |
| Jeremy Knaster | .... | electrician | |
| David Lee | .... | still photographer | |
| Robin Melhuish | .... | film loader | |
| Bill O'Leary | .... | gaffer | |
| Peter Pearce | .... | photographer: second unit | |
| Eric Swanek | .... | first assistant camera | |
| Keith Talley | .... | key grip | |
| Jeffery J. Tufano | .... | first assistant camera | |
| Scott Williams | .... | best boy electric | |
| Bob Boccaccio | .... | EPK camera (uncredited) | |
| Henry DeBardeleben | .... | grip (uncredited) | |
| Michael L. Smith | .... | rigging key grip (uncredited) | |
Casting Department | |||
| Shirley Fulton Crumley | .... | location casting | |
Costume and Wardrobe Department | |||
| Linda N. Robinson | .... | additional costumer | |
| Taryn Weaver | .... | costumer (as Taryn Walsh) | |
Editorial Department | |||
| Gary Burritt | .... | negative cutter | |
| Doreen A. Dixon | .... | director of post-production | |
| John Nicolard | .... | color timer | |
| Michael E. Polakow | .... | assistant editor | |
Music Department | |||
| Charles Martin Inouye | .... | supervising music editor | |
Transportation Department | |||
| Albert B. Cooper IV | .... | transportation coordinator | |
| Larry E. Henderson | .... | transportation | |
| Michael J. Mulvaney | .... | transportation coordinator | |
| Mike Robinson | .... | captain | |
Other crew | |||
| Robert Dawson | .... | title designer | |
| Chappy Hardy | .... | unit publicist | |
| Joel Heller | .... | assistant to executive producer | |
| R. Scott Loughran | .... | production assistant | |
| Craig A. McCraw | .... | location manager | |
| Mamie Mitchell | .... | script supervisor | |
| Leigh Anne Sides | .... | production assistant | |
| L.J. Van Cleave | .... | post-production accountant | |
| Merle L. Jackson | .... | production office coordinator (uncredited) | |
Thanks | |||
| Scott W. Anderson | .... | special thanks | |
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| Crash | Ali | Imitation of Life | Malcolm X | The Color of Friendship |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
I saw this film by chance, was flipping through the movie channels one day and the description of it appealed to me. Goldberg is absolutely superb in this powerful film showing what it was like for black people at that time in Montgomery, Alabama. A good lesson to young people, or any person that does not fully know what black people had to put up with.