On one last road trip before they're sent to serve in Vietnam, two brothers and their girlfriends get into an accident that calls their local sheriff to the scene. Thus begins a terrifying experience where the teens are taken to a secluded house of horrors, where a young, would-be killer is being nurtured.
Tommy Jarvis goes to the graveyard to get rid of Jason Voorhees' body once and for all, but inadvertently brings him back to life instead. The newly revived killer once again seeks revenge, and Tommy may be the only one who can defeat him.
Still haunted by his past, Tommy Jarvis - who, as a child, killed Jason Voorhees - wonders if the serial killer is connected to a series of brutal murders occurring in and around the secluded halfway house where he now lives.
A couple encounters a perverted gas station attendant who threatens them with a shotgun. They take a deserted path in Texas to seek help, but only meet up with a cannibalistic clan interested in helping themselves to fresh meat. Written by
Mark J. Popp <email@example.com>
In all of the early video editions, at the very end of the movie when Michelle closes the truck door after Benny gets in, the sound of the door slamming shut is heard before the door actually closes. This has been corrected in the recently reissued version however. See more »
Strange, semi-serious reprise of the Tobe Hooper classic
This second sequel to the horror classic is something of a letdown, purely because of the storyline. While the first sequel, dominated by Dennis Hopper's crazed performance, explored the key figures in a novel way, LEATHERFACE is a film that's content to simply emulate the first movie's storyline. Once again we get unwary travellers falling foul of Leatherface and his family, and an extended climax involving a family dinner. It's all way too familiar, and of course lacks the sheer intensity of Tobe Hooper's original classic.
The film's tone is wildly uneven throughout, and even in the would-be horror scenes it's hard to take it seriously. The movie feels like a spoof; it has a light-hearted tone that sits at odds with the grimness of the plot. Still, on the plus side, it's very fast paced, and it features a great deal of crowd-pleasing horror elements that are sure to win the hearts of splatter fans, although as with the original, it's never quite as gory as you think it's going to be (and I'm talking about the uncut version).
One of those crowd-pleasers is Ken Foree, Mr. DAWN OF THE DEAD himself, playing one of the film's would-be victims. Foree is a delight, and they sure play up to his potential, portraying him as a real ass-kicker of a man. I couldn't care less about the two characters who are supposed to be the leads, but Foree hooks you right from the start. The rest of the actors are less than impressive, and in particular the guy who plays Leatherface is just a stock heavy; there's certainly none of the hulking, imposing brutality that Gunnar Hansen brought to the role.
Of course, one of the draws watching this film today is seeing a pre-stardom Viggo Mortensen playing in a decidedly odd type of role, completely different from what you might expect; I enjoyed his performance, even if much of it is played for laughs. And that's the trouble with the film as a whole: we're back to that spoofy tone, that whole non-serious feel that everyone's laughing at the premise rather than getting to grips with the horrifying implications of it. Take the ear scene, for example, or the string of increasingly ridiculous and unbelievable things that happen at the climax (including the fate of one of the characters, which makes no sense whatsoever; blame a substituted ending for that one, after the original didn't go down too well with test audiences). In fact, come the end, I enjoyed this more as a bizarre comedy than as a genuine horror outing.
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