| Brian Dennehy | ... | Frank Daly | |
| Joe Pantoliano | ... | Wayne Gross | |
| Jeff Fahey | ... | Ricky Rodriguez | |
| Bill Paxton | ... | Howard 'Hojo' Jones | |
| Michael C. Gwynne | ... | Anthony Reece | |
| Henry Stolow | ... | Stant | |
| Guy Boyd | ... | R.J. Norringer | |
| Henry Darrow | ... | Captain Joe Torres | |
| J. Kenneth Campbell | ... | Calvert | |
| Deborra-Lee Furness | ... | Linda Daly | |
| Lisa Jane Persky | ... | Harriet Gross | |
| Patricia Clipper | ... | Rose | |
| Michele Little | ... | Anita | |
| Susannah Kelly | ... | Daly Baby | |
| Sheila Kelly | ... | Daly Baby | |
| Micah Rowe | ... | Justin Daly | |
| Joey Wright | ... | Jimmy Green | |
| Georgie Paul | ... | Myrna | |
| John Finnegan | ... | Tommy Grogan | |
| Ron Canada | ... | Cregan | |
| Michael Strasser | ... | McCade | |
| Xander Berkeley | ... | Fast Eddie | |
| Pamela Gidley | ... | Haley | |
| Burke Byrnes | ... | Commnader Orsni | |
| Tom Nolan | ... | Travers | |
| Jason Ross | ... | Bradan | |
| Kathleen Dennehy | ... | Lab Technician | |
| Patrick Stack | ... | Press Officer | |
| Larry Carroll | ... | Newsman | |
| Jeanne Mori | ... | Female Journalist | |
| Kimble Jemison | ... | Scared Dealer | |
| Michael Simpson | ... | Disc Jockey | |
| James Dalesandro | ... | Contra #1 | |
| Ray Vegas | ... | Contra #2 | |
| Joe Minjares | ... | Contra #3 | |
| Victor Contreras | ... | Contra #4 | |
| Ramon Angeloni | ... | Contra #5 | |
| David Allen Young | ... | Paramedic | |
| Chenea Ellis | ... | Arresting Officer | |
| Frank V. Trevino | ... | Clerk | |
| Charles Chiquette | ... | Guest #1 | |
| Rudy E. Morrison | ... | Guest #2 | |
| Robert Figg | ... | Guest #3 | |
| John D. Johnston III | ... | Referee | |
| Robert Lee Jarvis | ... | Armorer | |
| James W. Gavin | ... | Pilot |
Directed by | |||
| John Mackenzie | |||
Writing credits(WGA) | ||
| Jere Cunningham | (story) | |
| Jere Cunningham | (screenplay) and | |
| Thomas Lee Wright | (screenplay) and | |
| George Armitage | (screenplay) | |
Produced by | |||
| Darlene K. Chan | .... | associate producer | |
| Jere Cunningham | .... | executive producer | |
| John Davis | .... | producer | |
| Kurt Neumann | .... | co-producer | |
Original Music by | |||
| Michael Hoenig | |||
| Jack Nitzsche | |||
Cinematography by | |||
| Juan Ruiz Anchía | |||
Film Editing by | |||
| Graham Walker | |||
Casting by | |||
| Janet Hirshenson | |||
| Jane Jenkins | |||
Production Design by | |||
| Lawrence G. Paull | |||
Set Decoration by | |||
| John T. Walker | (as John Thomas Walker) | ||
Costume Design by | |||
| Marilyn Vance | |||
Makeup Department | |||
| Mel Berns Jr. | .... | makeup artist | |
| John Norin | .... | makeup artist (as John M. Norin) | |
| Stephen Robinette | .... | hair stylist | |
Production Management | |||
| Gary Jones | .... | post-production supervisor | |
| Kurt Neumann | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Richard Coad | .... | second assistant director | |
| David R. Ellis | .... | second unit director | |
| Bill Scott | .... | first assistant director (as William P. Scott) | |
| B. Scott Senechal | .... | second second assistant director (as Scott Senechal) | |
Art Department | |||
| Ken Adachi | .... | assistant property master | |
| Scott M. Anderson | .... | prop assistant | |
| Robert J. Carlyle | .... | construction foreman | |
| Geoff Hubbard | .... | assistant art director | |
| John L. Jensen | .... | illustrator (as John Jensen) | |
| Mark Konkel | .... | painter | |
| Michael Milgrom | .... | property master | |
| Clarence Lynn Price | .... | construction coordinator (as Lynn Price) | |
Sound Department | |||
| Peter Bond | .... | adr editor | |
| Peter Bond | .... | dialogue editor | |
| Richard Fettes | .... | assistant foley editor | |
| Kirk Francis | .... | sound mixer | |
| Ian Fuller | .... | supervising sound editor | |
| Joe Gallagher | .... | assistant dialogue editor | |
| Gregory M. Gerlich | .... | associate editor | |
| Peggy Names | .... | sound utility | |
| Bob Risk | .... | foley editor | |
| Mychal Smith | .... | boom operator | |
| Andy Stears | .... | assistant sound editor | |
| Hugh Strain | .... | dubbing mixer | |
Special Effects by | |||
| Roger Hansen | .... | special effects person | |
| Gary L. King | .... | special effects person | |
| Jay King | .... | special effects person (as Jay B. King) | |
| Dale L. Martin | .... | special effects supervisor | |
| Robert K. Worthington | .... | special effects person | |
Visual Effects by | |||
| Simon Dowling | .... | main title designer (uncredited) | |
Camera and Electrical Department | |||
| Perry Adleman | .... | second assistant camera | |
| Gale M. Adler | .... | still photographer | |
| Chris Centrella | .... | key grip | |
| Stuart E. Cropley | .... | electrician (as Stuart Cropley) | |
| David Dubois | .... | best boy electric (as David W. DuBois) | |
| Brad Edmiston | .... | first assistant camera | |
| Eric Engler | .... | camera operator | |
| Khan Griffith | .... | electrician | |
| Robert Allan Guernsey | .... | first assistant camera | |
| Mark Hadland | .... | electrician | |
| Danny Jimenez | .... | dolly grip | |
| Ian Kincaid | .... | gaffer | |
| Dean M. King | .... | grip | |
| Kenny King | .... | grip (as Ken King) | |
| Jeff Kluttz | .... | key rigging grip | |
| Kim Kono | .... | electrician (as Kim K. Kono) | |
| Hugh McCallum | .... | best boy grip | |
| Dayton Nietert | .... | rigging gaffer | |
| Lee Redmond | .... | camera operator | |
| Joyce Rudolph | .... | still photographer | |
| Chris Squires | .... | camera operator | |
| Jeff Zucker | .... | rigging best boy electric (as Jeffrey Zucker) | |
Casting Department | |||
| Stephanie Schwartzman | .... | casting secretary | |
Costume and Wardrobe Department | |||
| James 'Mike' Balker | .... | costumer (as James M. Balker) | |
| Elinor Bardach | .... | costumer (as Elinor C. Bardach) | |
| Gary Sampson | .... | costumer | |
| Nick Scarano | .... | costume supervisor | |
Music Department | |||
| Pamela Neal | .... | score engineer | |
| Mick Taylor | .... | featured musician | |
| Richard Whitfield | .... | music editor | |
Transportation Department | |||
| Donald R. Casella | .... | transportation coordinator | |
| Tim Roslan | .... | transportation captain (as Timothy F. Roslan) | |
Other crew | |||
| Michael Adley | .... | production assistant | |
| Patrick Armstrong | .... | production assistant | |
| Brooke Brooks | .... | assistant: Mr. Davis | |
| Christopher Conkling | .... | assistant production auditor | |
| Shari Eubanks | .... | assistant: Mr. Mackenzie | |
| Karen Golden | .... | script supervisor | |
| Regina Gruss | .... | unit publicist | |
| Larry Hand | .... | production auditor | |
| Joseph Brad Kluge | .... | production assistant | |
| Bruce Lawhead | .... | location manager | |
| Alyson Milne | .... | production assistant | |
| Carol Lea Pike | .... | production secretary | |
| Ronald M. Quigley | .... | location manager | |
| Richard W. Scarpone | .... | craft service (as Richard Scarpone) | |
| Martin Tarr | .... | production assistant | |
| Kristan Wagner | .... | location manager | |
| Marjorie Webster | .... | production coordinator | |
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| Deep Cover | Code of Silence | The Substitute | Dark Angel | An Eye for an Eye |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
The Last of the Finest, also released as Street Legal, is a fair action film from 1990, starring Brian Dennehy as Officer Frank Daly of the LAPD, and he and his fellow officers (Joe Pantoliano, Jeff Fahey and Bill Paxton) are up aganist a drug operaton headed by a US Government agent (Guy Boyd). After the investigation grows cold, Daly is forced to turn in his badge, but he takes matters into his own hands and also doesn't realize that his former police captain (Henry Darrow) is also apart of the operation. After Bill Paxton's character is killed, Daly does what any honest cop would, to bring justice back, or let the Government get away with the crime. Director John MacKenzie tries to build up a good cop story, but seems to rely mostly on tongue in check, not to mention some slow moving scenes, without action or adventure. However the ending showdown on a Los Angeles football field was pretty good, the helicopter crash looked rather authentic. But like most early 90's action films, The Last of the Finest is an average film most of us have probably seen.