| Maggie Cheung | ... | Cheung Hueyin | |
| Tan Lang Jachi Tian | |||
| Waise Lee | ... | Mr. Cheung | |
| Zi Xiong Li | |||
| Hsiao-fen Lu | ... | Aiko (as Xiao Feng Lu) | |
| Feng Tien | ... | Hueyin's Grandfather (as Feng Tian) | |
| Xiany Xiao | |||
| Tinlan Yang | |||
| Quinzi Yinjian |
Directed by | |||
| Ann Hui | |||
Writing credits(in alphabetical order) | ||
| Nien-Jen Wu | ||
Produced by | |||
| Nai Chung Chou | .... | executive producer | |
| King Hu | .... | producer | |
| Deng Fei Lin | .... | executive producer | |
| Yu Wang | .... | producer | |
Original Music by | |||
| Yang Chen | |||
Cinematography by | |||
| Zhiwen Zhong | |||
Film Editing by | |||
| Yee Shun Wong | (as Yishun Wang) | ||
Production Design by | |||
| Zhongwen Xi | |||
Costume Design by | |||
| Gufang Chen | |||
Production Management | |||
| Fengping Mu | .... | production manager | |
Sound Department | |||
| Curtis Choy | .... | production sound mixer | |
| You-tien Chung | .... | sound recording: present day | |
| Chiang-Sheng Hsin | .... | sound recording: taiwan | |
| Yu Ting | .... | dubbing editor: cantonese | |
| Li Wu | .... | dubbing editor: mandarin | |
| Wai-jin Yeung | .... | sound recording: cantonese | |
Other crew | |||
| Chi-pin Chao | .... | planner | |
| Jing-tung Fang | .... | planner | |
| Kei Shu | .... | overseas advisor | |
| Kang-yung Tsai | .... | planner | |
| Shu-ying Wang | .... | planner | |
| Tetsuo Yamashita | .... | translator: Japanese | |
|
|
|
|
|
| Qiu yue | Australia | Farewell My Concubine | My American Grandson | Raise the Red Lantern |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Hong Kong section |
This is one of my favorite films, I've seen it five times. A beautiful film by Ann Hui about a Cantonese girl Hueyin (Maggie Cheung) trying to be friends with her Japanese mother. Hueyin goes to Japan with her mother and there they get to know their differences and eventually understand each other. I think they understood each other the most when her mother talked of the Sino-Japanese war to Hueyin and how she and her father met. To me that was the one of the most well-acted scenes in the film. The music went well with each sad and reminiscent scene in the film, which I guess was mostly what added the drama to it. I hope Ann Hui makes more good films like this one.