Directed by | |||
| Claude Chabrol | |||
Writing credits(in alphabetical order) | ||
| Claude Chabrol | adaptation (dialogue) | |
| Ugo Leonzio | adaptation (dialogue) | |
| Henry Miller | novel "Quiet Days in Clichy" | |
Produced by | |||
| Juraj Chmel | .... | associate producer | |
| Pietro Innocenzi | .... | executive producer | |
| Antonio Passalia | .... | producer | |
| Gabriel Rossini | .... | associate producer | |
| Alfonso Sansone | .... | associate producer | |
Original Music by | |||
| Jean-Michel Bernard | |||
| Luigi Ceccarelli | |||
| Matthieu Chabrol | |||
Cinematography by | |||
| Jean Rabier | |||
Film Editing by | |||
| Monique Fardoulis | |||
Casting by | |||
| Risa Kes | |||
| Carlo U. Quinterio | (as Carlos Quinterio) | ||
Art Direction by | |||
| Marco Dentici | |||
Set Decoration by | |||
| Alain Paroutaud | (head set decorator) | ||
Costume Design by | |||
| Ezio Altieri | |||
Makeup Department | |||
| Walter Cossu | .... | key makeup artist | |
| Mirella Ginnoto | .... | key hair stylist | |
| Elda Magnanti | .... | hair stylist | |
| Gino Zamprioli | .... | makeup artist | |
Production Management | |||
| Ange Bouclet | .... | assistant unit manager | |
| Bernard Cassus-Soulanis | .... | unit production manager (as Bernard Cassus) | |
| Alain Domínguez | .... | assistant unit manager | |
| Jacques Juranville | .... | production manager | |
| Jacques Juranville | .... | production supervisor | |
| Dominique Lallier | .... | unit production manager | |
| Giuliano Piermarioli | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Cécile Maistre | .... | second assistant director | |
| Alain Wermus | .... | first assistant director | |
| Carlo U. Quinterio | .... | assistant director (uncredited) | |
Art Department | |||
| Patrizia Alfonsi | .... | set dresser | |
| Licia Bicchielli | .... | assistant art director | |
| Natasza Chroscicki | .... | assistant art director | |
| Dino Galiano | .... | property master | |
| Franco Galiano | .... | property master | |
| Pierre Galliard | .... | property master | |
| Marion Griffoulière | .... | assistant art director | |
| Paolo Innocenzi | .... | assistant art director | |
| Max Legardeur | .... | prop buyer | |
| Mauro Passi | .... | prop buyer | |
| Adriano Tiberi | .... | property master | |
| Rafaël Vicent-Marti | .... | set dresser (as Rafael Marti) | |
Sound Department | |||
| Maurice Gilbert | .... | sound | |
| Stanislav Litera | .... | sound | |
| André Naudin | .... | foley artist | |
| Gadou Naudin | .... | foley artist (as Gadoue Naudin) | |
| Ed Parente | .... | sound (as Edward Parente) | |
| Günther Ruckdeschel | .... | boom operator | |
Camera and Electrical Department | |||
| Stephane Canda | .... | grip | |
| Claude Chabrol | .... | grip | |
| Robert Coret | .... | grip | |
| Cendrine Dedise | .... | assistant camera | |
| Claudio Del Gobbo | .... | grip | |
| Alfredo Diaguardi | .... | key grip (as Alfredo Dioguardi) | |
| Jean-Baptiste Dutreix | .... | key grip | |
| Maurice Estival | .... | gaffer | |
| Jean Fleury | .... | gaffer | |
| Luciano Giammei | .... | head gaffer | |
| Francesco Narducci | .... | still photographer | |
| Roberto Novara | .... | assistant camera | |
| Jacques Prayer | .... | still photographer | |
| Jean-Marc Rabier | .... | focus puller | |
| Claude Rouxel | .... | head gaffer | |
| Roberto Ruzzolini | .... | focus puller | |
| Guy Savidan | .... | gaffer | |
| Michel Thiriet | .... | camera operator | |
Casting Department | |||
| Hervé Gamondes | .... | extras casting | |
| Ingrid Lill Høgtun | .... | casting assistant (as Ingrid Lill Hogrun) | |
Costume and Wardrobe Department | |||
| Marie Bal | .... | costumer | |
| Cristina Casani | .... | costumer | |
| Anna Cirilli | .... | costumer | |
| Françoise Disle | .... | wardrobe mistress | |
| Alain Kerveillant | .... | wardrobe assistant | |
| Donato Tieppo | .... | wardrobe assistant | |
Editorial Department | |||
| Antoine Laguerre | .... | trainee assistant editor | |
| Hélène Le Morvan | .... | trainee assistant editor | |
| Florence Poulain | .... | assistant editor | |
| Olivier Rossignol | .... | assistant editor | |
Other crew | |||
| Aurore Chabrol | .... | script supervisor (as Aurore Paquiss) | |
| Bruno Di Luia | .... | weapons | |
| Massimo Esposti | .... | cashier (as Massimo Espositi) | |
| Dominique Fauche | .... | production secretary | |
| Marlène Hahn | .... | production secretary | |
| April Hyde | .... | dialogue coach | |
| Roberto Santolini | .... | cashier | |
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| The Captive | L'amour braque | The Conformist | Just Before Nightfall | The Canterbury Tales |
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| Full cast and crew | Company credits | IMDb Drama section |
| IMDb France section |
As a big fan of Henry Miller, I must vehemently trash this movie. The director misses the point of the novel completely, and instead INVENTS a tediously pretentious story around the most basic elements of Miller's book. It's an embarrassment, really. Miller and Carl's poverty is such a factor in the book, yet the movie's setting is extravagant and overblown. I had thought that the 1970 version was a poor facsimilie, but I see that that film at least attempted to capture the down-and-out feel of the book, the crudeness of Miller's language in that particular telling, and made some effort to follow the plot of the book. Andrew McCarthy is a snivelling newt with no charisma. McCarthy as Miller? I was cringing the entire time. I couldn't even bear to fast-forward the second half of this version. Dear god, avoid this waste of everyone's time. Why did the director even bother?