Lawrence is a rich kid with a bad accent and a large debt. After his father refuses to help him out, Lawrence escapes his angry debtors by jumping on a Peace Corp flight to Southeast Asia, ... See full summary »
Steven Gold is a stand-up comedian who is flat broke and has recently dropped out of medical school. He and several others work regularly at the Gas Station, a New York comedy club. The ... See full summary »
An American flyer who joined the RAF before his country was in the war is recovering from a leg injury in Jerusalem. Through an English friend he meets a quiet Jewish girl whose close-knit ... See full summary »
Joe versus the Volcano is a fable which opens with somewhat surrealistic scenes of the dehumanization of Joe Bank's job and work environment (at a company whose product rather literally screws people) with imagery that seems to have been inspired by the classic film Metropolis. Joe is diagnosed with an incurable disease, quits his dehumanizing job, and accepts an offer to briefly "live like a king, die like a man" - but to fulfill his agreement he must willingly jump into a live volcano on the island of Waponi Woo in order to appease the volcano god. En route to the island, Joe meets a series of interesting characters in NYC and LA, then boards a yacht, captained by Patricia Graynamore. During the voyage Joe and Patricia survive disaster, fall in love, and finally arrive at the island where they face their destiny. Written by
Tom Hanks has made many movies, most of which are very funny, emotional, and heartwarming. This movies is different from all his other movies: it is a work of art. Every scene has its own idiosyncrasies. Ordinary characters and settings have subtle emotional undertones that tug at the heartstrings. Dan Hedaya and Sam Waterstone's performances, though humorous, have a tone that is more than the sum of its parts. Color and scenery also have a hidden beauty, such as in the scene with Joe's glowing warm in his cold, blue office, or the scene with the dog and child as he exits the doctor's office, or the scene with him all alone at his table at the hotel. I first saw the movie when I was 11 years old, even then, its beauty struck me. That beauty was well capped off by the montage during the end credits. Apparently, John Patrick Shanley, or someone, put alot of work in an otherwise ordinary movie. Imagine if Stanley Kuprick had directed "You've Got mail." I'm surprised that the movie is not better known, especially that it is a big turning point in Tom Hanks career. Admittedly, his screen presence compensates for Meg Ryan's lackluster acting at times. She was best as a brunette and redhead than acting as herself. Nevertheless, a good movie, one to own and not just rent.
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