Lawrence is a rich kid with a bad accent and a large debt. After his father refuses to help him out, Lawrence escapes his angry debtors by jumping on a Peace Corp flight to Southeast Asia, ... See full summary »
Steven Gold is a stand-up comedian who is flat broke and has recently dropped out of medical school. He and several others work regularly at the Gas Station, a New York comedy club. The ... See full summary »
An American flyer who joined the RAF before his country was in the war is recovering from a leg injury in Jerusalem. Through an English friend he meets a quiet Jewish girl whose close-knit ... See full summary »
Joe versus the Volcano is a fable which opens with somewhat surrealistic scenes of the dehumanization of Joe Bank's job and work environment (at a company whose product rather literally screws people) with imagery that seems to have been inspired by the classic film Metropolis. Joe is diagnosed with an incurable disease, quits his dehumanizing job, and accepts an offer to briefly "live like a king, die like a man" - but to fulfill his agreement he must willingly jump into a live volcano on the island of Waponi Woo in order to appease the volcano god. En route to the island, Joe meets a series of interesting characters in NYC and LA, then boards a yacht, captained by Patricia Graynamore. During the voyage Joe and Patricia survive disaster, fall in love, and finally arrive at the island where they face their destiny. Written by
When Joe is golfing on the raft, the wind blows his putting green up and over. Patricia can be seen lifting her hand ostensibly to protect herself. However, she is supposed to be unconscious. See more »
For many people, the fact that I love this movie will throw the integrity of everything else I write about into doubt. "Joe" has unfairly become an industry joke, shorthand for the depths to which Tom Hanks sank before redeeming himself with Academy Awards. This fate is horribly undeserved. "Joe" is an imaginative and gloriously life-affirming movie, a hysterically funny fantasy nearly on a par with the best of Terry Gilliam with a "carpe diem" moral that comes across with a lot more honesty and a lot less preachiness than some other movies I could mention. Every Tom Hanks performance is virtually flawless and this one ranks near the top. Meg Ryan's performances are warm and hilarious. Usually it's men who play more than one role in a movie and then it's more often for ego's sake than art's. Ryan pulls off her multiple characters with remarkable grace. More amazingly, it makes perfect sense for her to play three characters. For the sake of argument, I am willing to concede that there are those who just aren't going to enjoy this movie's unique mixture of whimsy and genuine emotion. But for me, it's a classic, easily one of my favorite movies of the decade.
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