Lawrence is a rich kid with a bad accent and a large debt. After his father refuses to help him out, Lawrence escapes his angry debtors by jumping on a Peace Corp flight to Southeast Asia, ... See full summary »
Steven Gold is a stand-up comedian who is flat broke and has recently dropped out of medical school. He and several others work regularly at the Gas Station, a New York comedy club. The ... See full summary »
An American flyer who joined the RAF before his country was in the war is recovering from a leg injury in Jerusalem. Through an English friend he meets a quiet Jewish girl whose close-knit ... See full summary »
Joe versus the Volcano is a fable which opens with somewhat surrealistic scenes of the dehumanization of Joe Bank's job and work environment (at a company whose product rather literally screws people) with imagery that seems to have been inspired by the classic film Metropolis. Joe is diagnosed with an incurable disease, quits his dehumanizing job, and accepts an offer to briefly "live like a king, die like a man" - but to fulfill his agreement he must willingly jump into a live volcano on the island of Waponi Woo in order to appease the volcano god. En route to the island, Joe meets a series of interesting characters in NYC and LA, then boards a yacht, captained by Patricia Graynamore. During the voyage Joe and Patricia survive disaster, fall in love, and finally arrive at the island where they face their destiny. Written by
The lamp that Joe brings into his office displays the future events in the movie, including the yacht, a volcano (with the same twisting road), a large full moon, and plays the film's theme song, "Marooned Without You". See more »
When Joe enters the factory turnstile (view from the back), the man next in line is not the same man behind him when Joe gets hit by the turnstile (view from the front). This might be deliberate on the part of the film makers. When he walks through the parking lot, most of the people around him are dressed as blue-collar workers (open collars and jackets). When he enters the gate, most of the people behind him are white collar workers (jacket and tie under overcoat). See more »
You look terrible, Mr. Waturi. You look like a bag of shit stuffed in a cheap suit. Not that anyone could look good under these zombie lights. I, I, I, I can feel them sucking the juice out of my eyeball. Suck, suck, suck, SUCK...
[makes a sucking noise]
For 300 bucks a week, that's the news. For 300 bucks a week, I've lived in this sink, this used rubber.
You watch it, mister! There's a woman here!
Don't you think I know that, Frank? Don't you think I am aware there is a woman here? I...
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I am one of the few who saw this on the big screen TWICE when it opened. This is the movie I would take to the desert island, which miraculously has electricity a big screen and a DVD player. This is one of those rare films where every single character, no matter how minor, has a major impact on the hero and the plot. This film is also rare because the Lion's share of the funny and insightful dialogue belongs to the minor characters and not the protagonists. You have to love a movie where a luggage salesman is a major plot milestone. Ossie Davis is excellent as the wise Limo driver, Lloyd Bridges is hilarious, Tom Hanks is of course everyman, and Meg Ryan, in one of her funniest roles, is actually "every woman". "You know, the first time I saw you I thought that I had seen you before." A witty hero is commonplace and witty cast is truly memorable.
The movie is probably too allegorical for most tastes, but this is a great tale about a character afraid of life, afraid of that next step, who finds his courage and puts his foot forward again.
All in all this is one of the best kinds of movies, Funny and Hopeful.
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