Mourning his dead child, a haunted Vietnam War veteran attempts to uncover his past while suffering from a severe case of dissociation. To do so, he must decipher reality and life from his own dreams, delusions, and perceptions of death.
New York postal worker Jacob Singer is trying to keep his frayed life from unraveling. His days are increasingly being invaded by flashbacks to his first marriage, his now-dead son, and his tour of duty in Vietnam. Although his new wife tries to help Jacob keep his grip on sanity, the line between reality and delusion is steadily growing more and more uncertain. Written by
Jean-Marc Rocher <firstname.lastname@example.org>
Adrian Lyne turned down directorial duties on The Bonfire of the Vanities (1990) so he could direct Jacob's Ladder. His first choice for the role of Jacob Singer was Tom Hanks, but, by coincidence, Hanks turned down the film so he could make The Bonfire of the Vanities. See more »
Numerous times, most noticeable in a mirror. See more »
For several years, there's a very trendy cinematographic genre. This is the "psychological fantastic". This genre is very successful as the movies: "the sixth sense" (1999), "what lies beneath" (2000) or "unbreakable" (2000) showed. All these movies must have been influenced by "Jacob's ladder". In this way, you can regard Adrian Lyne's movie as a precursory and innovative movie. Lyne achieved a masterstroke in an absolutely new genre for him. It means that you're very far from the atmosphere of "9 weeks and a half" or "fatal attraction".
"Jacob's ladder" is based on an outstanding screenplay including numerous weird details that increase the spectator's curiosity. It's precisely with the spectator that Lyne and Bruce Joel Robin, the scriptwriter play with. They take a malicious pleasure in getting the spectator lost in a real maze where seem to border dream and reality. Like Tim Robbins, you look for the clue to the mystery. This clue may be the chemist which Jacob's meeting at the refreshment bar truck. This chemist will lead the plot towards an amazing conclusion.
In Adrian Lyne's movie, there's also a part of the fantastic genre that is very well exploited: at first common and normal living conditions but that are little by little overcome by the unreal, the strange and the fear.
The movie also enjoys an outstanding performance to begin with Tim Robbins. A brilliant success and a movie that deserves to rank among the ten best fantastic movies of the nineties
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