Mourning his dead child, a haunted Vietnam vet attempts to discover his past while suffering from a severe case of disassociation. To do so, he must decipher reality and life from his own dreams, delusion, and perception of death.
After a car wreck on the winding Mulholland Drive renders a woman amnesiac, she and a perky Hollywood-hopeful search for clues and answers across Los Angeles in a twisting venture beyond dreams and reality.
New York postal worker Jacob Singer is trying to keep his frayed life from unraveling. His days are increasingly being invaded by flashbacks to his first marriage, his now-dead son, and his tour of duty in Vietnam. Athough his new wife tries to help Jacob keep his grip on sanity, the line between reality and delusion is steadily growing more and more uncertain. Written by
Jean-Marc Rocher <email@example.com>
Writer Bruce Joel Rubin wrote the script for Jacob's Ladder in the early 1980s after he had a dream of being trapped in a subway. He spent several years trying to get it produced, but the script remained languishing in developmental limbo. During this period, Rubin's agent told him that the film would never be made as "Hollywood doesn't make ghost movies". After the Rubin scripted Ghost (1990) became a smash hit, coupled with the success of Alan Parker's Angel Heart (1987), studios became more open to the possibilities of Rubin's script. After taking on the role of director, Adrian Lyne spent over a year refining the script with writer Rubin. See more »
Jacob opens a box containing artifacts from his past, and takes out his Doctrine Degree. He next takes out his Army Honorable Discharge, which lists him as a private 1st class. A person with a PHD (or any college degree) would by default be a commissioned officer, not a enlisted private. His conversation with his chiropractor Louis confirms that he had his PHD prior to going to Vietnam, and worked for the post office after he returned, so he could not have received his PHD after his Army Discharge. See more »
What's it say?
[Reading the thermometer]
Oh my God! I'm calling the Doctor!
What's it say?
It's gone to the top!
[On the phone]
Hello Dr. Forest! I'm so sorry to bother you! This is Jezzie Pimpkin up in 14G! I just took Jake's temperature and it's up to 106, could that be right?Oh my God!
[gets off the phone and starts running a bath]
Get out of bed!
I can't! I'm FREEZING!
See more »
The credits roll over a grainy black and white photo of Gabe and Jacob crossing the street together. See more »
For several years, there's a very trendy cinematographic genre. This is the "psychological fantastic". This genre is very successful as the movies: "the sixth sense" (1999), "what lies beneath" (2000) or "unbreakable" (2000) showed. All these movies must have been influenced by "Jacob's ladder". In this way, you can regard Adrian Lyne's movie as a precursory and innovative movie. Lyne achieved a masterstroke in an absolutely new genre for him. It means that you're very far from the atmosphere of "9 weeks and a half" or "fatal attraction".
"Jacob's ladder" is based on an outstanding screenplay including numerous weird details that increase the spectator's curiosity. It's precisely with the spectator that Lyne and Bruce Joel Robin, the scriptwriter play with. They take a malicious pleasure in getting the spectator lost in a real maze where seem to border dream and reality. Like Tim Robbins, you look for the clue to the mystery. This clue may be the chemist which Jacob's meeting at the refreshment bar truck. This chemist will lead the plot towards an amazing conclusion.
In Adrian Lyne's movie, there's also a part of the fantastic genre that is very well exploited: at first common and normal living conditions but that are little by little overcome by the unreal, the strange and the fear.
The movie also enjoys an outstanding performance to begin with Tim Robbins. A brilliant success and a movie that deserves to rank among the ten best fantastic movies of the nineties
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