Mourning his dead child, a haunted Vietnam war veteran attempts to discover his past while suffering from a severe case of dissociation. To do so, he must decipher reality and life from his own dreams, delusion, and perception of death.
A young woman's quest for revenge against the people who kidnapped and tormented her as a child leads her and a friend, who is also a victim of child abuse, on a terrifying journey into a living hell of depravity.
New York postal worker Jacob Singer is trying to keep his frayed life from unraveling. His days are increasingly being invaded by flashbacks to his first marriage, his now-dead son, and his tour of duty in Vietnam. Athough his new wife tries to help Jacob keep his grip on sanity, the line between reality and delusion is steadily growing more and more uncertain. Written by
Jean-Marc Rocher <firstname.lastname@example.org>
In the film, when Jacob Singer unfolds an old Army discharge certificate, the service number "US 21 719 365" can briefly be seen. This would correspond to a National Guard service number with a prefix indicating follow-on conscription into the Army of the United States. According to U.S Army records, the service number seen in the film was assigned to a soldier named Thomas K. Wright, who served from 1959 to 1961 with discharge as a Specialist-4 (paygrade E4). Thomas Wright would later become the property master for the film Jacob's Ladder, using his own service number for the scene where the discharge certificate is briefly visible on camera. See more »
When Jake puts his son to bed, there is a crew member visible in the mirror behind him when he leans down. See more »
It has a highly intelligent plot though not difficult or artsy and is void of cliches. It therefore confuses and aggravates many viewers and professional reviewers always wanting a standard has-it-all Hollywood outpouring.
It is so few films that leaves room for independent thoughts. Jacob's Ladder tumbles your mind the same way a dream of your own does. I have never felt this effect in a film so strong before. The images comes pouring in and your brain tries to make sense of it. Whenever you think you have a grasp it slides away again.
The brilliance of the progression of the story, twists and turns, and the final explanation, so obvious but elusive as real dreams are, makes it on par with the best of Kubrick.
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