Mourning his dead child, a haunted Vietnam War veteran attempts to discover his past while suffering from a severe case of dissociation. To do so, he must decipher reality and life from his own dreams, delusion, and perception of death.
New York postal worker Jacob Singer is trying to keep his frayed life from unraveling. His days are increasingly being invaded by flashbacks to his first marriage, his now-dead son, and his tour of duty in Vietnam. Although his new wife tries to help Jacob keep his grip on sanity, the line between reality and delusion is steadily growing more and more uncertain. Written by
Jean-Marc Rocher <firstname.lastname@example.org>
In a 2015 retrospective on the film, Tim Robbins said that one of the reasons he thought it didn't do well at the box office was how the film's violent, harrowing scenes in Vietnam didn't jibe with the national mood in the fall of 1990 during the run-up to the Gulf War. See more »
Numerous times, most noticeable in a mirror. See more »
Eckhart saw Hell too. He said: The only thing that burns in Hell is the part of you that won't let go of life, your memories, your attachments. They burn them all away. But they're not punishing you, he said. They're freeing your soul. So the way he sees it, if you're frightened of dying and... and you're holding on, you'll see devils tearing your life away. But if you've made your peace, then the devils are really angels, freeing you from the earth. It's just a matter of how you look at it, ...
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The credits roll over a grainy black and white photo of Gabe and Jacob crossing the street together. See more »
It has a highly intelligent plot though not difficult or artsy and is void of cliches. It therefore confuses and aggravates many viewers and professional reviewers always wanting a standard has-it-all Hollywood outpouring.
It is so few films that leaves room for independent thoughts. Jacob's Ladder tumbles your mind the same way a dream of your own does. I have never felt this effect in a film so strong before. The images comes pouring in and your brain tries to make sense of it. Whenever you think you have a grasp it slides away again.
The brilliance of the progression of the story, twists and turns, and the final explanation, so obvious but elusive as real dreams are, makes it on par with the best of Kubrick.
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