Mourning his dead child, a haunted Vietnam war veteran attempts to discover his past while suffering from a severe case of dissociation. To do so, he must decipher reality and life from his own dreams, delusion, and perception of death.
After a car wreck on the winding Mulholland Drive renders a woman amnesiac, she and a perky Hollywood-hopeful search for clues and answers across Los Angeles in a twisting venture beyond dreams and reality.
The story revolves around the passengers of a yachting trip in the Atlantic Ocean who, when struck by mysterious weather conditions, jump to another ship only to experience greater havoc on the open seas.
New York postal worker Jacob Singer is trying to keep his frayed life from unraveling. His days are increasingly being invaded by flashbacks to his first marriage, his now-dead son, and his tour of duty in Vietnam. Athough his new wife tries to help Jacob keep his grip on sanity, the line between reality and delusion is steadily growing more and more uncertain. Written by
Jean-Marc Rocher <email@example.com>
The baseball cards that Jacob's son drops in the flashback of his death were Topps 1973 edition, after his death is supposed to have taken place. See more »
You know you look like an angel, Louie? Like an overgrown cherub. Anyone ever tell you that?
Yeah, you. Every time you see me.
You're a lifesaver, Louie.
Yeah, I know.
See more »
The credits roll over a grainy black and white photo of Gabe and Jacob crossing the street together. See more »
For several years, there's a very trendy cinematographic genre. This is the "psychological fantastic". This genre is very successful as the movies: "the sixth sense" (1999), "what lies beneath" (2000) or "unbreakable" (2000) showed. All these movies must have been influenced by "Jacob's ladder". In this way, you can regard Adrian Lyne's movie as a precursory and innovative movie. Lyne achieved a masterstroke in an absolutely new genre for him. It means that you're very far from the atmosphere of "9 weeks and a half" or "fatal attraction".
"Jacob's ladder" is based on an outstanding screenplay including numerous weird details that increase the spectator's curiosity. It's precisely with the spectator that Lyne and Bruce Joel Robin, the scriptwriter play with. They take a malicious pleasure in getting the spectator lost in a real maze where seem to border dream and reality. Like Tim Robbins, you look for the clue to the mystery. This clue may be the chemist which Jacob's meeting at the refreshment bar truck. This chemist will lead the plot towards an amazing conclusion.
In Adrian Lyne's movie, there's also a part of the fantastic genre that is very well exploited: at first common and normal living conditions but that are little by little overcome by the unreal, the strange and the fear.
The movie also enjoys an outstanding performance to begin with Tim Robbins. A brilliant success and a movie that deserves to rank among the ten best fantastic movies of the nineties
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