Mourning his dead child, a haunted Vietnam war veteran attempts to discover his past while suffering from a severe case of dissociation. To do so, he must decipher reality and life from his own dreams, delusion, and perception of death.
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A young couple move into an apartment, only to be surrounded by peculiar neighbors and occurrences. When the wife becomes mysteriously pregnant, paranoia over the safety of her unborn child begins to control her life.
New York postal worker Jacob Singer is trying to keep his frayed life from unraveling. His days are increasingly being invaded by flashbacks to his first marriage, his now-dead son, and his tour of duty in Vietnam. Athough his new wife tries to help Jacob keep his grip on sanity, the line between reality and delusion is steadily growing more and more uncertain. Written by
Jean-Marc Rocher <firstname.lastname@example.org>
The confrontation between Jacob and Geary originally takes place in a courtroom corridor. Lyne moved them to the stairs in order to downplay the height difference between Tim Robbins (who is 6 5") and Jason Alexander (who is 5' 5"). See more »
The fortuneteller scene at the party switches between Jacob's left and right hands. See more »
Well, you've done it to yourself this time, haven't you?
Am I dying, Louie?
From a slipped disk? That'll be a first.
See more »
The credits roll over a grainy black and white photo of Gabe and Jacob crossing the street together. See more »
Way before Shyamalan came on board, Adrian Lyne had blown the collective consciousness!
One "reviewer" here wrote (I presume) in all seriousness "Like a bad dream - impossible to understand!" That being the case, I can only describe his subsequent attempt to compile a review as "gutsy" in the extreme.
I believe JACOB'S LADDER is one of the 10 best films ever made. It is NOT impossible to understand...you merely have to listen and interpret! For those without the ability to effect the latter...just listen! Danny Aiello's character, Louis the chiropracter lays it out for you - word for word. I think it is the best part Aiello ever had, small one though it is in terms of screen time. Integral to a collective grasp of this great and disturbing film however is the need to tie-in the relationship between Jacob the individual, the biblical "Jacob's Ladder" itself and the relevance of "The Ladder" as explained (and seemingly forgotten by most everybody) by the runty chemical weapons boffin at the near conclusion of the film.
To those who view the ending as "rushed," "unsatisfying," "obscure" even "dumb" as I recall, I would merely suggest you watch it again and take into account the likelihood is, that it is in fact YOU that has missed what has been so cleverly set out for you. SIGNS was equally misunderstood by the majority of people that even liked it - there never WERE any aliens!
JACOB'S LADDER is Robbins' greatest film - Lyne's too. The last few minutes are amongst the most emotional and uplifting scenes I have ever seen since the "star child" in 2001 A SPACE ODYSSEY. Culkin was the perfect choice!
I saw this movie in a near deserted theater in Times Square the week it came out. At the conclusion of this particular late show I noticed an old man sitting some two rows away to my left, absorbed in his thoughts. Having to walk past him to gain the exit I noticed tears in his eyes. He looked up as I approached. After studying me for a moment all he said to me was "You understood didn't you?" I said, "Yes I understood!" He replied softly..."You're very lucky!"
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