| Photos (see all 19 | slideshow) |
Directed by | |||
| Tommy Lee Wallace | |||
Writing credits(WGA) | ||
| Stephen King | (novel) | |
| Lawrence D. Cohen | (teleplay) (part I) | |
| Lawrence D. Cohen | (teleplay) (part II) and | |
| Tommy Lee Wallace | (teleplay) (part II) | |
Produced by | |||
| Mark Bacino | .... | associate producer | |
| Allen S. Epstein | .... | executive producer (as Allen Epstein) | |
| Jim Green | .... | executive producer | |
| Matthew O'Connor | .... | supervising producer | |
Original Music by | |||
| Richard Bellis | |||
Cinematography by | |||
| Richard Leiterman | (director of photography) | ||
Film Editing by | |||
| David Blangsted | |||
| Robert F. Shugrue | |||
Casting by | |||
| Victoria Burrows | |||
| Mark Tillman | |||
Production Design by | |||
| Douglas Higgins | |||
Art Direction by | |||
| Eric Fraser | |||
Set Decoration by | |||
| Sandy Arthur | |||
Costume Design by | |||
| Monique Prudhomme | (as Monique Stranan) | ||
Makeup Department | |||
| Donna Bis | .... | hair stylist supervisor | |
| Susan Boyd | .... | assistant hair stylist | |
| Jayne Dancose | .... | makeup artist | |
| Bart Mixon | .... | special makeup effects artist (as Bart J. Mixon) | |
| Jo-Anne Smith-Ojeil | .... | assistant special makeup effects (as Jo-Anne Smith O' Jeil) | |
| Sydney Silvert | .... | makeup artist (uncredited) | |
Production Management | |||
| George Horie | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Patrice Leung | .... | first assistant director | |
| Sandra Mayo | .... | second assistant director | |
Art Department | |||
| Craig Henderson | .... | construction coordinator | |
| Aaron Sims | .... | character designer | |
| Grant Swain | .... | property master | |
| Dan Platt | .... | sculptor (uncredited) | |
Sound Department | |||
| Rick Patton | .... | production sound mixer | |
| Ted Johnston | .... | sound effects editor (uncredited) | |
| Tom Ruff | .... | sound re-recording mixer (uncredited) | |
| Clancy T. Troutman | .... | sound designer (uncredited) | |
| James G. Williams | .... | sound re-recording mixer (uncredited) | |
Special Effects by | |||
| John Thomas | .... | special effects coordinator | |
| Bob Comer | .... | animatronics (uncredited) | |
Visual Effects by | |||
| Gene Warren Jr. | .... | special visual effects supervisor: Fantasy II | |
| David Emerson | .... | optical camera (uncredited) | |
| Michael Joyce | .... | model shop supervisor (uncredited) | |
| Bret Mixon | .... | roto supervisor (uncredited) | |
Stunts | |||
| Kevin J. Andruschak | .... | stunt double | |
| Ken Kirzinger | .... | stunts | |
| Michael Langlois | .... | stunts | |
| Jacob Rupp | .... | stunts | |
| Mike Mitchell | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| John Clothier | .... | Steadicam operator | |
| Chris Helcermanas-Benge | .... | still photographer | |
| Nick Kuchera | .... | key grip | |
| Jeff Upton | .... | gaffer | |
| Peter F. Woeste | .... | camera operator (as Peter Woeste) | |
Casting Department | |||
| Sid Kozak | .... | casting: Canada | |
| Louise Mackiewicz | .... | extras casting assistant (uncredited) | |
Editorial Department | |||
| Ulla Hoeller | .... | assistant editor | |
| Bob Shugrue Jr. | .... | assistant editor | |
| Nigel Hollick | .... | assistant editor: Canada (uncredited) | |
| Reine-Claire | .... | assistant editor (uncredited) | |
Music Department | |||
| Ray Colcord | .... | musician: synthesizer | |
| Craig Pettigrew | .... | supervising music editor | |
| John Beal | .... | music supervisor (uncredited) | |
| Jimmy Bryant | .... | orchestrator (uncredited) | |
Other crew | |||
| Ted Bauman | .... | location manager | |
| Jean Bereziuk | .... | script supervisor | |
| Jeff Gaffin | .... | accounting executive | |
| Gretchen Goode | .... | production coordinator | |
| Jodi Duncan | .... | stand-in (uncredited) | |
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| Carrie | City of Shoulders and Noses | The Night of the Hunter | The Outsiders | Halloween |
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STAR RATING:*****Unmissable****Very Good***Okay**You Could Go Out For A Meal Instead*Avoid At All Costs
Adapted from the epic novella by Stephen King,It is set in the town of Derry,Maine,in 1960.A series of gruesome child killings are going on,which seem to replicate similar events that happen every 30 years in the town,rounded off by a big disaster that causes similar confusion and devastation.Seven young kids are drawn together over the course of the summer to face off against a psychotic bully named Henry Bowers and his gang,as well as coming face to face with the perpetrator of the horrific killings,a monster which generally takes the shape of a clown named Pennywise (Tim Curry).One day,they decide to go down in to the sewers and confront and kill It once and for all.They believe they have done this,only to get a call 30 years later informing them that this is not the case and that they must now abide by a promise they made as kids to return once again to do battle with It if it ever returned.Now,as mature adults instead of naive kids (and therefore finding it harder to believe) can they be as successful?
Very rarely do adaptations of King novels translate well to the screen,with only a handful of exceptions,and the producers of this two parter certainly had an even harder job on their hands turning a book of over 1000 pages in to a film adaptation.Under the circumstances,one might say they haven't done too bad a job,but they've had to edit out a lot of key sequences (and even characters) from the book,and as a result,they've ended up with a script that's rather poorly written,noticeably lacking the nervous edge the book so entrancingly conveyed in better style.So many of King's books depend on us using our imagination to it's fullest potential,and being able to see things in our own way (thereby engrossing us so)and that is quite probably why so many film adaptations of his works are so ultimately under-whelming.Some of the scenes featuring the kids (i.e. when they're building the dam) have a certain sparkle and charm to them,but generally speaking,it's an unaffecting,gormless shambles that leaves a number of characters under-developed and some just left out entirely.
On the acting front,the child actors (with the exception of the one who played Bowers) fare better than the adult actors,with the exception,of course,of Tim Curry in terrifying form as Pennywise (one of the scariest characters in the history of cinema,never mind the fact he only ever appeared in a TV movie) and possibly Harry Anderson.Some of them are laughably bad in parts(especially the one playing the adult Bill when he tries to stutter,so sad when young Johnathon Brandis played him so well).Pennywise always gave me the creeps,possibly in a way no other horror movie character could,but all the other scary stuff is few and far between.At the end of the day,it was only ever a TV movie,and it is kept well within the confines of its perimeters.
Overall,it's certain performances and being a faithful,sincere enough adaptation of the novel it is based on that carries it along so well.Ultimately,though,if you want the real deal,you're gonna have to expand your mind and read the book to feel the full emotional punch.***