| Photos (See all 16 | slideshow) |
Directed by | |||
| Tommy Lee Wallace | |||
Writing credits(WGA) | ||
| Stephen King | (novel) | |
| Lawrence D. Cohen | (teleplay) (part I) | |
| Lawrence D. Cohen | (teleplay) (part II) and | |
| Tommy Lee Wallace | (teleplay) (part II) | |
Produced by | |||
| Mark Bacino | .... | associate producer | |
| Allen S. Epstein | .... | executive producer (as Allen Epstein) | |
| Jim Green | .... | executive producer | |
| Matthew O'Connor | .... | supervising producer | |
Original Music by | |||
| Richard Bellis | |||
Cinematography by | |||
| Richard Leiterman | (director of photography) | ||
Film Editing by | |||
| David Blangsted | |||
| Robert F. Shugrue | |||
Casting by | |||
| Victoria Burrows | |||
| Mark Tillman | |||
Production Design by | |||
| Douglas Higgins | |||
Art Direction by | |||
| Eric Fraser | |||
Set Decoration by | |||
| Sandy Arthur | |||
Costume Design by | |||
| Monique Prudhomme | (as Monique Stranan) | ||
Makeup Department | |||
| Donna Bis | .... | hair stylist supervisor | |
| Susan Boyd | .... | assistant hair stylist | |
| Jayne Dancose | .... | makeup artist | |
| Bart Mixon | .... | special makeup effects artist (as Bart J. Mixon) | |
| Jo-Anne Smith-Ojeil | .... | assistant special makeup effects (as Jo-Anne Smith O' Jeil) | |
| Eryn Krueger Mekash | .... | special makeup effects artist (uncredited) | |
| Sydney Silvert | .... | makeup artist (uncredited) | |
Production Management | |||
| George Horie | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Patrice Leung | .... | first assistant director | |
| Sandra Mayo | .... | second assistant director | |
Art Department | |||
| Craig Henderson | .... | construction coordinator | |
| Hank Mayo | .... | concept designer | |
| Aaron Sims | .... | character designer | |
| Grant Swain | .... | property master | |
| Ignacio McBurney | .... | on set dresser (uncredited) | |
| Dan Platt | .... | sculptor (uncredited) | |
Sound Department | |||
| Richard Patton | .... | production sound mixer (as Rick Patton) | |
| Joe Campana | .... | assistant sound editor (uncredited) | |
| Al Gomez | .... | foley mixer (uncredited) | |
| Ted Johnston | .... | sound effects editor (uncredited) | |
| Tom Ruff | .... | sound re-recording mixer (uncredited) | |
| Clancy T. Troutman | .... | sound designer (uncredited) | |
| James G. Williams | .... | sound re-recording mixer (uncredited) | |
Special Effects by | |||
| John Thomas | .... | special effects coordinator | |
| Bob Comer | .... | animatronics (uncredited) | |
Visual Effects by | |||
| Gene Warren Jr. | .... | special visual effects supervisor: Fantasy II | |
| David Emerson | .... | optical camera (uncredited) | |
| Michael Joyce | .... | model shop supervisor (uncredited) | |
| Bret Mixon | .... | roto supervisor (uncredited) | |
| Tim Scannell | .... | rotoscope artist / camera operator (uncredited) | |
Stunts | |||
| Kevin J. Andruschak | .... | stunt double | |
| Ken Kirzinger | .... | stunts | |
| Michael Langlois | .... | stunts | |
| Jacob Rupp | .... | stunts | |
| Mike Mitchell | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| John Clothier | .... | Steadicam operator | |
| Chris Helcermanas-Benge | .... | still photographer | |
| Nick Kuchera | .... | key grip | |
| Jeff Upton | .... | gaffer | |
| Peter F. Woeste | .... | camera operator (as Peter Woeste) | |
Casting Department | |||
| Sid Kozak | .... | casting: Canada | |
| Louise Mackiewicz | .... | extras casting assistant (uncredited) | |
Editorial Department | |||
| Ulla Hoeller | .... | assistant editor | |
| Bob Shugrue Jr. | .... | assistant editor | |
| Nigel Hollick | .... | assistant editor: Canada (uncredited) | |
| Reine-Claire | .... | assistant editor (uncredited) | |
Music Department | |||
| Ray Colcord | .... | musician: synthesizer | |
| Craig Pettigrew | .... | supervising music editor | |
| John Beal | .... | music supervisor (uncredited) | |
| Jimmy Bryant | .... | orchestrator (uncredited) | |
Transportation Department | |||
| Lawrence Albright | .... | driver (uncredited) | |
Other crew | |||
| Ted Bauman | .... | location manager | |
| Jean Bereziuk | .... | script supervisor | |
| Jeff Gaffin | .... | accounting executive | |
| Gretchen Goode | .... | production coordinator | |
| Jodi Duncan | .... | stand-in (uncredited) | |
|
|
|
|
|
| Dreamcatcher | Freddy vs. Jason | Darkness Falls | Carrie | "Rose Red" |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb TV section | IMDb Drama section |
| IMDb USA section |
You may add a new episode for this TV series by clicking the 'add episode' button
Many critics have complained that Stephen King's It is an overlong film. However, considering that the book upon which it is based takes over 1,000 pages to tell its story, it is hardly surprising that the film version needs so much running time to cram in all the twists and turns. Besides, the three hour running time goes by quickly because the film is briskly paced and full of engaging incidents. Also, the depth of the story allows to us to really get into the minds of the characters, which is a rare thing indeed in a horror film, since usually the characters are hilariously shallow.
The story unfolds like a two part mini-series (which is, I believe, what the film was originally meangt to be). In the first half, a bunch of seven kids in a small town realise that recent child killings are not the work of a murderer, but are attributable to a monster which awakes every thirty years. They track it down and very nearly kill it, but it just manages to escape. Thirty years later, the seven are all grown up, but they re-unite to seek out the monster when it once more awakens for its regular killing spree.
The acting is very goood, especially John Ritter as a successful architect and Tim Curry as the terrifying Pennywise the Clown. There are some spooky moments, but nothing that I would describe as absolutely horrifying. This is an unusually deep and detailed horror film, well worth seeing.