Keen young Raymond Avila joins the Internal Affairs Department of the Los Angeles police. He and partner Amy Wallace are soon looking closely at the activities of cop Dennis Peck whose ...
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Keen young Raymond Avila joins the Internal Affairs Department of the Los Angeles police. He and partner Amy Wallace are soon looking closely at the activities of cop Dennis Peck whose financial holdings start to suggest something shady. Indeed Peck is involved in any number of dubious or downright criminal activities. He is also devious, a womaniser, and a clever manipulator, and he starts to turn his attention on Avila. Written by
Jeremy Perkins <firstname.lastname@example.org>
The original ending of the movie was different. After entire scene where Peck kills Arrocases and wounds Wallace and Raymond taking her to hospital, Raymond calls his wife Kathy to tell her to lock the door, fearing that Peck will come after her. Peck however manages to sneak into their home and starts terrorizing her. He makes her take his shoe off and start cleaning his wounded foot, while at the same time he starts talking to her in very perverse, sexual way. When Raymond finally gets home Peck is holding Kathy and keeps her mouth covered so that she can't warn him and then he gets shot by Peck. As Peck smiles at him and prepares to kill Kathy, heavily wounded Raymond manages to run at him, crashing both of them out the window and into the swimming pool. Peck tries to drown Raymond but Raymond manages to get his gun and shoots Peck, killing him, but he almost ends up drowning. Kathy then jumps into the pool and manages to get him out, and after desperate attempts to revive him and screaming at him not to die, he wakes up, vomits and as he does so, Peck's dead body bobs out right next to them. Kathy starts laughing after Raymond revives and two of them then hold each other as the ambulance is heard coming. According to what director Mike Figgis said in his book Liebestraum, this ending was removed and changed because it didn't test well with audience during test screening of his original cut of the film. This is why Figgis wrote and filmed new ending for final theatrical version. However, several parts of the original ending are shown in theatrical and TV trailers of the film, and till this day remain only available parts of it. See more »
About halfway through the movie, Dennis is waiting for Raymond outside his office. They have a conversation. Dennis crosses his arms, and keeps them crossed for the wide shot. When the camera cuts back to the two-shot, Dennis is now just holding his hands together. See more »
[conferring in private after Raymond offered immunity to Van Stretch]
You are not authorized to make this deal. It's a violation even to *offer* it!
Look at him. He wants to talk. If Peck were clean, there'd be nothing to talk about.
I am the senior partner. *Your* mistakes go on *my* file! Either you retract the offer to Van or *I will*!
[Raymond shakes his head]
All right. How about this then? Why don't you and Dennis Peck both *pull them out* and I'll decide which one's bigger!
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A pretty good, early feature from Figgis. It's a thriller but with a unique strain already showing - it's more a war of character and attrition between Garcia and Gere than a straight chase number and broken up with a notable dream sequence (in fact, with this shot in a monochromatic blue and the nature of the film leaning towards existential examination of the leads I can't help but think of the Michael Mann of Manhunter and Heat respectively).
Garcia gives a good performance, if perhaps a touch excessively 'Latin' in its swinging between inscrutable and violent. He's well supported by Nancy Travis and particularly Lauire Metcalf - playing a unfussy, unostentatious but unequivocal lesbian. The treat of the show though is Gere. A true A-list performance here, powerfully masculine in its self-assurance, sexual charisma and violence in various states of disguise.
A stock film lifted by the agenda of a developing director and a matinée idol. Unsurprising, occasionally laboured but always watchable. 6/10
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