| Mädchen Amick | ... | Amy (as Madchen Amick) | |
| Corey Parker | ... | Eddie | |
| Daisy Hall | ... | Gloria | |
| R. Lee Ermey | ... | Lt. Ackman | |
| Natalie Schafer | ... | Grandmother | |
| Jason Brooks | ... | Mason | |
| William Berger | ... | Jonas Wilson | |
| Mary Frann | ... | Martha | |
| Dee Wallace | ... | Wanda Thatcher (as Dee Wallace-Stone) | |
| Anthony Perkins | ... | Prof. Buchanan | |
| Lew Horn | ... | Coroner | |
| Stuart Fratkin | ... | Victor | |
| Dan Leegant | ... | Frank | |
| Jack McGee | ... | Landlord | |
| Ed Trotta | ... | Joey (as Edward Trotta) | |
| David Carlile | ... | Matt | |
| Felicia Lansbury | ... | Librarian | |
| Henry C. Brown | ... | Anchorman | |
| Ellen Gerstein | ... | Server | |
| Ivan Gueron | ... | Romeo | |
| Juan García | ... | Enrique | |
| Frank DiElsi | ... | City Worker | |
| Richard Penn | ... | Paramedic | |
| Xavier Barquet | ... | Tybolt | |
| Matthew Walker | ... | Punk #2 | |
| Robert Harvey | ... | Janitor (as Robert H. Harvey) | |
| Bill Madden | ... | Punk #1 |
Directed by | |||
| Tobe Hooper | |||
Writing credits(WGA) | ||
| Cornell Woolrich | (short story) | |
| Bruce Lansbury | (teleplay) & | |
| Philip John Taylor | (teleplay) | |
Produced by | |||
| Bruce Lansbury | .... | producer | |
| Boris Malden | .... | executive producer | |
| Philip John Taylor | .... | producer | |
| Michael Weisbarth | .... | co-executive producer | |
Original Music by | |||
| Nicholas Pike | |||
Cinematography by | |||
| Levie Isaacks | |||
Film Editing by | |||
| Carl Kress | |||
Casting by | |||
| Robin Lippin | |||
Production Design by | |||
| Leonard A. Mazzola | |||
Costume Design by | |||
| Carin Berger | |||
Makeup Department | |||
| Emily Katz | .... | makeup artist | |
| Nina Paskowitz | .... | hair stylist | |
Production Management | |||
| Joseph Bellotti | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Tom Blank | .... | first assistant director (as Thomas J. Blank) | |
| Keri L. McIntyre | .... | second assistant director | |
Art Department | |||
| Chalo González | .... | property master | |
| John Kersey | .... | assistant art director | |
| John Kersey | .... | construction coordinator | |
Sound Department | |||
| Craig Felburg | .... | sound mixer | |
| Cameron Hamza | .... | boom operator | |
Stunts | |||
| John Moio | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Michael L. Colwell | .... | key grip | |
| Stan Giesea | .... | videographer | |
| Eric H. Lasher | .... | still photographer | |
| Robert W. Moreno | .... | gaffer | |
| Wayne Trimble | .... | first assistant camera | |
Casting Department | |||
| Dan Bernstein | .... | casting associate | |
| Gary A. Gibson | .... | casting assistant | |
Editorial Department | |||
| Michael Philip | .... | first assistant editor | |
Other crew | |||
| Bundy Chanock | .... | set medic | |
| Sandy Mazzola | .... | script supervisor | |
| Ralph B. Meyer | .... | location manager | |
| Lenny Neimark | .... | assistant location manager | |
| Steven Ritt | .... | dog trainer | |
| Annie Saunders | .... | production coordinator | |
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| Thinner | Rosemary's Baby | The Power | Sorceress | Sorority House Massacre II |
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| Full cast and crew | Company credits | External reviews |
| IMDb Horror section | IMDb USA section |
Amy, a college psych student comes across a red garment in a chest she just bought to use in a play. She keeps it and makes it into a party dress. However the first time she puts it on, it influences her and changes the way she acts. By bringing out her darker side. Soon everyone seems to want a piece of this garment. From her college professor she finds out it's an Aztec cloak that was used in sacrificial ceremonies.
I'll go to say that I never even heard of this Tobe Hooper supernatural thriller opus. Striking and strange, but the one-idea premise and languidly cut n' dry script doesn't really build upon its interesting background and teetering imagination enough. Maybe this is due to its restrictions of being a cheaply produced made-for-TV production, but I seem to doubt it as it could be associated to material being adapted from a short story. On the other hand it's probably best to not really delve deep into it though, because of uneven logic and it borderlines on tacky. The plot does have a 'Cinderella' touch to it, and seems to have that everything, but the kitchen sink drama quality to it. All the characters that come and go are stereotypically painted, but the performers were better than the material. The gorgeously fixating Madchen Amick confidently grows from her sweet performance as Amy. Anthony Perkins keeps it professional and likes to just pop up randomly as the suspicious college professor. Dee Wallace Stone is great in her minor role that reeks of attitude. R. Lee Ermey in a small role engages with his sombre detective. Corey Parker makes for a likable love-interest for Amick. Also appearing are Natalie Schaffer, William Berger and Jack McGee.
You can really see Hooper's able illustrative style shining through this work. He subtly mixes the eerie violence together with sexual seductiveness. Sure it can become silly and lousy with its jolts, but still it stays dangerously ominous and tautly handled with its imagery. It might not have the biting flair of some his previous early work ('The Texas Chainsaw Massacre', 'Eaten Alive' and 'The Funhouse') though. He milks it out slowly, letting the atmosphere unfold and the possessive force evolve. For a TV production the film is smoothly shot, very well lit and effectively scored.
A modest TV feature, which has some obvious and stodgy patterns.