In the winter of 1942-43, a Jewish family leaps from a train going through Silesia. They are separated in the woods, and Leon, a local peasant who's now a farmer of some wealth, discovers ... See full summary »
Set during World War 2. After the Nazi Germany invaded Poland in September 1939, Russia attacked Finland in November 1939. Finnish reservists leave their homes and go to war. The film ... See full summary »
A film about a film being made by a group of young directors. Story is divided into three parts. The first follows Anka, a girl from a working- class family. She finishes school, plans to ... See full summary »
Danzig in the 1920s/1930s. Oskar Matzerath, son of a local dealer, is a most unusual boy. Equipped with full intellect right from his birth he decides at his third birthday not to grow up ... See full summary »
The script by Eva Borusevicova describes the true story of Janosik, the XVIII centuries outlaw, who was prowling through Slovak-Polish border. The story of Janosik, a legendary "Central ... See full summary »
A Jewish boy, separated from his family in the early days of WWII, poses as a German orphan and is thereafter taken into the heart of the Nazi world as a 'war hero' and eventually made a Hitler Youth. Although improbabilities and happenstance are cornerstones of the film, it is based upon a true story. Written by
Keith Loh <firstname.lastname@example.org>
The movie was shot simultaneously in English and German. See more »
When the Russian refugees are fleeing Poland and are strafed by a German fighter plane, the fighter plane is obviously a smaller scale radio controlled model. The airplane resembles a Supermarine Spitfire, an airplane not used by the Germans. See more »
One has to be annoyed with comments that question either the historical verisimilitude or the integrity of this film, whether from the shaky ground of some rigid, illiberal ideological or religious prejudice or from some one-sided version of history. Furthermore, negative ad hominem attacks on someone other than political leaders or other persons who willingly seek out the public eye are reprehensible.
Does this story ring true? It does to me, and if there is even one-tenth as much basis in fact in the life of Salomon Perel as is represented in the film, I am satisfied. Having been to all the places and delved into the culture and history of all the nationalities that comprise its background, I am also convinced that much if not all of the story is correct at a level that goes well beyond whether this or that small factual detail is rooted in what actually happened to the real Perel.
Moreover, "Hitlerjunge Salomon" (better known in English-speaking countries as "Europa, Europa") is a masterful piece of cinema, beautifully produced and directed, and bearing a cachet of authenticity that few cross-cultural films achieve. I can attest to the utterly convincing script and characterization within the German language portion, and the bits in Polish and Russian seem equally strong.
Why is it so difficult to believe that a malleable teenager raised in a cross-cultural environment would be any less rooted in one part of his life than another? Marco Hofschneider captures precisely the right tone as he demonstrates how "Solly" and "Jupp" are two complementary aspects of the same person. Indeed, there are even good Germans and bad Germans, good Poles and bad Poles, etc., etc. throughout the film.
None of this compromises the truth that millions of other Jews did not survive the Holocaust. Nor does it demean their memory to cast a glance or two at this singular exception. The survivors have their stories as do the victims, and to explore the wider spectrum of life that goes on is surely to find hope in the ruins of an otherwise depraved episode in world history.
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