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Europa Europa (1990)

7.7
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Ratings: 7.7/10 from 10,466 users  
Reviews: 66 user | 17 critic

A boy in Nazi Germany, trying to conceal that he is Jewish, joins the Hitler Youth.

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(additional material), , 1 more credit »
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Title: Europa Europa (1990)

Europa Europa (1990) on IMDb 7.7/10

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Nominated for 1 Oscar. Another 11 wins & 2 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
Salomon 'Solly' 'Salek' Perel / Josef 'Jupp' Peters
André Wilms ...
Soldier Robert Kellerman
Ashley Wanninger ...
Gerd
Klaus Abramowsky ...
Salomon's Father
Michèle Gleizer ...
Salomon's Mother
Delphine Forest ...
Inna Moyseyevna
René Hofschneider ...
Isaak Perel - Salomon's brother
...
Leni
Hanns Zischler ...
Captain von Lerenau Hauptmann.
Martin Maria Blau ...
Ulmayer
Bernhard Howe ...
Feldwebel
Klaus Kowatsch ...
Schulz
Holger Kunkel ...
Kramer
Halina Labonarska ...
Leni's Mother
Andrzej Mastalerz ...
Zenek Dracz
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Storyline

A Jewish boy, separated from his family in the early days of WWII, poses as a German orphan and is thereafter taken into the heart of the Nazi world as a 'war hero' and eventually made a Hitler Youth. Although improbabilities and happenstance are cornerstones of the film, it is based upon a true story. Written by Keith Loh <loh@sfu.ca>

Plot Summary | Plot Synopsis

Genres:

Drama | History | War

Motion Picture Rating (MPAA)

Rated R for mature treatment of holocaust issues | See all certifications »

Parents Guide:

 »
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Details

Country:

| |

Language:

| | |

Release Date:

14 November 1990 (France)  »

Also Known As:

Europa Europa  »

Box Office

Gross:

$5,575,738 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

1.66 : 1
See  »
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Did You Know?

Trivia

Julie Delpy did not speak German and performed her role in English and was later dubbed over. See more »

Goofs

In the classroom scene, where the teacher is demonstrating racial profiling techniques on Peters using calipers to measure his head, the calipers sometimes move and produce no sounds. Other times sounds are heard when the calipers aren't moving. Also, many of the sounds that are heard are inconsistent with the sounds that instruments like these should produce and how they should be properly used. See more »

Quotes

Leni's Mother: Are you really German?
Salomon 'Solly' 'Salek' Perel: No. I'm a Jew.
Leni's Mother: I knew it. From the beginning I knew. I swear I won't betray you.
Salomon 'Solly' 'Salek' Perel: I had to tell someone. I couldn't stand it anymore.
Leni's Mother: You mustn't tell Leni.
See more »

Connections

Referenced in The 100 Greatest War Films (2005) See more »

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User Reviews

 
A Different Kind of Kulturkampf
3 July 2003 | by (Arizona) – See all my reviews

One has to be annoyed with comments that question either the historical verisimilitude or the integrity of this film, whether from the shaky ground of some rigid, illiberal ideological or religious prejudice or from some one-sided version of history. Furthermore, negative ad hominem attacks on someone other than political leaders or other persons who willingly seek out the public eye are reprehensible.

Does this story ring true? It does to me, and if there is even one-tenth as much basis in fact in the life of Salomon Perel as is represented in the film, I am satisfied. Having been to all the places and delved into the culture and history of all the nationalities that comprise its background, I am also convinced that much if not all of the story is correct at a level that goes well beyond whether this or that small factual detail is rooted in what actually happened to the real Perel.

Moreover, "Hitlerjunge Salomon" (better known in English-speaking countries as "Europa, Europa") is a masterful piece of cinema, beautifully produced and directed, and bearing a cachet of authenticity that few cross-cultural films achieve. I can attest to the utterly convincing script and characterization within the German language portion, and the bits in Polish and Russian seem equally strong.

Why is it so difficult to believe that a malleable teenager raised in a cross-cultural environment would be any less rooted in one part of his life than another? Marco Hofschneider captures precisely the right tone as he demonstrates how "Solly" and "Jupp" are two complementary aspects of the same person. Indeed, there are even good Germans and bad Germans, good Poles and bad Poles, etc., etc. throughout the film.

None of this compromises the truth that millions of other Jews did not survive the Holocaust. Nor does it demean their memory to cast a glance or two at this singular exception. The survivors have their stories as do the victims, and to explore the wider spectrum of life that goes on is surely to find hope in the ruins of an otherwise depraved episode in world history.


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