IMDb > Henry: Portrait of a Serial Killer (1986)
Henry: Portrait of a Serial Killer
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Henry: Portrait of a Serial Killer (1986) More at IMDbPro »

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Henry: Portrait of a Serial Killer -- Based on the true life serial killer, Henry Lee Lucas.

Overview

User Rating:
7.1/10   20,106 votes »
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Director:
Writers:
Richard Fire (written by) &
John McNaughton (written by)
Contact:
View company contact information for Henry: Portrait of a Serial Killer on IMDbPro.
Release Date:
September 1990 (USA) See more »
Tagline:
The shocking true story of Henry Lee Lucas. See more »
Plot:
Based on the true life serial killer, Henry Lee Lucas. Full summary » | Full synopsis »
Awards:
10 wins & 7 nominations See more »
NewsDesk:
(233 articles)
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User Reviews:
one of the scariest movies ever made, period. See more (202 total) »

Cast

  (in credits order) (verified as complete)
Mary Demas ... Dead Woman / Dead Prostitute / Hooker #1

Michael Rooker ... Henry
Anne Bartoletti ... Waitress
Elizabeth Kaden ... Dead Couple - Wife
Ted Kaden ... Dead Couple - Husband
Denise Sullivan ... Floating Woman
Anita Ores ... Mall Shopper #1
Megan Ores ... Mall Shopper #2
Cheri Jones ... Mall Shopper #3
Monica Anne O'Malley ... Mall Victim
Bruce Quist ... Husband
Erzsebet Sziky ... Hitchiker
Tracy Arnold ... Becky
Tom Towles ... Otis
David Katz ... Henry's Boss
John Scafidi ... Kid with Football #1
Benjamen Passman ... Kid with Football #2
Flo Spink ... Woman in Cadillac

Kurt Naebig ... High School Jock
Kristin Finger ... Hooker #2
Lily Monkus ... Woman in Beauty Shop
Ray Atherton ... Fence
Eric Young ... Parole Officer
Rick Paul ... Shooting Victim

Peter Van Wagner ... Bum #1
Tom McKearn ... Bum #2
Frank Coronado ... Bum #3 (as Frank Coranado)

Lisa Temple ... Murdered Family - Wife
Brian Graham ... Murdered Family - Husband
Sean Ores ... Murdered Family - Son
Pamela Fox ... Hair Stylist
Waleed B. Ali ... Store Clerk
Donna Dunlap ... Dog Walker
Augie the Dog ... Delores

Directed by
John McNaughton 
 
Writing credits
Richard Fire (written by) &
John McNaughton (written by)

Produced by
Malik B. Ali .... executive producer
Waleed B. Ali .... executive producer
Lisa Dedmond .... producer
Steven A. Jones .... producer
John McNaughton .... producer
 
Original Music by
Ken Hale 
Steven A. Jones 
Robert McNaughton 
 
Cinematography by
Charlie Lieberman (director of photography)
 
Film Editing by
Elena Maganini 
 
Casting by
Jeffery Lyle Segal 
 
Art Direction by
Rick Paul 
 
Costume Design by
Patricia Hart 
 
Makeup Department
Michael J. Alonzi .... makeup effects crew
Chuck Gatz .... hair stylist
Herb Nordheimer .... makeup effects crew
Bernd Rantscheff .... makeup artist (as Berndt Rantscheff)
Jeffery Lyle Segal .... special makeup effects artist
Scott Whitehead .... makeup effects crew
 
Production Management
Lisa Dedmond .... production manager
Steven A. Jones .... post-production supervisor
 
Second Unit Director or Assistant Director
Andrew Bradburn .... second assistant director
Paul Chen .... first assistant director
 
Art Department
Frank Coronado .... storyboard artist
Rick Paul .... property master
Rick Paul .... set dresser
 
Sound Department
Cory Coken .... sound editor
Ric Coken .... post-production sound mixer (as Rick Coken)
Dan Haberkorn .... sound effects
Elena Maganini .... post-production sound editor
Jim Moore .... rerecording assistant
Louie Quiroz .... assistant post-production sound mixer
Steve Wilburn .... sound re-recording assistant
Thomas T. Yore .... sound recordist
 
Special Effects by
Lee Ditkowski .... technical effects
 
Stunts
Paul M. Lane .... stunts
David Woolley .... fight coordinator
 
Camera and Electrical Department
Dave Buckley .... grip
Brian Graham .... grip
Dave Mahlman .... assistant camera
Paul Petraitis .... still photographer
Bernd Rantscheff .... still photographer (as Berndt Rantscheff)
Bradley Sellers .... assistant camera (as Brad Sellars)
 
Costume and Wardrobe Department
Patricia Hart .... wardrobe
 
Music Department
Steven A. Jones .... musical director
 
Other crew
Richard Fire .... acting coach
Melanie Hecht .... script supervisor
Steven A. Jones .... title designer
David Le Boy .... title designer (as David LeBoy)
Bradley Magon .... production assistant
 
Thanks
Kevin Dougherty .... special thanks
Greg Doyle .... special thanks
Tommy Dubois .... special thanks
Mic Fabus .... special thanks
Neil Flynn .... special thanks (as Neal Flynn)
Judith Gold .... acknowledgment: Chuck Gatz courtesy of
Steven Hager .... special thanks
Larry Hart .... special thanks
Bob Jorgenson .... special thanks
Jeanette Jorgenson .... special thanks
C.J. Kavooras .... special thanks
Alex Kerr .... special thanks
Charles Michaels .... special thanks
Becky Passman .... special thanks
Elizabeth Passman .... special thanks
Paul Petraitis .... special thanks
Wendy Sander .... special thanks
Mike Sandlass .... special thanks
Laura Storto .... special thanks
Barb Sun .... special thanks
Greg Sun .... special thanks
Pat Thompson .... special thanks
Cath Whitney .... special thanks
James Young .... special thanks
 

Production CompaniesDistributorsOther Companies

Additional Details

Also Known As:
Runtime:
83 min | Australia:77 min | Norway:78 min | Sweden:78 min | Italy:75 min (edited for TV)
Country:
Language:
Color:
Aspect Ratio:
1.37 : 1 See more »
Sound Mix:
Certification:
Argentina:18 | Australia:R (uncut) (2005) | Canada:18+ (Quebec) | Chile:18 | Finland:K-18 (uncut) (DVD rating) (2001) | Finland:K-16 (cut) (1998) | Finland:K-18 (cut) (1997) | Finland:(Banned) (1992) | Finland:K-18 (cut) (1992) | France:-16 (with warning) | Iceland:16 (original rating) | Iceland:(Banned) (video rating) | Ireland:18 | Italy:VM18 (1992) | Netherlands:16 | New Zealand:R18 (cut) | New Zealand:(Banned) (uncut) | Norway:18 | Portugal:M/18 | South Korea:18 | Sweden:15 | Sweden:18 (original DVD rating) | UK:18 | USA:Unrated | USA:X (original rating) (rating surrendered) | West Germany:18
Filming Locations:

Did You Know?

Trivia:
Bizarrely, the origins of this film are to be found in a never-made documentary about professional wrestling. Director John McNaughton had worked for the Ali brothers (Waleed B. Ali & Malik B. Ali) as a delivery man with their video equipment rental business during the late 70s, and Waleed and McNaughton had always vowed to make a film together at some stage in the future. Several years later, the Ali brothers hired McNaughton to direct a documentary about organized crime in Chicago entitled Dealers in Death (1984). The film was well received and turned a profit, and the brothers were happy with McNaughton's directorial work. As such, they hired him to shoot a second documentary, this time about the professional wrestling in Chicago. A collection of previously thought lost VHS tapes showing wrestling in Chicago during the 1950s had been unearthed, and the brothers had agreed to purchase the tapes from the owner for use in the documentary. However, when the brothers went to buy the tapes, the owner doubled his price at the last minute, and the brothers pulled out of the deal. Waleed then had the idea to use the money set aside for the documentary to instead make a feature film, and he kept McNaughton on as director, offering him $100,000 to make a horror movie. Waleed didn't care what the film was about, he just wanted something in the horror genre. McNaughton had no idea what to write about until he saw an episode of the show "20/20" (1978) about Henry Lee Lucas, and he decided that his subject matter was not going to be a demon, a monster or an extra-terrestrial, but a normal human being.See more »
Goofs:
Revealing mistakes: In the opening shot of the movie of a woman's body, the "dead" woman (Mary Demas) takes a few breaths towards the end of the shot, as seen by the movement of her stomach. The filmmakers point this out in the commentary, and show additional footage in the outtakes.See more »
Quotes:
Otis:Where you going?
Henry:Nowhere - you wanna come?
See more »
Movie Connections:
Featured in Stories from the Kronen (1995)See more »
Soundtrack:
PsychoSee more »

FAQ

Is this film available on Blu-ray?
Is it true that the actress who plays the wife in the murdered family was so traumatized by the shoot that she had to have counselling?
What's in the bag at the end of the film?
See more »
100 out of 126 people found the following review useful.
one of the scariest movies ever made, period., 3 August 1999
Author: Rusty-61 from United States

With the BWP hype, a lot of talk of going around about "the scariest movie you've ever seen". Probably because I've seen over a thousand horror/fright/suspense/gore movies, I have trouble pinning it down. I can't name the scariest, I can name the top 5. As far as non-supernatural horror goes, this movie and Last House on the Left are the scariest movies I've ever seen.

I saw this at a film festival and the audience was very, very quiet. My friend and I just sat there quietly cowering most of the time. It's just way too realistic. The opening and closing are probably the most frightening, and we don't even see Henry killing anyone, just the bodies of his victims and their terrified screams in the background, echoing. It will give you chills down your spine. The stuff in the movie that scared me wasn't any big "jumps" or gore, just very disturbing, creepy moments (especially if you knew someone who was been the victim of a homicide, as I do). My friend I saw it with worked at the city prosecutors office and heard about plenty of local murder cases and said it rang very, very true to life. One of the most chilling scenes is early on, when Henry goes to a mall and just sits patiently in the parking lot, scanning. The camera looks coldly and calculatedly at different women in the parking lot from Henry's point of view. There are so many shots you almost start to wonder what the point of the scene is until it hits you: they are ALL potential victims, this is how he looks at women. I have always been careful as a woman whenever I am alone but after seeing the film, to this DAY I do not walk to my car alone at the mall without my mace in my hand, and I look all around me and never turn my back on anyone. The movie also does not glamorize the killing or violence against women at all.

Also, it's a good primer on home and personal safety. (a good rule- Do not EVER let a stranger into your house when you are home alone if you were not expecting him. In fact, after I saw this I never open the door when I am home alone and not expecting anyone, period. Think I'm paranoid? Watch this movie and see how safe you feel).

The plot sounds simple but it's not boring. The movie follows the exploits of Henry, a young man who is practically a textbook case of a serial killer (male, white, 30's, drifter, soft-spoken, shy). Conflict comes when his disgusting nasty inbred cousin Otis Toole stays with him, along with his pathetic sister. One night Otis and Henry pick up a couple of prostitutes and are having sex with them in the car. Henry kills both of them sort of offhandedly, with no more emotion than you would swat a fly. Otis starts joining him on his exploits. Henry is more sympathetic than Otis, however, because while Henry does these things because he is sick and doesn't have a choice, Otis seems to get off on them, and also should know better. Things sorta go downhill from there, and the sister complicates things because she is so desperately lonely that Henry starts to look good to her. It culminates in one of the most chilling, downbeat endings of all time.

After I saw this movie at the festival, I was lucky enough to be there when Michael Rooker, who plays the title character, came out and lectured and did Q & A. When I say lucky, I don't mean lucky that I got to meet a celebrity (though that was neat). I mean lucky that I was able to have proof immediately afterwards that this was just a movie. If the movie had ended and I just had to get up and go home, I probably wouldn't have gotten any sleep for about a week. He was very nice and personable, wore glasses and a blazer, not at all like his character. The thing I remember most clearly is someone asked him what kind of movies he liked and he replied, "I don't like horror movies, really, I like musicals". Everyone laughed for about 5 minutes, partially out of relief. BIG relief. See, it's just a movie, there's the actor right there, and ha-ha, he's actually very shy and charming and harmless, isn't that funny?

Even with all of that, I still find this one of the most disturbing, unsettling movies ever made. You haven't seen a really scary movie until you see this movie.

Was the above review useful to you?
See more (202 total) »

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Henry's mother gonelunch1
Movies Like This One.... Frore
I wonder if John Walsh ever saw this... kmay144
worst date movie I ever rented! xsickpeoplex
Homer S. : Portrait of an Ass Grabber woodssd9
Otis abhorred me more than Henry did! looker7
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