As sadomasochistic yakuza enforcer Kakihara searches for his missing boss he comes across Ichi, a repressed and psychotic killer who may be able to inflict levels of pain that Kakihara has only dreamed of.
A yakuza enforcer is ordered to secretly drive his beloved colleague to be assassinated. But when the colleague unceremoniously disappears en route, the trip that follows is a twisted, surreal and horrifying experience.
Henry likes to kill people, in different ways each time. Henry shares an apartment with Otis. When Otis' sister comes to stay, we see both sides of Henry; the "guy-next-door" and the serial killer. Low budget movie, with some graphic murder scenes. Written by
Director John McNaughton originally intended to shoot the entire film with a hand-held camera, so as to give it the look and feel of a fly-on-the-wall documentary. He had hired Jean de Segonzac to work as the director of photography as de Segonzac was regarded as one of the world's foremost hand-held cameramen. However, a week before filming began, de Segonzac had to drop out of the project, and McNaughton was left without a director of photography. He subsequently hired Charlie Lieberman, who had shot a number of half hour substance abuse programs, and together, McNaughton and Lieberman decided to abandon the hand-held idea and go in the opposite direction; never using a hand-held camera at all, and ensuring very exact, very rigid framing throughout the film. See more »
In the opening shot of the movie of a woman's body, the "dead" woman (Mary Demas) takes a few breaths towards the end of the shot, as seen by the movement of her stomach. The filmmakers point this out in the commentary, and show additional footage in the outtakes. See more »
Before the film begins the following can be read: "This film is a fictional dramatization of certain events. 'Henry' is not intended to be an accurate portrayal of a true story. The film is based partly on confessions of a person named Henry, many of which he later recanted. As to Otis and Betty, the film is fictional." See more »
The human mind can be pretty disturbing from time to time
As you probably know, this film is partly based on the confessions of the real Henry Lee Lucas. If you know that and see this movie, you can ask some serious question about how disturbing some of our fellow humans are. This man shows no emotions what so ever. Contact with other people is nearly impossible, no mercy, not wondering whether his victims have a family or how old they are...no nothing. You wonder if he even IS a human, no living creature can be so awful.
So, if you ask yourself all this during this movie, and I assure you will, you could say it's an excellent film. The mission of the movie itself has succeeded. The ideal atmosphere is achieved in the movie. Dark, melancholic, depressing...Director McNaughton really creates world you don't want to live in. Michael Rooker plays the role of his life and puts down one of the best acting performances ever. Sure, he's never honored with an Oscar or any other important price for his performance, but everyone who sees this movie knows it's true. Actually, when I first saw this film at the age of 9 ( Too young, I know) I thought this actor was in fact a real-life psycho. Henry talks with the same, aggressive tone of voice during the whole movie, his eyes seem to shoot fireballs when the camera looks like in them and his appearance makes you want to puke. Actually this film is pure genius for mainly one reason : you don't have sympathy for any of the characters. Most film, even is the whole cast play villains, there's always one you like. One character you create a sort of band with. In Henry: Portrait of a serial Killer you can only feel hate. Hate and disgust for Henry and for his companion Otis. Heck, you even start to hate the girl... For being so naive that is.
Although many persons are killed and many violence occurs, Henry certainly ain't a gore or bloody film. Many things are suggested but not shown, and in this case it's actually more or at least as scary as showing the actual murders. That's a quality you don't see in movies very much. Only the old horror movies from the 30's and 40's could do that. And now also Henry can. I advise everyone to see this movie, if they haven't already. Not just if you're a fan of horror or thrillers, but also if you appreciate good movies in general. Even the most critic movie buffs can only find this film terrific. It was on many many levels a very important film.
32 of 46 people found this review helpful.
Was this review helpful to you?