Henry II picks up where the original (Henry: Portrait of a Serial Killer) left off. Henry (Neil Giuntoli) takes a thankless job at a port-o-john company where he meets husband and wife, Kai... See full summary »
Loosely based on serial killer Henry Lee Lucas, the film follows Henry and his roommate Otis who Henry introduces to murdering randomly selected people. The killing spree depicted in the film starts after Otis' sister Becky comes to stay with them. The people they kill are strangers and in one particularly gruesome attack, kill all three members of a family during a home invasion. Henry lacks compassion in everything he does and isn't the kind to leave behind witnesses - of any kind. Written by
Actor Michael Rooker remained in character for the duration of the shoot, even off set. He didn't associate or socialize with any of the cast or crew during the month long shoot, and director John McNaughton made sure Rooker was the only person on set to have a private dressing room. According to costume designer Patricia Hart, she and Rooker would travel to the set together each day, and she never knew from one minute to the next if she was talking to Michael or to Henry as sometimes he would speak about his childhood and background not as Michael Rooker but as Henry. Indeed, so in-character did Rooker remain, that during the shoot, his wife discovered she was pregnant, but she waited until filming had stopped before she told him. See more »
Some obvious matte lines are seen in the film from time to time. See more »
Guns are easy to get... I can make a phone call and get a gun. Anybody can get a gun, Otis.
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Special Thanks to: Tony the Cop James Marks Family The Edward Dedmond Family See more »
In 1960, Michael Powell committed professional suicide by directing and producing "Peeping Tom," a thriller in which a psychopathic murderer photographs his victims at the moment of death. Denounced as sick and without redeeming social value, "Peeping Tom" vanished from theaters, while its director, also denounced as sick, went on to make only two more films in the next eight years. Powell's film has gone on to attract an avid cult following and, if it hasn't done so already, so will "Henry: Portrait of a Serial Killer."
Loosely based on the real life exploits of Henry Lee Lucas, a leering, low IQ sicko who became a media star after claiming to have murdered several dozen people (some believe Henry was bragging), this film takes a gritty, realistic approach that creates the impression that we are watching real life unfold. Director John McNaughton exploits the discomfort the viewer is inclined to feel by presenting a scene in which Henry and his equally vicious former cellmate, Otis, videotape the rape and murder of one of their victims, then play it back for further amusement. This shocking episode effectively makes the point that those who seek second hand thrills through violent "entertainment" are almost as guilty as the perpetrators of such deeds. By casting anonymous non-stars in the leading roles (not that he had a choice considering the budget and the repellent subject matter), and focusing entirely on the exploits of the killers (there are no scenes of police investigating the crimes or peeks into the lives of the victims), McNaughton has created a brutal, amoral horror film that makes the bloodiest gorefest look benign. Although the real Henry was apprehended, his cinematic counterpart is never even suspected of his crimes, and gets off scot-free.
Is "Henry" a film to acclaim or condemn? It's a difficult question to answer, and I, for one cannot make a decision. It is so expertly made that I think McNaughton deserves a round of applause and maybe an Oscar. But, at the end of the video tape of the film that I watched, there was a commercial hawking "Henry" T-shirts ($14.98) and posters ($7.98). Both were available through "Henry Merchandising," and this attempt to turn this all too real murderer into a cult figure deserving of a fan club is despicable.
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