| Photos (See all 35 | slideshow) |
| Fred Ward | ... | Henry Miller | |
| Uma Thurman | ... | June Miller | |
| Maria de Medeiros | ... | Anaïs Nin | |
| Richard E. Grant | ... | Hugo Guiler | |
| Kevin Spacey | ... | Richard Osborn | |
| Jean-Philippe Écoffey | ... | Eduardo Sanchez (as Jean-Philippe Ecoffey) | |
| Bruce Myers | ... | Jack | |
| Juan Luis Buñuel | ... | Publisher / Editor (as Jean-Luis Bunuel) | |
| Féodor Atkine | ... | Spanish Dance Instructor (as Feodor Atkine) | |
| Sylvie Huguel | ... | Emilia | |
| Artus de Penguern | ... | Brassaï | |
| Pierre Étaix | ... | Henry's Friend No. 1 | |
| Pierre Edernac | ... | Henry's Friend No. 2 - Magician | |
| Gaëtan Bloom | ... | Henry's Friend No. 3 - Magician (as Gaetan Bloom) | |
| Alexandre De Gall | ... | Henry's Friend No. 4 - Clown | |
| Karine Couvelard | ... | Osborn's Girlfriend | |
| Louis Bessières | ... | Accordionist (as Louis Bessieres) | |
| Erika Maury-Lascoux | ... | Contortionist No. 1 | |
| Claire Joubert | ... | Contortionist No. 2 | |
| Brigitte Lahaie | ... | Henry's Whore | |
| Maïté Maillé | ... | Frail Prostitute (as Maite Maille) | |
| Annie Fratellini | ... | The Patronne | |
| Frank Heiler | ... | Steamship Agent | |
| Stephanie Leboulanger | ... | Prostitute Brushing Long Hair | |
| Suzy Palatin | ... | Bal Negre Performer | |
| Samuel Ateba | ... | Black Musician for Quat'z Arts Ball | |
| Marc Maury | ... | Man in Silent Film | |
| Annie Vincent | ... | Fat Prostitute | |
| Gary Oldman | ... | Pop (as Maurice Escargot) | |
| Liz Hasse | ... | Jean | |
| rest of cast listed alphabetically: | |||
| Jean-Marc Cozic | ... | Un jeune homme devant l'hôtel (uncredited) | |
Directed by | |||
| Philip Kaufman | |||
Writing credits(WGA) | ||
| Anaïs Nin | (book) | |
| Philip Kaufman | (screenplay) & | |
| Rose Kaufman | (screenplay) | |
Produced by | |||
| Peter Kaufman | .... | producer | |
| Yannoulla Wakefield | .... | associate producer | |
Original Music by | |||
| Mark Adler | (original source music) | ||
Cinematography by | |||
| Philippe Rousselot | (director of photography) | ||
Film Editing by | |||
| Dede Allen | |||
| Vivien Hillgrove Gilliam | (as Vivien Hillgrove) | ||
| William S. Scharf | |||
Casting by | |||
| Margot Capelier | (France) | ||
| Donna Isaacson | (U.S.) | ||
| John S. Lyons | (U.S.) (as John Lyons) | ||
Production Design by | |||
| Guy-Claude François | (as Guy-Claude Francois) | ||
Art Direction by | |||
| Georges Glon | |||
Set Decoration by | |||
| Thierry François | (as Thierry Francois) | ||
Costume Design by | |||
| Yvonne Sassinot de Nesle | |||
Makeup Department | |||
| Alain Bernard | .... | chief hair stylist | |
| Jean-Pierre Caminade | .... | assistant hair stylist | |
| Sophie Harvey | .... | assistant makeup artist | |
| Didier Lavergne | .... | chief makeup artist | |
Production Management | |||
| Claude Albouze | .... | production manager | |
| Daniel Baschieri | .... | unit manager | |
| Frédéric Doniguian | .... | unit manager trainee | |
| François Pulliat | .... | unit manager trainee | |
| Daniel Szuster | .... | production supervisor | |
| Olivier Thaon | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Eric Bartonio | .... | first assistant director | |
| Patrick Boshart | .... | third assistant director | |
| Natalie Engelstein | .... | trainee assistant director | |
| Thierry Verrier | .... | second assistant director | |
Art Department | |||
| René Albouze | .... | property master (as Rene Albouze) | |
| Auguste Carriere | .... | set decorating consultant | |
| Jean-Michel Ducourty | .... | first assistant art director | |
| Pascal Fasola | .... | standby painter (as Pacal Fasola) | |
| Pierre Fontaine | .... | sketch artist | |
| Jean-Paul Gaillot | .... | head construction grip | |
| Martine Labro | .... | art department consultant | |
| André Loisif | .... | chief constructor (as Andre Loisif) | |
| Andre Louis | .... | chief carpenter | |
| Olivier Louis | .... | set dresser | |
| Marie Mercier Bourboulon | .... | prop buyer (as Marie Bourboulon) | |
| Pascal Morelli | .... | storyboard artist | |
| Marc Pinquier | .... | propman | |
| Claude Périnet | .... | chief painter (as Claude Perinet) | |
| Bernadette Saint Loubert | .... | prop buyer | |
| Rafaël Vicent-Marti | .... | prop buyer (as Raphael Vicent) | |
| Jacqueline West | .... | artistic consultant | |
Sound Department | |||
| C.J. Appel | .... | supervising adr editor | |
| Todd Boekelheide | .... | sound re-recording mixer | |
| Daniel Bojckov | .... | apprentice dialogue editor | |
| Sara Bolder | .... | dialogue editor | |
| Scott Chandler | .... | foley recordist | |
| Frank E. Eulner | .... | assistant to supervising sound editor (as Frank Eulner) | |
| J.R. Grubbs | .... | assistant dialogue editor | |
| Ruth Hasty | .... | assistant foley editor | |
| Tom Johnson | .... | sound re-recording mixer | |
| Ann Kroeber | .... | sound effects editor | |
| Jeffrey Kroeber | .... | assistant sound effects editor | |
| Denis Martin | .... | boom operator | |
| Olivier Mauvezin | .... | sound trainee | |
| Marilyn McCoppen | .... | adr editor | |
| Marnie Moore | .... | assistant foley artist | |
| Diana Pellegrini | .... | foley editor | |
| Jean-Pierre Ruh | .... | sound mixer | |
| Susan Sanford | .... | sound transfer operator | |
| Leslie Shatz | .... | sound re-recording mixer | |
| Michael Silvers | .... | dialogue editor | |
| Niki Smith | .... | apprentice foley editor | |
| Niki Smith | .... | apprentice sound effects editor | |
| Alan Splet | .... | sound designer | |
| Adrien Stahly | .... | sound assistant | |
| Dennie Thorpe | .... | foley artist | |
| Pam Uzzell | .... | assistant adr editor (as Pamela Uzzell) | |
| John Verbeck | .... | sound effects editor | |
| Maia Veres | .... | assistant dialogue editor | |
| Matthew White | .... | apprentice dialogue editor | |
| Gwendolyn Yates Whittle | .... | assistant dialogue editor | |
| Jeffrey Kaplan | .... | additional recording mixer (uncredited) | |
| Jeff Kliment | .... | sound (uncredited) | |
| Dennis Leonard | .... | post-production sound engineer (uncredited) | |
Camera and Electrical Department | |||
| Eric Baraillon | .... | electrician | |
| Jean-Pierre Baronsky | .... | gaffer | |
| Jean-Luc Bezeau | .... | grip (as Jean Luc Bezeau) | |
| Olivier Bory | .... | video operator | |
| Bernard Brégier | .... | key grip (as Bernard Bregier) | |
| Gérard Buffard | .... | second grip | |
| Alain Dondin | .... | electrician | |
| Francine Filatriau | .... | camera trainee | |
| Michel Garçon | .... | generator operator (as Michel Garcon) | |
| Marc Koninckx | .... | steadicam operator | |
| Anne Nicolet | .... | camera trainee | |
| Bernard Noisette | .... | camera operator | |
| Jozef Ort-Snep | .... | camera operator: second camera (as Joseph Ort-Snep) | |
| Gérard Rival | .... | grip (as Gerard Rival) | |
| Jean-Pierre Supe | .... | second assistant camera | |
| Myriam Touzé | .... | focus puller (as Myriam Touze) | |
| Richard Vidal | .... | best boy | |
| Valérie Estival | .... | assistant camera (uncredited) | |
Casting Department | |||
| Jean-Michel Bernard | .... | casting advisor: musicians | |
| Marie-Sylvie Caillierez | .... | casting associate | |
| Lotfi Mokdad | .... | extras casting: France | |
| Eric Moreau | .... | casting assistant | |
| Marie Sylvie Pinquier | .... | extras casting (as Marie-Sylvie Pinquier) | |
| Mary Selway | .... | casting: England | |
| Liz Siegel | .... | casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Pierre Betoulle | .... | wardrobe workshop supervisor (as Pierre Betoule) | |
| Nathalie Cercuel | .... | wardrobe mistress | |
| Mimi Gayo | .... | wardrobe assistant | |
| Camille Labro | .... | wardrobe trainee | |
| Michèle Meyer | .... | wardrobe assistant (as Michele Meyer) | |
Editorial Department | |||
| Berj Amir | .... | apprentice editor | |
| Karen Brocco | .... | first assistant editor | |
| Tina Fallani | .... | assistant editor | |
| Robert Grahamjones | .... | assistant editor | |
| Marcia Itzkowitz | .... | post-production coordinator | |
| Kerie Kimbrell | .... | apprentice editor | |
| Bob Sarles | .... | assistant editor | |
| B.J. Sears | .... | additional film editing | |
| Yvan Lucas | .... | color timer (uncredited) | |
Music Department | |||
| Mark Adler | .... | arranger | |
| Philip Kaufman | .... | music selected by | |
| Rose Kaufman | .... | music selected by | |
| Alan Splet | .... | music selected by | |
| Jay Stebley | .... | music consultant | |
| Jeffery Stephens | .... | music editor | |
| Samuel Lehmer | .... | score mixer (uncredited) | |
Transportation Department | |||
| Bernard Chateau | .... | driver: tracking car | |
| Martin Grange | .... | supplier: period cars | |
| Christophe Lacau | .... | unit driver | |
| Philippe Mayer | .... | unit driver | |
| Roland Riallot | .... | unit driver | |
| Jean-Claude Souffir | .... | unit driver | |
| Gerard Staub | .... | driver: wardrobe (as Gérard Staub) | |
| Pierre Vimont | .... | unit driver | |
Thanks | |||
| George Hayum | .... | special thanks | |
| Joaquin Nin-Culmell | .... | special thanks | |
| Rupert Pole | .... | special thanks | |
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| Emmanuelle | Basic Instinct | The Voyeur | Swimming Pool | Short Cuts |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Biography section | IMDb USA section |
In 1931 Paris, French authoress Anaïs Nin, doing a study on D.H. Lawrence, finds herself intrigued by different variations of sexuality; she and her husband Hugo Guiler are drawn into friendship with Americans Henry Miller and his volatile bisexual wife, June. Miller, the unpublished New York writer just on the verge of a breakthrough with "Tropic of Cancer", sees Anaïs as a sexy child and has a half-hearted affair with her, but June Miller's feelings seem to go much deeper. Maria de Medeiros as Nin has a marvelous face and graceful manner that nearly manage to keep this handsome but unenlightening sexual odyssey together. Director Philip Kaufman hopes to be as uninhibited as his characters but, despite an NC-17 rating, his sexual sequences feel truncated (and when nudity is trotted out--as in the whorehouse sequence--it fails to stand in for true eroticism). Fred Ward, always worth a look, seems held back as Miller, restrained, and he's not helped by a bald plate which at times looks unconvincing; Uma Thurman has a smaller role as June, and Kaufman allows her to pose and smolder a bit too much, but she's looser on the screen and brings the narrative some much-needed danger. The picture has a lot of ambiance and is briskly paced and fancifully told, but it just doesn't succeed at being a risk-taking exploration of human sexuality simply because Kaufman takes so few risks. ** from ****