The story centers on the battle for the mythical Sword of Aktar and its kidnapped keeper Ulric. But for a few stop-motion prehistoric creatures, the heroic Thane must save a beautiful ... See full summary »
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Fred Olen Ray
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Burt has a cleaning company and hires four women to clean an isolated house. They find an old book, a dagger and a soul shred and when one of them, Megan, reads an incantation, she unleashes an evil beast in our world.
Victoria can't sleep: she's having bad dreams about being buried alive. Her husband Terry makes her go see Dr. Carlton, who she blames for her father's death. Unable to help her, he asks Dr. Harcourt to try and unlock Victoria's mental block with hypnotism. Meanwhile Terry continues an affair with his secretary, and worries about paying off a huge gambling debt. Terry could pay off his debt and be with his secretary if he could just get his hands on Victoria's money somehow. Written by
Ed Sutton <email@example.com>
Worth it if you like Brinke or director Fred Olen Ray; everyone else - run!
Victoria Munroe (Brinke Stevens) is having nightmares that seem to be driving her husband Terry (Jay Richardson) nuts. Not because he fears for her well being, but because he wants her to die from her weak heart so that he can inherit her wealth and live high on the hog with his secretary Lisa (Delia Sheppard). Oh, and maybe pay off his gambling debt he owes to Italian mobster Visconti (the decidedly un-Italian Robert Quarry). Looking to speed up the process, Terry and Lisa decide to bury Victoria alive in order to scare her to death. Loosely based on Poe's "The Premature Burial" (hey, it has a premature burial), this Fred Olen Ray shocker is from his serviceable period with some decent FX, that same house he used in every other film (the brown one, not the white one) and nice photography by Gary Graver. This is probably the biggest role Stevens has ever had and she is fine as the stressed out wife. Her acting takes a slight turn for the worse when she is supposed to play psycho at the end. Jan-Michael Vincent, Karen Black, Hoke Howell, and Michael Berryman all got in one day of work in small roles. Vincent's role in the first half relies on him sitting in a parked car and staring at things. Ray obviously knew him well.
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