| Carl McCoy | ... | Nomad | |
| Iggy Pop | ... | Angry Bob | |
| Dylan McDermott | ... | Moses Baxter | |
| John Lynch | ... | Shades | |
| Mark Northover | ... | Alvy | |
| Stacey Travis | ... | Jill | |
| Paul McKenzie | ... | Vernon | |
| Lemmy | ... | Taxi Driver | |
| William Hootkins | ... | Lincoln Wineberg Jr. | |
| Mac McDonald | ... | Newscaster | |
| Chris McHallem | ... | Premier Boelgaxof | |
| Barbara Yu Ling | ... | Chinese Mother | |
| Oscar James | ... | Chief | |
| Arnold Lee | ... | Chinese Family | |
| Susie Savage | ... | Chinese Family (as Susie Ng) | |
| Fred Leeown | ... | Chinese Family | |
| Mimi Cheung | ... | Chinese Family | |
| Sebastian Chee | ... | Chinese Family | |
| rest of cast listed alphabetically: | |||
| Richard Stanley | ... | Talking elevator (voice) (uncredited) | |
Directed by | |||
| Richard Stanley | |||
Writing credits | ||
| Steve MacManus | (story "SHOK!") and | |
| Kevin O'Neill | (story "SHOK!") | |
| Richard Stanley | (written by) | |
| Michael Fallon | (additional dialogue) | |
Produced by | |||
| Ray Corbett | .... | associate producer | |
| Elizabeth Karlsen | .... | supervising producer | |
| Nik Powell | .... | executive producer | |
| JoAnne Sellar | .... | producer | |
| Paul Trijbits | .... | producer | |
| Bob Weinstein | .... | executive producer | |
| Harvey Weinstein | .... | executive producer | |
| Stephen Woolley | .... | executive producer | |
| Trix Worrell | .... | executive producer | |
Original Music by | |||
| Simon Boswell | |||
Cinematography by | |||
| Steven Chivers | |||
Film Editing by | |||
| Derek Trigg | |||
Casting by | |||
| Karen Lindsay-Stewart | |||
Production Design by | |||
| Joseph Bennett | |||
Art Direction by | |||
| Max Gottlieb | |||
Set Decoration by | |||
| Addi Cohen-Ziv | (as Addi Cohen-Zif) | ||
Costume Design by | |||
| Michael Baldwin | |||
Makeup Department | |||
| Lisa Boni | .... | hair stylist | |
| Lisa Boni | .... | makeup artist: Stacey Travis | |
| Kirstin Chalmers | .... | make-up & hair designer | |
| Shaune Harrison | .... | special makeup effects artist | |
| Little John | .... | special makeup designer | |
| Bob Keen | .... | makeup effects consultant | |
| Tracey Lee | .... | makeup artist | |
| William Petty | .... | makeup effects designer | |
| John Schoonraad | .... | makeup effects mold designer | |
Production Management | |||
| Elizabeth Carlsen | .... | production supervisor | |
| Stephen Earnhart | .... | post-production supervisor (as Steve Earnhart) | |
| John Gavin | .... | post-production supervisor | |
| Peter Holt | .... | post-production supervisor | |
| Peter Spencer | .... | production manager | |
Art Department | |||
| Sarah Blunt | .... | property buyer | |
| Michael Carlin | .... | construction manager | |
| Chris Consall | .... | constructor | |
| Christopher Cowsill | .... | carpenter | |
| Matthew Davies | .... | constructor | |
| Daz Edwards | .... | art department runner | |
| Annie Gregson | .... | stand-by props | |
| Barbara Herman-Skelding | .... | set dresser | |
| Michael Houseman | .... | construction manager | |
| Graham Humphreys | .... | conceptual designer | |
| Graham Humphreys | .... | storyboard artist | |
| Trudie McCallum | .... | assistant art director | |
| Leon McCarthy | .... | art department assistant | |
| Robert McFarlane | .... | graphic designer | |
| Antoine Robert | .... | constructor | |
| Peter Smith | .... | sculptor | |
| Becky Tanner | .... | painter | |
| Adrian Thatcher | .... | assistant art director | |
| James Wadeson | .... | property master | |
| Martin Weiss | .... | plasterer | |
Sound Department | |||
| Ronald Bailey | .... | second sound recordist (as Ron Bailey) | |
| Ronald Bailey | .... | sound mixer | |
| Michelle Baughi | .... | boom swinger | |
| Mike Dowson | .... | sound mixer | |
| Kate Hopkins | .... | sound effects designer | |
| James Mather | .... | dialogue editor | |
| Jonathan Miller | .... | sound effects designer | |
| Tim Owens | .... | adr editor | |
| Brian Saunders | .... | sound mixer | |
| Joanne Stephens | .... | boom swinger | |
| Mark Stevens | .... | special sound effects engineer | |
| Marin Walker | .... | footsteps editor | |
| Erick Jolley | .... | audio restoration (uncredited) | |
Special Effects by | |||
| Paul Catling | .... | second unit special effects director | |
| Paul Catling | .... | special robotics designer | |
| Neal Champion | .... | floor special effects (as Neil Champion) | |
| Chris Cunningham | .... | special robots technician | |
| Jim Francis | .... | floor special effects | |
| Matthew Horton | .... | floor special effects (as Matt Horton) | |
| Barney Jeffrey | .... | special effects coordinator | |
| Dave Keen | .... | special robotics chief engineer (as David Keen) | |
| Stephen Norrington | .... | special robotics technician (as Steve Norrington) | |
| Steve Patton | .... | floor special effects (as Steve Paton) | |
| Bill Pearson | .... | floor special effects | |
| Paul Spateri | .... | special robotics technician | |
| Andrew Stone | .... | droid suit operator | |
| Peter Stone | .... | droid suit operator | |
| Jon Tucker-Bull | .... | special robotics assistant (as John Tucker-Bull) | |
Visual Effects by | |||
| Steven Begg | .... | matte artist (as Steven Beggs) | |
| Robert Courtney | .... | model supervision stand-by carpenter | |
| Neil Culley | .... | matte photography | |
| Evan Davies | .... | computer graphics animation programmer | |
| Alan Marques | .... | computer graphics consultant | |
| James Pritch | .... | additional model maker | |
Stunts | |||
| Tim Condren | .... | stunt arranger (as Tim Condron) | |
| Sarah Franzl | .... | stunt double: Stacey Travis | |
Camera and Electrical Department | |||
| Alan Beechy | .... | rigger | |
| Bob Brock | .... | electrician (as Rob Brock) | |
| Gerry Floyd | .... | additional photographer: second unit | |
| Paul Grech-Ellul | .... | focus puller | |
| Kenny Ingram | .... | rigger | |
| David Lee | .... | gaffer | |
| Hudd Levien | .... | assistant camera: second unit | |
| Tim Maurice-Jones | .... | camera operator | |
| Rick Morgan | .... | rigger | |
| John O'Donnell | .... | video operator | |
| John Parker-Rees | .... | assistant camera | |
| Rob Pye | .... | electrician | |
| Donul Rodan | .... | video operator | |
| Andy Shuttleworth | .... | Steadicam operator | |
| Kate Stark | .... | clapper loader | |
| Rob Stewart | .... | electrician | |
| Rob Stewart | .... | lighting technician | |
| Karl Watkins | .... | lighting camera operator: second unit | |
| Jay Williams | .... | grip | |
| John Williams | .... | electrician | |
| Clive Wise | .... | rigger | |
Casting Department | |||
| Betsy Fels | .... | casting: USA | |
| Cynthia Lole | .... | extras casting | |
Costume and Wardrobe Department | |||
| Chris Loizou | .... | wardrobe supervisor | |
Editorial Department | |||
| Wendy Edgar-Jones | .... | second assistant editor (as Wendy Edgar) | |
| Edward Marnier | .... | assembly editor | |
| Gabrielle McNamara | .... | post-production trainee | |
Music Department | |||
| Ian Hierons | .... | music supervisor | |
Transportation Department | |||
| Gillon Jacoby | .... | driver | |
| Richard Mason | .... | driver | |
Other crew | |||
| Polly Beaumont | .... | assistant to producer | |
| Lesley Broderick | .... | production accountant (as Leslie Broderick) | |
| Maggie Choyce | .... | script supervisor | |
| Francesca Cicci | .... | production secretary | |
| Robin Coe | .... | floor runner | |
| Michael Garland | .... | post-production accountant | |
| David Golden | .... | floor runner | |
| Mark Lucas | .... | production runner | |
| Katy McGuiness | .... | legal advisor | |
| Gerald McMorrow | .... | floor runner | |
| Anthony Morland | .... | production runner | |
| Bo Shaw | .... | production assistant | |
| Dom Shaw | .... | location manager | |
| Andrew Stone | .... | operator | |
Thanks | |||
| Nicky Bell | .... | special thanks | |
| Immo Horn | .... | special thanks | |
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| A Boy and His Dog | Southland Tales | Terminator Salvation | Sky Captain and the World of Tomorrow | Mad Max Beyond Thunderdome |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb UK section |
I must admit I am a huge fan of this under-estimated, enigmatic South African director.
Like his magnificent masterpiece, Dust Devil, Hardware deals with similar themes - the desert, the Old Testament, and sexual violence.
I first saw this movie many years ago when still basically a kid before I went to film school and certain sequences have stayed with me forever.
Watching it again in 2005 the movie seems a little dated or rather post-rock video in places, but when it was made in 1990, this was all cutting-edge stuff. I am not giving anything away by saying that the plot is in many ways a re-working of The Terminator or Alien, when Dylan McDermott gives his girlfriend Jill (played by Stacey Travis)what he thinks is a load of unusual scrap metal salvaged from the desert. She is an artist and welds these robot parts to a sculpture she is making...
This is an extremely visceral movie, laced with religious iconography (mark-13 often adopts crucifixion poses and in the shower scene at the end, appears to be in a prayer position) and boosted by an extremely eclectic and unusual cast. Motorhead singer Lemmy crops up playing a sort of ferryman, Iggy Pop plays DJ Angry Bob, and John Lynch is excellent as my favourite character from this film, Shades.
The narrative is essentially straight-forward but what makes this movie different and memorable is Stanley's vision. The mise-en-scene is bleached red (post-appocalypse), the use of montage is often extremely effective and nightmarish and I was frequently reminded when watching it of Renaissence paintings, just in glimpses here and there (hell, maybe that's just me..!) There is also some American comment in this movie; mark-13 is adorned with a stars-and-stripes, and the deadly toxin it employs is described as 'smelling like apple pie'. This of course is akin to Dust Devil, where the demon is simply called 'Texas' by Wendy.
So, to conclude, if you haven't seen this movie or heard of this director before I urge you to seek him out. Anyone with a love for avant-garde and challenging cinema (like me) should have heard of this guy (proper auteur by the way) and his thematically-consistent visions.
This is still a fine film but probably hasn't aged as well as it might have done - it's strength is that it is far more complex than it first appears to be.