Down a seedy city street in her neighborhood, young Enola Penny is obsessed with what appears to be a long abandoned theatre. One night, she sees that the front door is slightly ajar and ... See full summary »
Behind the scenes chronicle of how clash of vision, bad creative decisions, lack of interest and really bad weather plagued the disastrous production of the infamous 1996 remake of The Island of Dr. Moreau.
Chaank Armaments is experimenting with the ultimate fighting machine which is part human - part machine. So far, the Hardman project has been unreliable and has killed a number of innocent ... See full summary »
2037. Rugged soldier Max and weary sculptress Nicky try to sustain a relationship in a bleak totalitarian future plagued by war, nuclear fall-out, and overpopulation. Flashbacks show Max ... See full summary »
In the future, a nuclear war has transformed the Earth into a radioactive wasteland where the sea has dried up leaving it as a post-apocalyptic desert. In the desert, A desert scavenger named Nomad discovers a robotic head, arriving in New York City, A space marine named Moses Baxter buys the robotic head from Nomad as a Christmas present for his girlfriend Jill Grakowski, who decides to use it for one of her sculptures. But all hell starts breaking loose, when the robotic head is activated and begins to rebuilt itself. When Alvy, a junkyard dealer discover the robotic head is a Mark 13, a military cyborg of a project that was abandoned. Moses learns Jill's life is in danger, as the Mark 13 cyborg goes on a violent rampage in Jill's apartment as Jill has become the the prime target for extermination. Written by
Mo says to Alvy "You use to be an elf, didn't you?" Mark Northover (Alvy) once tried to get a job as an elf at Santa's workshop at a mall. But, the mall's owners didn't give him the job, because they felt he would scare the children. See more »
When the droid rebuilds itself, it picks up a circular saw. When it uses that circular saw as a weapon later, it is completely different design, with an all different cutting disk. See more »
I saw this movie in the theater the week it opened way back when. It was a very, very late showing, and there were approximately five other people in the theater. Two walked out during the film. As the film credits rolled, the two women sitting next to us said, "My god! That was the worst film I have ever seen!" My only thoughts were, "They have not seen Starcrash!"
Both my friend and I loved Hardware. I introduced my SO to it this weekend, and he loved it. I think what I like about it is that it's a small movie that manages to execute its space perfectly. The universe of Hardware is dark, dirty, claustrophobic (without being small). The narrative is pure dystopia, which fits very well with the droid gone wild theme. The droid is so unrelenting, as is the dreariness of existence in this post apocalyptic space. I like how tight the movie is. I also like how clean the narrative is. There isn't any extraneous fluff.
I think this movie will appeal to the slightly more sophisticated film lover. It doesn't have big movie pretensions. Hollywood did not destroy this movie. The symbolism is far more subtle than in big productions. The pacing is also different. I loved the slow buildup.
This movie worked, but it's not an easy movie. If you're willing to work a little with a movie that doesn't have the big movie facade of Terminator II or Independence Day, and you enjoy dystopic science fiction, I think you will like this one.
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