A man tries to uncover an unconventional psychologist's therapy techniques on his institutionalized wife, while a series of brutal attacks committed by a brood of mutant children coincides with the husband's investigation.
The residents of a suburban high-rise apartment building are being infected by a strain of parasites that turn them into mindless, sex-crazed fiends out to infect others by the slightest sexual contact.
A wandering soldier finds a robot head in the post-apocalyptic desert. He brings it back to his girlfriend for use in one of her sculptures. He investigates the origin of the head, and discovers it's from the Mark 13 project, canceled because of unreliability. His girlfriend, nay, society at large become endangered when the robot puts itself back together using the parts she has for her sculptures. Written by
Ed Sutton <firstname.lastname@example.org>
When Jill turns on the television after looking in the fridge, the first channel she is on shows a black and white video that is actual footage from World War 2 of German soldiers shooting Jewish prisoners inside a pit. See more »
After Jill attacks it with the buzz-saw, the Mark 13 steps back: if you look closely, you can see the legs of the man underneath the droid suit. The same thing can be seen towards the end as Jill and the robot are entering the bathroom. See more »
Those judging Hardware using the same criteria for judging major Hollywood sci-fi films are missing the point entirely.
Hardware is much more an art film than it is science fiction; it merely happens to have a sci-fi theme.
Given, the plot is a little cheesy. Given, the situation fairly unbelievable. And given, there are a few holes in the story.
Almost no film has all of these elements, but Hardware has something even more important. The way the story is told is nothing short of genius. Perhaps not in the way the happenings actually unfold, but in how they are presented. Hardware is an astounding achievement in lighting, cinematography, and audio engineering. As a professional video editor myself, I can assure you that this movie benefits from an A+ editing job.
I completely agree that there are only 2 types of people: those who love Hardware, and those who simply do not get it.
From the first frame of video, this movie is a constant barrage on the eyes, ears, and mind. If nothing else, you must admire the bleak vision of a post-nuclear holocaust America presented in Hardware. Images ranging from billowing smoke stacks and butchers in apartment lobbies to toddlers physically tied to their dead parents, Stanley paints a haunting vision of the future that will not be forgotten after you press stop.
Hardware is not what you would expect to come out of Hollywood. It is what you would expect a pure artist to create. Perhaps it is better suited to fans of independent film than just sci-fi fans. Films like Terminator and Aliens might be regarded as much better sci-fi work, but I assure you that they can't touch the riskiness and edginess of Hardware in how they are presented. That is why you hear casual moviegoers complaining about this movie. For pure fans of the art behind film making, sci-fi just doesn't get any better than Hardware.
It should be noted that the excellent score does much to augment the visuals in this film. It's criminal that nobody has seen it necessary to print Hardware on DVD as I would love to experience it in Dolby 5.1.
As a final note, Hardware may not be a film everyone will enjoy. Even if you don't like it, you will become a more enlightened viewer if you can at least identify why this is such a courageous film and how it differs from the Hollywood fodder you are probably used to.
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