Mason Storm, a 'go it alone' cop, is gunned down at home. The intruders kill his wife, and think they've killed both Mason and his son too. Mason is secretly taken to a hospital where he ... See full summary »
Casey Ryback hops on a Colorado to LA train to start a vacation with his niece. Early into the trip, terrorists board the train and use it as a mobile HQ to hijack a top secret destructive US satellite.
Environmental protection agent Jack Taggart is fighting big business types led by Orin Hanner who are dumping toxic waste somewhere in the Kentucky hills region. They also killed his fellow... See full summary »
Félix Enríquez Alcalá
Brooklyn cop Gino Felino is about to go outside and play catch with his son Tony when he receives a phone call alerting him that his best friend Bobby Lupo has been shot dead in broad ... See full summary »
Mason Storm, a 'go it alone' cop, is gunned down at home. The intruders kill his wife, and think they've killed both Mason and his son too. Mason is secretly taken to a hospital where he spends several years in a coma. His son meanwhile is growing up thinking his father is dead. When Mason wakes up, everyone is in danger - himself, his son, his best friend, his nurse - but most of all those who arranged for his death Written by
After climbing the mountain at the hideout, Mason Storm sits and watches the sunset which is alternately behind him and to his left (over his left shoulder), and in front of him and to the right between shots. See more »
Hard to kill? He's impossible to kill! Yes thousands of bullets fly about but not one so much as ruffles Mr Segal's hair. (Mind you with all the gel I'm not surprised.) On the other hand his many assailants are all too easy to kill. As the years go by it gets harder to see why Segal was once a hot box office property. His acting is non-existent, every line, be it a quip or a pledge, is delivered in a flat, inflection free monotone. His martial arts skills are no more exceptional than many other screen heroes. His ego is simply enormous The ultra-serious tone of his films, no matter how inane the plots only make them more ridiculous. Kelly Le Brock actually manages to match his woodeness, rendering their scenes together excruciating. The right-wing morals of the film are somewhat basic too. Never more so than the scene where Segal snaps a man's neck in front of his son, only for the kid to run up and give his dad a big hug as if he had just been given a Christmas present. And these are supposed to be the nice guys?
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