Mason Storm, a 'go it alone' cop, is gunned down at home. The intruders kill his wife, and think they've killed both Mason and his son too. Mason is secretly taken to a hospital where he ... See full summary »
FantasticFest is the largest genre film festival in the U.S., specializing in horror, fantasy, sci-fi, and action movies from all around the world. Here's a list of some of our favorite movies at FantasticFest.
Casey Ryback hops on a Colorado to LA train to start a vacation with his niece. Early into the trip, terrorists board the train and use it as a mobile HQ to hijack a top secret destructive US satellite.
Environmental protection agent Jack Taggart is fighting big business types led by Orin Hanner who are dumping toxic waste somewhere in the Kentucky hills region. They also killed his fellow... See full summary »
Félix Enríquez Alcalá
Brooklyn cop Gino Felino is about to go outside and play catch with his son Tony when he receives a phone call alerting him that his best friend Bobby Lupo has been shot dead in broad ... See full summary »
Chicago DEA agent John Hatcher has just returned from Colombia, where his partner was killed in the line of duty by a drug dealer who has since been taken down. As a result of his partner's... See full summary »
Dwight H. Little
Mason Storm, a 'go it alone' cop, is gunned down at home. The intruders kill his wife, and think they've killed both Mason and his son too. Mason is secretly taken to a hospital where he spends several years in a coma. His son meanwhile is growing up thinking his father is dead. When Mason wakes up, everyone is in danger - himself, his son, his best friend, his nurse - but most of all those who arranged for his death Written by
Black padded mats for the actors/stuntmen to fall on are arranged on the floor of the convenience store where Mason Storm stops in to get some champagne. See more »
[a shotgun is pointed at Mason Storm]
What are you grinning at, huh?
Well, you know... there's only four of you guys, and... you only have one shot left in here. You know?
See more »
Steven Seagal, whether you love him or loathe him, he's the martial arts action hero that just won't go away. That's partially the premise of "Hard to Kill," the 1990 vehicle obviously meant to throw the pony-tailed, then-sixth-degree Aikido black belt into the action foray with Schwarzenegger, Stallone and Norris, but missed a few steps along the way and it would be another two years after when Seagal would find success in 1992's "Under Siege."
It's true that Seagal has yet to make a perfect film in his thoroughly uneven and distinguished career, but "Hard to Kill" certainly ranks as one of his best and one of my personal favorite pictures of the actor. Two years after breaking and busting the heads of corrupt CIA agents as Nico Toscani in his electrifying 1988 debut "Above the Law," Seagal returns not as the pony-tailed Toscani but as Mason Storm, the most unstoppable cop SOB that ever lived.
After getting home movie footage of an aspiring political candidate (Bill Sadler) conspiring with shadowy underworld types on tape, Storm is tracked down by corrupt cops and nameless and faceless goons and they shotgun the unstoppable SOB into a seven-year coma while also wiping out his wife and young son. O'Malley (Frederick Coffin), Storm's dedicated Internal Affairs friend, whisks him away into a coma-care unit under the assumed name of "John Doe."
Seven years later, Storm awakens and with the help of gorgeous nurse Andy Stewart (Seagal's then real-life, lovestruck wife Kelly Le Brock, who manages to catch peaks at our hero's anatomy), he trains intensely to regain his strength using the Oriental healing arts, renews his Aikido skills, and sharpens his eyes with that good ol' police-issue. All this culminating in some very nasty, neck-breaking, arm-twisting action.
As somewhat mis-directed by Bruce Malmuth and written by Steven McKay, "Hard to Kill" is undoubtedly one of the actor's most competently skilled performances because he's able to rise above the average material and make it his own. The problem may be with Seagal though. He snaps a few wrists and what's this? - he throws out one-liners - most of which are quite corny and fall flat on their face and simply put aren't Seagal's strong points. His strengths are in the arm-snapping and finger-breaking.
But still, Seagal's fists of fury are at their best (because that's what he does best) because this time around, he's mad and it's wise to not get characters played by Steven Seagal mad. Pretty soon after Storm has regained his skills and strength, the corrupt cops and goons that put him into his coma come back to finish the job. And this time, he's ready.
The action begins to pick up about half-way through and from there on in it's non-stop, which is true Seagal fashion, if you get my drift. But with "Hard to Kill," it's the seven-year Storm, and there's no letting up.
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