The Handmaid's Tale (1990)

In a dystopicly polluted rightwing religious tyranny, a young woman is put in sexual slavery on account of her now rare fertility.

Director:

Volker Schlöndorff

Writers:

Margaret Atwood (novel), Harold Pinter (screenplay)

Stars:

Natasha Richardson, Faye Dunaway, Aidan Quinn

2 wins & 1 nomination.

Cast

Cast overview, first billed only:
Natasha Richardson	...	Kate / Offred
Faye Dunaway	...	Serena Joy
Aidan Quinn	...	Nick
Elizabeth McGovern	...	Moira
Victoria Tennant	...	Aunt Lydia
Robert Duvall	...	Commander
Blanche Baker	...	Ofglen
Traci Lind	...	Janine / Ofwarren
Zoey Wilson	...	Aunt Helena
Kathryn Doby	...	Aunt Elizabeth
Reiner Schöne	...	Luke (as Rainer Schoene)
Lucia Hartpeng	...	Cora
Karma Ibsen Riley	...	Aunt Sara
Lucile McIntyre	...	Rita
Gary Bullock	...	Officer on Bus

Storyline

Set in a Fascistic future America, The Handmaid's Tale tells the story of Kate, a handmaid. In this America, the religious right has taken over and gone hog-wild. Kate is a criminal, guilty of the crime of trying to escape from the US, and is sentenced to become a Handmaid. The job of a Handmaid is to bear the children of the man to whom she is assigned. After ruthless group training by Aunt Lydia in the proper way to behave, Kate is assigned as Handmaid to the Commander. Kate is attracted to Nick, the Commander's chauffeur. At the same time, a resistance movement begins to challenge the regime.

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Plot Keywords:

escape | slavery | fertility | future | birth | 

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Taglines:

A haunting tale of sexuality in a country gone wrong.

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Genres:

Drama | Romance | Sci-Fi | Thriller

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Certificate:

R

Details

Country:

USA Germany

Language:

English

Release Date:

9 March 1990 (USA)

Also Known As:

A História da Aia

Filming Locations:

Blue Ridge Mountains, North Carolina, USA

Box Office

Gross:

$4,960,385 (USA)

Company Credits

Production Co:

Bioskop Film, Cinecom Entertainment Group, Cinétudes Films

Technical Specs

Runtime:

109 min

Sound Mix:

Dolby

Color:

Color (Technicolor)

Aspect Ratio:

1.66 : 1

Did You Know?

Trivia

In the original source novel, the main character is known only by her patronymic, "Offred" (or "of Fred," since she "belongs" to a Commander named Fred); her real name is never revealed, though many readers believe it may be June, based on various subtle hints in the text. However, the filmmakers chose Kate as her pre-Gileadean name, and choose to state it clearly.

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Goofs

When Kate goes into Nick's apartment for the first time, she hangs her coat on the coat rack but in the next shot it's shown hanging over the back of a chair.

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Quotes

Preacher: We pledge allegiance to the Bible. The Old Testament shall be our sole and only Constitution.

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Connections

Referenced in Mystery Science Theater 3000: Warrior of the Lost World (1993)

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Soundtracks

"Whispering Hope"
Written by Septimus Winner as Alice Hawthorne

User Reviews

as good as commercial film gets

I'm surprised by some of the negative comments on this film. In my opinion, it represents the best kind of literary adaptation that the cinema offers: One in which the screenwriter and director clearly remained faithful to the spirit of the book without attempting to reproduce it. How can you go wrong with a Margaret Atwood book, a Harold Pinter screenplay and Volker Schlöndorff's direction? Some have suggested that the film suffered from "wooden" acting. Personally, I thought it was a fantastic cast: Robert Duvall and Victoria Tennant at their evil best; Faye Dunnaway as the "defeated" wife; Elizabeth McGovern as saucy as ever; Aidan Quinn and Natascha Richardson in the necessarily bland roles that drive the narrative. What holes here?

Commercial film doesn't get any better. "The Handmaid's Tale" is a dark portrait of a world unlike ours and yet so much like ours... in which a right-wing, bureaucratic patriarchy dominates the land. Women have three main functions (for which their clothing is color coded): Red for the handmaids, who are walking wombs; white for the innnocent children; blue for the sterile trophy wives. Brown is worn by the "aunts", a futuristic equivalent of the Sonderkomando (i.e., Jews who worked on behalf of the Nazi's in the death camps), evil schoolmistress types who both train/brainwash young women for assignment and occasionally destroy them. A fifth function, for which the garb is particularly interesting, is "working" in Gilead's underground social club (essentially a den of iniquity, rife with prostitution and drugs.) Point is... by splitting up these functions, hasn't Atwood described the basic roles that women play within our own male-dominated society, in various different permutations and combinations? To the patriarchy, women are mothers, models, sluts, angels and, when professionals, they are not to aspire to more teaching posts. In Gilead, the lines are clearer; in our own society, aren't most women "supposed to" play some combination of all of these roles?

I get the feeling that most moviegoers are looking for something else in "sci-fi." Here's a new plot twist: The rebels feed Kate some kind of medication that allows her to read the commander's mind while destroying his brain. Wait... that's "Scanners." Oops. Seriously, two of the reviews on this site made spedific mention of Schlöndorff's "horrible", "atrocious" directorial skills. Ahem. Perhaps before they weigh in on the auteur, they ought to see "Young Törless", "Coup de grâce", "The Tin Drum" and all of his other wonderful efforts. As a matter of fact, to insinuate that someone who could bring Grass' Tin Drum to the screen in such a stunning fashion is a lousy director is PREPOSTEROUS. Schlöndorff is a giant of the New German Cinema, and it underscores the ignorance of the Hollywooders when they cast such baseless aspersions.