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The Handmaid's Tale (1990)

 -  Drama | Romance | Sci-Fi  -  9 March 1990 (USA)
6.0
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Ratings: 6.0/10 from 4,725 users  
Reviews: 52 user | 22 critic

In a dystopicly polluted rightwing religious tyranny, a young woman is put in sexual slavery on account of her now rare fertility.

Writers:

(novel), (screenplay)
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Cast

Cast overview, first billed only:
...
Kate / Offred
...
Serena Joy
...
Nick
...
Moira
...
...
Commander
...
Ofglen
...
Janine / Ofwarren
Zoey Wilson ...
Aunt Helena
Kathryn Doby ...
Aunt Elizabeth
Reiner Schöne ...
Luke (as Rainer Schoene)
Lucia Hartpeng ...
Cora
Karma Ibsen Riley ...
Aunt Sara
Lucile McIntyre ...
Rita
...
Officer on Bus
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Storyline

Set in a Fascistic future America, The Handmaid's Tale tells the story of Kate, a handmaid. In this America, the religious right has taken over and gone hog-wild. Kate is a criminal, guilty of the crime of trying to escape from the US, and is sentenced to become a Handmaid. The job of a Handmaid is to bear the children of the man to whom she is assigned. After ruthless group training by Aunt Lydia in the proper way to behave, Kate is assigned as Handmaid to the Commander. Kate is attracted to Nick, the Commander's chauffeur. At the same time, a resistance movement begins to challenge the regime. Written by Reid Gagle

Plot Summary | Plot Synopsis

Taglines:

See it...while it's still allowed See more »


Certificate:

R | See all certifications »

Parents Guide:

 »
Edit

Details

Country:

|

Language:

Release Date:

9 March 1990 (USA)  »

Also Known As:

A História da Aia  »

Box Office

Gross:

$4,960,385 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.66 : 1
See  »
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Did You Know?

Trivia

The repressive theocratic regime that has taken over the US in this movie (and its source novel) is called "The Republic of Gilead." Gilead is a place (or maybe several places) mentioned repeatedly in the Bible (first in Genesis 31:23), both as a geographic location and the source of a figurative or literal "balm" (curative or healing substance). Based on those constant Bible references, there is a well-known spiritual, "There is a Balm in Gilead," that is in the hymnals of many Christian denominations, and in the book The Handmaid's Tale, Offred remembers the hymn and makes a joke about it. See more »

Goofs

The clock chimes 10 as Offred enters the Commander's office for the last time, but the clock seen on the wall behind her in the next few shots shows several minutes past 10 and in a close-up has gone back a few minutes. See more »

Quotes

Aunt Lydia: In the days of evil and anarchy you had freedom to, now you are granted freedom from. Don't underrate it.
See more »

Connections

Featured in Hollywood vs. Religion (1994) See more »

Soundtracks

Johnny Come Home
Written by David Steele and Roland Gift
Performed by Fine Young Cannibals
Published by Virgin Music (Publishers) Ltd.
Courtesy of MCA Records/I.R.S. Records
Licensed by FFR Records Ltd Trading as London Records ©1985
See more »

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User Reviews

 
as good as commercial film gets
7 January 2003 | by (United States) – See all my reviews

I'm surprised by some of the negative comments on this film. In my opinion, it represents the best kind of literary adaptation that the cinema offers: One in which the screenwriter and director clearly remained faithful to the spirit of the book without attempting to reproduce it. How can you go wrong with a Margaret Atwood book, a Harold Pinter screenplay and Volker Schlöndorff's direction? Some have suggested that the film suffered from "wooden" acting. Personally, I thought it was a fantastic cast: Robert Duvall and Victoria Tennant at their evil best; Faye Dunnaway as the "defeated" wife; Elizabeth McGovern as saucy as ever; Aidan Quinn and Natascha Richardson in the necessarily bland roles that drive the narrative. What holes here?

Commercial film doesn't get any better. "The Handmaid's Tale" is a dark portrait of a world unlike ours and yet so much like ours... in which a right-wing, bureaucratic patriarchy dominates the land. Women have three main functions (for which their clothing is color coded): Red for the handmaids, who are walking wombs; white for the innnocent children; blue for the sterile trophy wives. Brown is worn by the "aunts", a futuristic equivalent of the Sonderkomando (i.e., Jews who worked on behalf of the Nazi's in the death camps), evil schoolmistress types who both train/brainwash young women for assignment and occasionally destroy them. A fifth function, for which the garb is particularly interesting, is "working" in Gilead's underground social club (essentially a den of iniquity, rife with prostitution and drugs.) Point is... by splitting up these functions, hasn't Atwood described the basic roles that women play within our own male-dominated society, in various different permutations and combinations? To the patriarchy, women are mothers, models, sluts, angels and, when professionals, they are not to aspire to more teaching posts. In Gilead, the lines are clearer; in our own society, aren't most women "supposed to" play some combination of all of these roles?

I get the feeling that most moviegoers are looking for something else in "sci-fi." Here's a new plot twist: The rebels feed Kate some kind of medication that allows her to read the commander's mind while destroying his brain. Wait... that's "Scanners." Oops. Seriously, two of the reviews on this site made spedific mention of Schlöndorff's "horrible", "atrocious" directorial skills. Ahem. Perhaps before they weigh in on the auteur, they ought to see "Young Törless", "Coup de grâce", "The Tin Drum" and all of his other wonderful efforts. As a matter of fact, to insinuate that someone who could bring Grass' Tin Drum to the screen in such a stunning fashion is a lousy director is PREPOSTEROUS. Schlöndorff is a giant of the New German Cinema, and it underscores the ignorance of the Hollywooders when they cast such baseless aspersions.


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