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Hamlet (1990)

 -  Drama | Romance  -  18 January 1991 (USA)
6.8
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Ratings: 6.8/10 from 14,937 users   Metascore: 53/100
Reviews: 89 user | 27 critic | 18 from Metacritic.com

Hamlet, Prince of Denmark, finds out that his uncle Claudius killed his father to obtain the throne, and plans revenge.

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Title: Hamlet (1990)

Hamlet (1990) on IMDb 6.8/10

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Nominated for 2 Oscars. Another 3 wins & 2 nominations. See more awards »

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Cast

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Storyline

Hamlet returns to Denmark when his father, the King, dies. His mother Gertrude has already married Hamlet's uncle Claudius, the new King. They urge Hamlet to marry his beloved Ophelia. But soon the ghost of Hamlet's father appears and tells Hamlet that he was murdered by Claudius and Gertrude. Hamlet must choose between passive acquiescence and the need for a vengeance which might lead to tragedy. Written by Reid Gagle

Plot Summary | Add Synopsis

Plot Keywords:

king | denmark | ghost | prince | tragedy | See more »

Taglines:

The extraordinary adaptation of Shakespeare's classic tale of vengeance and tragedy.

Genres:

Drama | Romance

Certificate:

PG | See all certifications »

Parents Guide:

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Details

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Release Date:

18 January 1991 (USA)  »

Also Known As:

Hamlet  »

Filming Locations:

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Box Office

Gross:

$20,710,451 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Mel Gibson's only previous Shakespearan experience was playing Juliet in an all male production of "Romeo and Juliet" in Australia. By contrast, Alan Bates (who played Claudius) had played Hamlet in London in 1970 and Paul Scofield (who played the Ghost) had played the part in 1948 and 1955 and is considered one of the greatest twentieth century interpreters of the role. See more »

Goofs

During Ophelia's lament, she reaches out with one arm to anyone who will help. In the next shot, the opposite arm is outstretched. See more »

Quotes

[first lines]
Claudius: Hamlet! Think of us as of a father. For let the world take note: you are the most immediate to our throne. And with no less nobility of love than that which dearest father bears his son do I impart toward you.
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Connections

Featured in Siskel & Ebert: Oscar Nomination Surprises (1991) See more »

Frequently Asked Questions

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User Reviews

 
Not as good as Branagh's, but still enjoyable
29 June 2000 | by (Australia) – See all my reviews

Mel Gibson and Franco Zeffirelli's adaptation of Hamlet has filled some of the gaps left by Shakespeare. This version of the classic story is thoroughly watchable. Gibson is perfect as Hamlet the Prince of Denmark, and he is well supported by Glenn Close (Gertrude), Alan Bates (Claudius), Ian Holm (Polonius) and Helena Bonham Carter (Ophelia). However, after already seeing Kenneth Branagh's 4-hour long version, I was left a little let down. Although this version was only 2 hours 20 minutes approximately, it was more boring in parts than Branagh's was. And no one can beat Kate Winslet as Ophelia, though Bonham Carter performed the lunatic scenes extremely well.

The acting, as is aboveforementioned, is the highlight of this version. You can see the emotions boiling over on Gibson's face, and Close gives Gertrude's nature a remarkable realism as both a worried mother and a lustful lover. Bates is the best Claudius I have ever seen, and Holm displays in Polonius what makes him such a great actor.

This Hamlet has an extremely good set design that complements the mood of each scene perfectly. The castle has a great look to it, both inside and outside.

The costumes, particularly those worn by Close, are excellent. They really highlight the mood and temprament of her character perfectly. On top of this, all of the costumes worn by the players (actors in Hamlet's play) in colour and shape symbolise the message that Hamlet was trying to get across.

Technically, this film is very well put together. The shots are each able to complement the action in that shot. Sound effects, especially in the ghost apparitions, as well as the lighting and juxtapositioning, set the moody feel of the film.

Of course, one cannot escape comparing this to Branagh's masterpiece, though in its own right is is a great version of Shakespeare's play that, through its star power and easier-to-follow storyline, should attract the younger audiences that saw Baz Lurmann's 'Romeo + Juliet', '10 Things I Hate About You' and will possibly see the upcoming 'O'. ***1/2 out of *****.


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