| James Arness | ... | Matt Dillon | |
| Richard Kiley | ... | Chalk Brighton | |
| Amy Stock-Poynton | ... | Beth Yardner | |
| Geoffrey Lewis | ... | Bodine | |
| Joe Lara | ... | Wolf | |
| Sam Vlahos | ... | Tomas | |
| Hugh O'Brian | ... | Gen. Nelson Miles | |
| Michael Learned | ... | Mike Yardner | |
| Peter Murnik | ... | Lt. Davis | |
| Robert Covarrubias | ... | Bartender | |
| Ned Bellamy | ... | Capt. Harris | |
| Dave Florek | ... | Smiley | |
| Joaquín Martínez | ... | Geronimo (as Joaquin Martinez) | |
| Kevin Sifuentes | ... | Nachite | |
| Robert Brian Wilson | ... | Corporal | |
| Blake Boyd | ... | Fraley | |
| James Milanesa | ... | Sentry Soldier |
Directed by | |||
| Charles Correll | |||
Writing credits(WGA) | ||
| Earl W. Wallace | (written by) | |
Produced by | |||
| Stanley Hough | .... | producer (as Stan Hough) | |
| John Mantley | .... | executive producer | |
Original Music by | |||
| Bruce Rowland | |||
Cinematography by | |||
| Jerry G. Callaway | (director of photography) | ||
Film Editing by | |||
| Ray Daniels | |||
Casting by | |||
| Pam Polifroni | |||
Production Design by | |||
| Joseph R. Jennings | |||
Set Decoration by | |||
| Jay Raymond | |||
Costume Design by | |||
| Luster Bayless | (as Luster I. Bayless) | ||
Makeup Department | |||
| Melanie Hughes | .... | makeup artist | |
| Mary Hedges Lampert | .... | hair stylist (as Mary Lampert) | |
Production Management | |||
| Kevin Donnelly | .... | unit production manager | |
| Norman S. Powell | .... | executive in charge of production | |
Second Unit Director or Assistant Director | |||
| Tom Connors | .... | first assistant director | |
| Jerry Gatlin | .... | second unit director | |
| James Turley | .... | second assistant director (as James A. Turley) | |
Art Department | |||
| Eric A. Williams | .... | property master (as Eric Williams) | |
Sound Department | |||
| Wayne Bell | .... | production sound mixer | |
| Scott A. Tinsley | .... | sound editor (as Scot Tinsley) | |
Camera and Electrical Department | |||
| Thomas Alcala | .... | gaffer | |
| Philip C. Pfeiffer | .... | camera operator (as Philip Pfeiffer) | |
| Tony Poston | .... | key grip | |
| Henry Tirl | .... | first assistant camera: "b" camera (uncredited) | |
Casting Department | |||
| Robert Lagersen | .... | casting associate | |
Costume and Wardrobe Department | |||
| Bud Clark | .... | costumer: men | |
| Deanna Doran | .... | costumer: women (as Deeana Doran) | |
Editorial Department | |||
| Cosmas P. Bolger | .... | post-production executive | |
Music Department | |||
| Robert Drasnin | .... | music supervisor | |
| Robert Takagi | .... | music editor | |
Other crew | |||
| James Arness | .... | consultant | |
| Billy Talako | .... | advisor: Apache | |
| James E. Williams | .... | production accountant | |
| Tammy Middleton | .... | production assistant (uncredited) | |
Thanks | |||
| Ron Bishop | .... | dedicatee (as Mr. Ron Bishop, writer emeritus) | |
| Amanda Blake | .... | dedicatee (as Miss Amanda Blake) | |
| Stanley Hough | .... | dedicatee (as Stan Hough) | |
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| Gunsmoke: One Man's Justice | High Noon | Rio Bravo | Lawman | Gunfight at Comanche Creek |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Western section | IMDb USA section |
Hi, I gave this a substantially higher rating than Return to Dodge because this is a good movie to watch, plus Matt Dillon LOOKS like Matt Dillon. Not some loner mountain man with Patrick Swayze like hair.
This movie is good at face value and if you like Westerns, but it's not for the Gunsmoke fan. Here's why: Many are still angry that the writers allowed Matt Dillon 1 kiss to someone other than Miss Kitty. In the GS episode "Matt's Love Story." He gets amnesia and is saved by a hard-nosed, woman rancher. She learns to love him and he her. Matt kisses her and then spends the night with her. At the episode Matt finally regains his memory and realizes he cannot stay with the woman, Mike Yardner(Michael Learned). She's angry but understands. FFWD to Last Apache, Mike Yardner has a daughter named Beth who is Matt's love child from that fateful night way back when. Mike tell Matt about Beth and he returns to the ranch. But Beth has been kidnapped by Apaches so it's Daddy Matt to the rescue.
I think it was a disservice to bring up the Matt's Love Story plot in this movie and a greater insult to show Matt had a love child. It just didn't jibe with the GS standard.