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Red Dust More at IMDbPro »Gun gun hong chen (original title)

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6 out of 6 people found the following review useful:

Red Dust must have eaten my heart!

10/10
Author: Andrea Vidusso (vid@postino.it) from Milano, Italy
19 February 2004

"Red Dust" tells us the story of writer Shao Hua (Lin Ching Hsia) during the period 1935-1950. And it does it in an excellent way! The story starts from a very personal point of view, by depicting the days when Shao Hua used to write alone, locked up in the attic by her father, then slowly unfolds to the wider reality of a country suffering poverty and persecution, because of the Japanese first, because of the clashes between the nationalists and the communists later. However, it's not a sad movie: Shao Hua has love and friendship to care about (although they do enter in contrast, as she comes in contact both with people working for the Japanese and with "partisans"), and indeed the movie is more of a journey of her heart, as she climbs through the ups and downs of life, with moments of laughter and glee following or giving way to moments of disappointment and insight. Alongside, as she is a writer, we also get to see as the steps of her existence influence the developing of her novel.

This, added to some wonderful movie stills, a pleasant and rich soundtrack, great expressiveness from the two leads Lin Ching Hsia & Maggie Cheung and a careful view on China's historical background, make "Red Dust" a must see! 10/10

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2 out of 2 people found the following review useful:

more Hong Kong hokum, but on a larger than usual canvas

6/10
Author: Michael Neumann from United States
29 December 2010

It's been described as a Chinese 'Dr. Zhivago', but despite an impressive sweep to the crowd scenes this turbulent, 50-year love story between a single-minded writer and a wartime collaborator might well have been called 'Red Soap'. The romance itself is handled with admirable understatement and delicacy, but everything else about this typically energetic, over-the-top Hong Kong production is larger than life, with performances, photography, and a music score pitched near the threshold of hysteria. Director/co-writer Yim Ho tosses everything together into the slowly boiling pot (including a syrupy love song), and the perhaps too busy scenario gives the film a careless, slapdash look (at one point a crew member fanning artificial snow onto the set is clearly visible in a window reflection). Predictably, it all ends in tears, but the lump-in-the-throat epilogue at least adds a graceful coda to the otherwise overwrought melodrama.

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2 out of 2 people found the following review useful:

a must see

Author: Dan Starkey from Belfast, NI
27 March 2004

*** This review may contain spoilers ***

"Red Dust" is a political commentary presented as romantic historical melodrama. Filmed in the immediate aftermath of the Tien An Men massacre, it tells the story of an woman who escapes her difficult reality by writing romantic stories. The author, Shen Shao-Hua, is immediately identified with the real-life Eileen Chang, who also escaped imprisonment by an abusive stepfather, wrote romantic stories, and survived comfortably during the Japanese occupation. Unlike Eileen Chang, who escaped the Revolution and lived out her days in Los Angeles, Shen Shao-Hua remains behind and becomes a recognized writer in Communist China.

Brigitte Lin is magnificent as Shen Shao-Hua, and Maggie Cheung is wonderful as her best friend. Both convey an amazing range of emotion throughout this Zhivago-like love story, and hold the viewer enthralled every moment they are on the screen. The men in the movie are more two dimensional; one has little conscience, the other is a cardboard saint.

*** The next paragraph discusses elements of the film and may be considered by some to contain "spoilers." ***

Shen Shao-Hua can be interpreted as a stand-in for China herself, as she suffers through terrible ordeals, managing to survive by disregarding honor, saving her dreams for her stories. Shen survives thanks to her lover's collaboration with the murderous Japanese, yet this is forgiven. Her best friend is murdered by the Nationalists during a student rally in an obvious reference to Tien-An-Men, but Shen nevertheless relies on a wealthy sugar-daddy, ignoring starving people in the streets, and tries to escape with the Nationalists to Taiwan. As she is forced to stay behind, Shen is reassured by the sugar daddy that she will find a way to survive the Communists also, and she does. The current Chinese government is clearly identified as behaving similarly to the Japanese and the Nationalists, with the Chinese people as the long suffering victims. Yet most will do make whatever compromises are necessary for survival; heroes wind up dead.

This is one of the great films of world cinema, although it is disappointingly hard to find, and prints tend to be of low quality, with some white-on-white subtitles. But the film transcends these difficulties. Find it and see it.

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