With an entirely new set of actors, this movie continues the story from Swordsman (1990). Blademaster and his martial arts school decide to retire to a distant mountain. Before leaving, he ... See full summary »
The whole city is burning up during the hottest summer on record. Tempers flare, irrational feelings erupt and the impossible becomes possible. And in every corner of the city, love explodes like fireworks.
Set in 1960, the film centres on the young, boyishly handsome Yuddy, who learns from the drunken ex-prostitute who raised him that she is not his real mother. Hoping to hold onto him, she ... See full summary »
Fantasy adventure about the arrival of Buddhism in China. When the Goddess of Happiness tosses the Longevity Monk and his disciples out of heaven (because the Monkey King tried to attain ... See full summary »
A romantic Chinese New Year comedy about the three Shang brothers. Eldest brother Shang Moon is a philandering businessman who treats his hideous yet hard-working wife like dirt. Middle ... See full summary »
A man wants to see his three daughters get married. The eldest is a hard-nosed cop who needs a hard-nosed lover. The middle daughter is a wall flower who yearns for a gangster. The youngest... See full summary »
Tony Ka Fai Leung
Stretching across the canvas of the Sino-Japanese War of the 30s, the subsequent Japanese surrender in 1945, and the onslaught of Communism, this film depicts an ill-fated romance between a talented lady novelist and a Chinese traitor working with the Japanese who fall victim to the mayhem of war and their tragic inability to reconcile political differences. Written by
L.H. Wong <email@example.com>
more Hong Kong hokum, but on a larger than usual canvas
It's been described as a Chinese 'Dr. Zhivago', but despite an impressive sweep to the crowd scenes this turbulent, 50-year love story between a single-minded writer and a wartime collaborator might well have been called 'Red Soap'. The romance itself is handled with admirable understatement and delicacy, but everything else about this typically energetic, over-the-top Hong Kong production is larger than life, with performances, photography, and a music score pitched near the threshold of hysteria. Director/co-writer Yim Ho tosses everything together into the slowly boiling pot (including a syrupy love song), and the perhaps too busy scenario gives the film a careless, slapdash look (at one point a crew member fanning artificial snow onto the set is clearly visible in a window reflection). Predictably, it all ends in tears, but the lump-in-the-throat epilogue at least adds a graceful coda to the otherwise overwrought melodrama.
2 of 2 people found this review helpful.
Was this review helpful to you?