A romantic Chinese New Year comedy about the three Shang brothers. Eldest brother Shang Moon is a philandering businessman who treats his hideous yet hard-working wife like dirt. Middle ... See full summary »
This big hit at the Sundance Film Festival had audiences cheering. Set during the Ming Dynasty, this acclaimed production tells the story of a power hungry eunuch who employs an evil sect ... See full summary »
After the Sino-Japanese War, Kwei Dz, one of the family members of Japanese soldiers accepted a Chinese officer's proposal and remained in China. Later they had a daughter named Ann. The ... See full summary »
Tan Lang Jachi Tian
The Soong family was a political dynasty in China that reached the highest levels of power. This film follows the lives of the three Soong daughters, who were educated in America and ... See full summary »
The all-female Heroic Trio are Tung (Wonder Woman), Chat (Thief Catcher), a mercenary, and Ching (Invisible Woman). Initially, they're on opposing sides - the invisible Ching is kidnapping ... See full summary »
What begins as an innocuous entry into a gun competition eventually steers Rick towards a path of fatal rivalry. With extensive training, Rick emerges as one of the finest shooters in town.... See full summary »
Stretching across the canvas of the Sino-Japanese War of the 30s, the subsequent Japanese surrender in 1945, and the onslaught of Communism, this film depicts an ill-fated romance between a talented lady novelist and a Chinese traitor working with the Japanese who fall victim to the mayhem of war and their tragic inability to reconcile political differences. Written by
L.H. Wong <firstname.lastname@example.org>
more Hong Kong hokum, but on a larger than usual canvas
It's been described as a Chinese 'Dr. Zhivago', but despite an impressive sweep to the crowd scenes this turbulent, 50-year love story between a single-minded writer and a wartime collaborator might well have been called 'Red Soap'. The romance itself is handled with admirable understatement and delicacy, but everything else about this typically energetic, over-the-top Hong Kong production is larger than life, with performances, photography, and a music score pitched near the threshold of hysteria. Director/co-writer Yim Ho tosses everything together into the slowly boiling pot (including a syrupy love song), and the perhaps too busy scenario gives the film a careless, slapdash look (at one point a crew member fanning artificial snow onto the set is clearly visible in a window reflection). Predictably, it all ends in tears, but the lump-in-the-throat epilogue at least adds a graceful coda to the otherwise overwrought melodrama.
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