Jun arrives in Hong Kong from mainland China, hoping to be able to earn enough money to marry his girlfriend back home. He meets the streetwise Qiao and they become friends. As friendship ... See full summary »
A parody of Louis Cha's novel The Eagle Shooting Heroes (thats the literal translation). Story begins with the Queen of Golden Wheel Kingdom had an affair with her cousin West Poison, and ... See full summary »
This big hit at the Sundance Film Festival had audiences cheering. Set during the Ming Dynasty, this acclaimed production tells the story of a power hungry eunuch who employs an evil sect ... See full summary »
Dazzling swordplay and eye-poping battles highlight this story of the top three swordsmen in central China; Samurai, Smiling Sam and Big Knife who become involved in a plot to recover the ... See full summary »
Without having met, a famous orchestra conductor and a beautiful woman seem destined to be together. They see one another's faces in their dreams, reflected in mirrors, and in crowded streets before finally meeting in person.
With an entirely new set of actors, this movie continues the story from Swordsman (1990). Blademaster and his martial arts school decide to retire to a distant mountain. Before leaving, he ... See full summary »
Stretching across the canvas of the Sino-Japanese War of the 30s, the subsequent Japanese surrender in 1945, and the onslaught of Communism, this film depicts an ill-fated romance between a talented lady novelist and a Chinese traitor working with the Japanese who fall victim to the mayhem of war and their tragic inability to reconcile political differences. Written by
L.H. Wong <email@example.com>
more Hong Kong hokum, but on a larger than usual canvas
It's been described as a Chinese 'Dr. Zhivago', but despite an impressive sweep to the crowd scenes this turbulent, 50-year love story between a single-minded writer and a wartime collaborator might well have been called 'Red Soap'. The romance itself is handled with admirable understatement and delicacy, but everything else about this typically energetic, over-the-top Hong Kong production is larger than life, with performances, photography, and a music score pitched near the threshold of hysteria. Director/co-writer Yim Ho tosses everything together into the slowly boiling pot (including a syrupy love song), and the perhaps too busy scenario gives the film a careless, slapdash look (at one point a crew member fanning artificial snow onto the set is clearly visible in a window reflection). Predictably, it all ends in tears, but the lump-in-the-throat epilogue at least adds a graceful coda to the otherwise overwrought melodrama.
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