A group of sexy teens embark on one last outing together before going their separate ways. Little do they know that dwelling in the lush forest they have chosen to set up camp is a beast so... See full summary »
An army of malevolent little monsters take over a high-tech corporate skyscraper when a cute and intelligent exotic pet is exposed to water. The "Mogwai's" owner joins forces with the Trump-like head of the corporation to regain control. Written by
Keith Loh <firstname.lastname@example.org>
When Gizmo falls down the air duct and lands to find all the hatched Gremlin cocoons, just before he lands some green goo from the cocoons had apparently dripped onto his stomach. When he does hit the bottom, though, his stomach is clean again. See more »
Daffy Duck looks onto the screen and comments on the length of the credits, saying things like "Long, isn't it?" "Patently ridiculous!" "You're still lurking about? Don't you people have homes?" See more »
This here is Joe Dante's best film. It's a delightful and absolutely charming dark comedy. I begged my mom to take me to see this back in 1990 and thankfully I can say I saw this on the big screen.
Years later when I watch it, I can catch all of the little references and nods to other great films of the past. The Warner Brothers Looney Tune cartoons have obviously made an impact on the directorial style of Joe Dante. What's great is the combination of this type of humor blended with these devious little monsters wrecking havoc in the Clamp Building. Speaking of Clamp, John Glover was excellent as Daniel Clamp (a parody of Donald Trump). He's absolutely hilarious!
There are many terrific special effects and sequences in the film. It's hard to tell you which scene is my favorite because I adore every moment of the film. I will say one of the scenes that sticks out for me is when the Bat Gremlin flies out into New York City by day. I just love those excellent shots of him flying through the sky. Of course, the Brain Gremlin and the 'New York, New York' number is fantastic as well. "Is eeeverybody heere?" And who could forget when the Gremlins got their revenge for Leonard Maltin's lambasting of the first Gremlins movie?
All this is accompanied by a fantastic Jerry Goldsmith score (which happens to be one of my favorites of his as well). The collaboration between Goldsmith and Dante isn't unlike that of Hitchcock and Herrmann or Spielberg and Williams.
The film abounds with dark jollity and watching it you can tell that the filmmakers had a fun time making the picture. To include the audience as part of the goings on, is a real treat.
Out of all the thousands of films I have seen, none have been or ever will be more entertaining than Gremlins 2.
I LOVE it.
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